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  • 1
    ISBN: 9781108752657
    Language: English
    Pages: 2 Bände
    DDC: 391.009
    Keywords: Fashion and globalization History ; Fashion History ; Clothing and dress Social aspects ; Clothing and dress History ; Kleidung ; Mode ; Geschichte
    Abstract: "Over the twentieth century multi-disciplinary academic studies addressed dress practice and bodily adornment from a variety of perspectives, assessing the question of fashion, though few communities outside the West were awarded this term until the past generation. Anthropologists took an ethnographic stance, with works that from the late 1980s became more attentive to the lived significance of clothing that reflected 'agency, practice and performance' with local and global impact.1 Anthropological studies revealed how clothing resisted and critiqued imperial perspectives, including choices of bodily adornment, integral to community coherence, transforming priorities and social dynamism. These examinations, across world terrains, became richly nuanced with vital studies of evolving clothing systems, including those entangled with decolonization, political changes, and material challenges. The significance of this scholarship affected other disciplinary fields, from history and art history, to cultural and museum studies, with modes of close looking and analysis, as increasing numbers of scholars explored the important matter of 'the social skin'. As Terence Turner observed: 'Decorating, covering, uncovering or otherwise altering the human form in accordance with social notions of everyday propriety or sacred dress, beauty or solemnity, status or changes in status, or on occasion of the violation and inversion of such notions, seems to have been a concern of every human society of which we have knowledge. ... the symbolic stage upon which the drama of socialization is enacted'.2 Studies of clothing revealed its variable efficacy as a tool to discipline colonized peoples, as well as a tool of resistance; while gender practices and the critical resistance of norms were also lively fields of study. Critical analyses of clothing modes opened wideranging, cross-cultural studies on the subject of dress and fashion, attentive to the dialogic relationship between colonies and metropoles and other societal forms"--
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  • 2
    ISBN: 9781108495561
    Language: English
    Pages: xxiii, 734 Seiten , Illustrationen
    Parallel Title: Erscheint auch als The Cambridge global history of fashion
    Angaben zur Quelle: Volume 1
    DDC: 391.009
    Keywords: Europäische Geschichte ; General & world history ; Geschichte allgemein und Weltgeschichte ; HISTORY / World ; Kulturwissenschaften: Mode und Gesellschaft ; Kleidung ; Mode ; Geschichte
    Abstract: Volume I surveys the long history of fashion from the ancient world to c. 1800. The volume seeks to answer fundamental questions on the origins of fashion, challenging Eurocentric explanations that the emergence of fashion was a European phenomenon and shows instead that fashion found early expressions across the globe well before the age of European colonialism and imperialism. It sheds light on how fashion was experienced in a multitude of ways depending on class, gender, and race, and despite geographical distance, fashion connected populations across the globe. Fashions flowered and were reseeded, through entanglements of empire, forced and voluntary migration, evolving racial systems, burgeoning sea travel and transcontinental systems
    Description / Table of Contents: 1. Global history in the history of fashion, Christopher Breward, Beverly Lemire and Giorgio Riello; Part I. Multiple Origins of Fashion: 2. Towards a history of fashion without origins, BuYun Chen; 3. Fashion in the ancient world, Michael Scott; 4. Fashion on the Silk Roads, 500-1300, Susan Whitfield; 5. Distinguishing oneself: the European medieval wardrobe, Maria Giuseppina Muzzarelli; 6. The material regulation of fashion: sumptuary laws in the early modern world, Giorgio Riello; Part II. Early Modern Global Entanglements: 7. Magnificence at the royal courts in the Islamic world, Suraiya Faroqhi; 8. Early modern fashion cities: Italy and Europe in a global context, Eugenia Paulicelli; 9. Fashioning possibilities: early modern global ties and entangled histories, Beverly Lemire; 10. Fashion beyond clothing: early modern visual culture of Eurasian dress, Peter McNeil; 11. Fashion and the maritime empires, Meha Priyadarshini; 12. Garments of servitude, fabrics of freedom: dress of enslaved and free diaspora African communities in the mid-Atlantic, c. 1700-1840, Steeve O. Buckridge; Part III. Many Worlds of Fashion: 13. 'Black cloth': status and identity in Islamic West Africa, c. 1500-1900, Colleen E. Kriger; 14. Fashion and moral concern in early modern Japan, Timon Screech; 15. Textiles and fashion in Southeast Asia, Ruth Barnes; 16. Fashion in Ming and Qing China, Rachel Silberstein; 17. Everyday fashion in the Ottoman Empire, c. 1600-1800, James Grehan; 18. Imperialism and fashion: South Asia, c. 1500-1800, Jagjeet Lally; 19. Fashion systems in the Indian Ocean World, from ancient times to c. 1850, Sarah Fee; 20. Fashion and first peoples in European settler societies, c. 1700-1850, Melissa Bellanta.
