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  • 1
    ISBN: 9781606066355 , 1606066358 , 9781606060513 , 1606060511
    Language: English
    Pages: 1 Online-Ressource (297 pages) , color illustrations
    Edition: First edition
    Parallel Title: Erscheint auch als Causey, Faya Ancient carved ambers in the J. Paul Getty Museum
    Keywords: J. Paul Getty Museum Catalogs ; J. Paul Getty Museum ; Amber art objects Catalogs ; Art objects, Ancient Catalogs ; Art objects, Etruscan Catalogs ; Art objects Catalogs ; Objets d'art en ambre - Catalogues ; Objets d'art antiques - Catalogues ; Objets d'art étrusques - Catalogues ; Objets d'art - Californie - Los Angeles - Catalogues ; ART / General ; Amber art objects ; Art objects ; Art objects, Ancient ; Art objects, Etruscan ; Catalogs ; Collection catalogs ; Collection catalogs ; Catalogues de collection ; California - Los Angeles ; History of the arts
    Abstract: "This catalogue provides a general introduction to amber in the ancient world followed by detailed catalogue entries for fifty-six Etruscan, Greek, and Italic carved ambers from the J. Paul Getty Museum. The volume concludes with technical notes about scientific investigations of these objects and Baltic amber"--Provided by publisher
    Description / Table of Contents: Introduction -- Amber and the ancient world -- Jewelry: never just jewelry -- Amber magic? -- What is amber? -- Where is amber found? -- The properties of amber -- Ancient names for amber -- Color and other optical characteristics: ancient perception and reception -- Ancient literary sources on the origins of amber -- Amber and forgery -- The ancient transport of amber -- Literary sources on the use of amber -- Amber medicine, amber amulets -- The bronze age -- Early iron age and the orientalizing period -- The archaic and afterward -- The working of amber: ancient evidence and modern analysis -- The production of ancient figured amber objects -- Catalogue -- Technical essay: analysis of selected ambers from the collections of the J. Paul Getty Museum / Jeff Maish, Herant Khanjian, and Michael Schilling.
    Note: Includes bibliographical references
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