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  • 1
    ISBN: 9781496804914 , 9781496805058
    Sprache: Englisch
    Seiten: xviii, 280 Seiten , Diagramme
    Serie: American made music series
    DDC: 781.642081
    RVK:
    Schlagwort(e): Country-Musiker ; Country-Musikerin ; Geschlechterrolle ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
    Anmerkung: Selected bibliography Seite 255-266
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 2
    Online-Ressource
    Online-Ressource
    Jackson : University Press of Mississippi | Ann Arbor, Michigan : ProQuest
    ISBN: 9781604739565
    Sprache: Englisch
    Seiten: 1 Online-Ressource (215 pages)
    DDC: 781.642082
    RVK:
    RVK:
    RVK:
    RVK:
    Schlagwort(e): Countrymusic ; Geschlechterrolle
    Kurzfassung: From the smiling, sentimental mothers portrayed in 1930s radio barn dance posters, to the sexual shockwaves generated by Elvis Presley, to the female superstars redefining contemporary country music, gender roles and imagery have profoundly influenced the ways country music is made and enjoyed. Proper male and female roles have influenced the kinds of sounds and images that could be included in country music; preconceptions of gender have helped to determine the songs and artists audiences would buy or reject; and gender has shaped the identities listeners made for themselves in relation to the music they revered. This interdisciplinary collection of essays is the first book-length effort to examine how gender conventions, both masculine and feminine, have structured the creation and marketing of country music. The essays explore the uses of gender in creating the personas of stars as diverse as Elvis Presley, Patsy Cline, and Shania Twain. The authors also examine how deeply conventions have influenced the institutions and everyday experiences that give country music its image: the popular and fan press, the country music industry in Nashville, and the line dance crazes that created the dance hall boom of the 1990s. From Hank Thompson's "The Wild Side of Life" to Johnny Cash's "A Boy Named Sue," from Tammy Wynette's "Stand by Your Man" to Loretta Lynn's ode to birth control, "The Pill," A Boy Named Sue demonstrates the role gender played in the development of country music and its current prominence. Kristine M. McCusker is a professor of history at Middle Tennessee State University. Diane Pecknold is an independent scholar in Chicago, Illinois.
    Anmerkung: Description based on publisher supplied metadata and other sources
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 3
    ISBN: 9781496804914 , 9781496805058 , 9781496804921
    Sprache: Englisch
    Seiten: xviii, 280 Seiten , Diagramme, Notenbeispiele , 24 cm
    Ausgabe: First printing
    Serie: American made music series
    Paralleltitel: Online version Country boys and redneck women
    DDC: 781.642081
    RVK:
    Schlagwort(e): Country music History and criticism ; Country musicians United States ; Women country musicians United States ; Sex role in music ; Country music History and criticism ; Country musicians ; Women country musicians ; Sex role in music ; Country-Musiker ; Country-Musikerin ; Geschlechterrolle
    Kurzfassung: Why "Ladies love country boys" : gender, class, and economics in contemporary country music / Jocelyn R. Neal -- "Hey! If I should grab ya" : "college country" and the ruralization of Urban Brazil / Alexander S. Dent -- Act naturally : Charley Pride, autobiography, and the "accidental career" / Matthew D. Sutton -- Holding on to country : musical moorings for desired masculinities in Aboriginal Australia / êAse Ottosson -- Taylor Swift's "pitch problem" and the place of adolescent girls in country music / Travis Stimeling -- Gender and the Nashville songwriter : three songs by Victoria Banks / Chris Wilson -- As if they were going places : class and gender portrayals through country music in the Texas State Prison, 1938-1944 / Caroline Gnagy -- Negotiating gender, race, and class in post-civil rights country music : how Linda Martell and Jeannie C. Riley stormed the plantation / Diane Pecknold -- Remarkable women and ordinary gals : performance of identity in songs by Loretta Lynn and Dolly Parton / Kate Heidemann -- "Backwoods Barbie" : Dolly Parton's gender performance / Leigh H. Edwards -- Kitty Wells, queen of denial / Georgia Christgau -- Gender deviance and class rebellion in "Redneck woman" / Nadine Hubbs
    Anmerkung: Includes bibliographical references and index
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
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