    URL: Cover  (lizenzpflichtig)
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  • 3
    ISBN: 9781108495554
    Language: English
    Pages: xxv, Seiten 737-1524 , Illustrationen
    Parallel Title: Erscheint auch als The Cambridge global history of fashion
    Angaben zur Quelle: Volume 2
    DDC: 391.009
    Keywords: Bekleidungs- & Textilindustrie ; General & world history ; Geschichte allgemein und Weltgeschichte ; HISTORY / World ; Kulturwissenschaften: Mode und Gesellschaft ; Nachhaltigkeit ; Kleidung ; Mode ; Geschichte
    Abstract: Volume II surveys the history of fashion from the nineteenth-century to the present day. Covering the period beginning with mass industry and ending with calls for sustainability, this volume challenges the meaning of modernity and modernism from a global perspective and reflects on important scholarship that has changed our understanding of the relationship between fashion and colonialism. Empires shifted and new powers rose, with fashion marking and contending with this change. The volume concludes with a critical view of fashion and globalisation, and explores the deep connections between the fashion industry, the global economy, and the politics of production and wearing in the contemporary world
    Description / Table of Contents: Part IV. Fashion, Modernism and Modernity: 21. Fashionable masculinities in England and beyond: renunciation and dandyism, 1800-1939, Christopher Breward; 22. Fashion in capitalism: another modernity, 1800 to the present, Ulrich Lehmann; 23. Fashion and youth in western societies: street style and race, c. 1830-1940, Vivienne Richmond; 24. Fashion and time in China's twentieth century, Antonia Finnane; 25. The totalitarian state and fashion in the twentieth century, Djurdja Bartlett; 26. Hollywood and beyond: fashion and the fiction film, Stella Bruzzi; 27. Fashion and non-fashion cultures, Sophie Woodward; 28. Fashion and hypermodernity, Marco Pecorari; Part V. Fashion, Colonialism and Post-colonialism: 29. Chinese coolie hats: global dialogues on a sign of servitude, c. 1840-1940, Miki Sugiura; 30. Crumbling empires and emerging nations: fashion in Europe, c. 1860-1914, Jonathan C. Kaplan; 31. Gender, nation, fashion and modernities in the Asia-Pacific, 1900 to the present, Mina Roces; 32. The global politics of wearing, buying, and selling European-style dress, c. 1900-1930, Hissako Anjo, Emi Goto and Miki Sugiura; 33. Fashioning diasporas: Jewish and African experiences, c. 1800-1950, Susan B. Kaiser and Nina L. Cole; 34. Colonial fashion histories, Karen Tranberg Hansen; Part VI. Fashion Systems and Globalisation: 35. Manufacturing fashion in the postwar period, Véronique Pouillard; 36. Producing and predicting fashion in twentieth-century America and Europe, Regina Lee Blaszczyk; 37. The origins and development of haute couture, 1858 to now, Claire Wilcox; 38. Couture, Prêt-à-porter and fast fashion since 1945, Simona Segre Reinach; 39. Casualwear and its birth in Japan, Toby Slade; 40. Fashion and globalization: the politics of hijab, Liz Bucar; 41. Streetscape, shop window, museum vitrine: displaying fashion, c. 1800-2000, Julia Petrov; 42. Fashion and global sustainability, Lucy Norris.
    URL: Cover  (lizenzpflichtig)
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  • 4
    ISBN: 9781108862349
    Language: English
    Pages: 1 online resource (xxv, 1524 pages).
    DDC: 391.009
    Keywords: Aufsatzsammlung ; Aufsatzsammlung
    Note: Also issued in print: 2023. , Includes bibliographical references and index.
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
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  • 5
    ISBN: 9781108850353 , 9781108495561 , 9781108817479
    Language: English
    Pages: 1 Online-Ressource (xxiii, 734 pages)
    Parallel Title: Erscheint auch als
    DDC: 391.009
    Keywords: Fashion and globalization History ; Fashion History ; Clothing and dress Social aspects ; Clothing and dress History ; Aufsatzsammlung ; Aufsatzsammlung
    Abstract: Volume I surveys the long history of fashion from the ancient world to c. 1800. The volume seeks to answer fundamental questions on the origins of fashion, challenging Eurocentric explanations that the emergence of fashion was a European phenomenon and shows instead that fashion found early expressions across the globe well before the age of European colonialism and imperialism. It sheds light on how fashion was experienced in a multitude of ways depending on class, gender, and race, and despite geographical distance, fashion connected populations across the globe. Fashions flowered and were reseeded, through entanglements of empire, forced and voluntary migration, evolving racial systems, burgeoning sea travel and transcontinental systems
    Note: Title from publisher's bibliographic system (viewed on 04 Aug 2023)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
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