ISBN:
0-472-10788-7
Sprache:
Englisch
Seiten:
VIII, 263 S.
Dissertationsvermerk:
Zugl. überarb. Fassg.: Berlin, Freie Univ., Diss., 1992
DDC:
811.009/9287
Schlagwort(e):
Dickinson, Emily 〈1830-1886〉 - Critique et interprétation
;
Moore, Marianne 〈1887-1972〉 - Critique et interprétation
;
Rich, Adrienne Cecile - Critique et interprétation
;
Dickinson, Emily 〈1830-1886〉 Criticism and interpretation
;
Moore, Marianne 〈1887-1972〉 Criticism and interpretation
;
Rich, Adrienne Cecile Criticism and interpretation
;
Dickinson, Emily
;
Moore, Marianne
;
Rich, Adrienne
;
Geschichte 1900-2000
;
Geschichte 1800-1900
;
Amerikaans
;
Femmes dans la littérature
;
Femmes et littérature - États-Unis - Histoire - 19e siècle
;
Femmes et littérature - États-Unis - Histoire - 19e siècle
;
Femmes et littérature - États-Unis - Histoire - 20e siècle
;
Femmes et littérature - États-Unis - Histoire - 20e siècle
;
Féminisme et littérature - États-Unis - Histoire
;
Gedichten
;
Intertekstualiteit
;
Intertextualité
;
Intertextualité
;
Poésie américaine - Femmes écrivains - Histoire et critique
;
Poésie américaine - Histoire et critique - Théorie, etc
;
Subjectivité dans la littérature
;
Écrits de femmes américains - Histoire et critique - Théorie etc
;
Geschichte
;
Lyrik
;
American poetry Women authors
;
History and criticism
;
Theory, etc
;
Feminism and literature History
;
Feminist poetry, American History and criticism
;
Intertextuality
;
Subjectivity in literature
;
Women and literature History 19th century
;
Women and literature History 20th century
;
Women in literature
;
Lyrik.
;
Frau.
;
Frau
;
Intertextualität.
;
USA
;
Hochschulschrift
;
1830-1886 Dickinson, Emily
;
Lyrik
;
Frau
;
1887-1972 Moore, Marianne
;
Lyrik
;
Frau
;
1929-2012 Rich, Adrienne
;
Lyrik
;
Frau
;
1830-1886 Dickinson, Emily
;
Frau
;
Intertextualität
;
1887-1972 Moore, Marianne
;
Frau
;
Intertextualität
;
1929-2012 Rich, Adrienne
;
Frau
;
Intertextualität
Kurzfassung:
In Fashioning the Female Subject, Sabine Sielke addresses the often nebulous concept of female subjectivity through a critical analysis of the poetry of Emily Dickinson, Marianne Moore, and Adrienne Rich, each of whom has uniquely fashioned and transformed the female subject over the last 150 years. Applying the feminist theories of Kristeva, Irigaray, and Cixous, Sielke articulately develops a notion of female subjectivity as an intertextual network, a network whose three historically distinct levels illustrate a clear evolution in the poetics designs of such subjectivity. Fashioning the Female Subject is a re-reading of American women's poetry, a partial revisioning of French feminist theory, and a reassessment of Adrienne Rich as a central figure in American feminist theory. Offering a revisionary sense of literary history, Sielke's book offers a new model of literary affiliation to readers of poetry, scholars of literary history, feminist critics, and literary theorists alike.
URL:
http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=007851776&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
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