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  • Online Resource  (15)
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  • 1
    ISBN: 9781782384878
    Language: English
    Pages: 1 Online-Ressource (313 Seiten) , Illustrationen
    Series Statement: Berghahn on film
    DDC: 791.436553
    Keywords: Motion pictures History 20th century ; Work in motion pictures ; Motion pictures History 21st century ; Performing arts ; Motion pictures ; Work in motion pictures ; Europe ; History ; Performing Arts / Film / History & Criticism ; Electronic books
    Abstract: Contrary to the assumption that Western and Eastern European economies and cinemas were very different from each other, they actually had much in common. After the Second World War both the East and the West adopted a mixed system, containing elements of both socialism and capitalism, and from the 1980s on the whole of Europe, albeit at an uneven speed, followed the neoliberal agenda. This book examines how the economic systems of the East and West impacted labor by focusing on the representation of work in European cinema. Using a Marxist perspective, it compares the situation of workers in Western and Eastern Europe as represented in both auteurist and popular films, including those of Tony Richardson, Lindsay Anderson, Jean-Luc Godard, Andrzej Wajda, Dušan Makavejev, Jerzy Skolimowski, the Dardenne Brothers, Ulrich Seidl and many others
    Note: Includes bibliographical references and index
    URL: Volltext  (View this content on Open Research Library)
    URL: Cover  (Thumbnail cover image)
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  • 2
    Online Resource
    Online Resource
    London : Palgrave Macmillan UK | Cham : Springer International Publishing AG
    ISBN: 9781137592736 , 1137592737
    Language: English
    Pages: 1 Online-Ressource (XI, 311 Seiten) , 16 illus.
    Edition: 1st ed. 2016
    Series Statement: Pop Music, Culture and Identity
    Parallel Title: Erscheint auch als Popular Music in Eastern Europe
    DDC: 306.094
    Keywords: Ethnology Europe ; Culture ; Music ; Russia History ; Europe, Eastern History ; Soviet Union History ; Journalism ; Cultural policy ; European Culture ; Music ; Russian, Soviet, and East European History ; Journalism ; Cultural Policy and Politics
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  • 3
    ISBN: 9781137463388
    Language: English
    Pages: 1 Online-Ressource (262 Seiten)
    Series Statement: Pop music, culture and identity
    Parallel Title: Erscheint auch als Relocating popular music
    Parallel Title: Erscheint auch als Relocating popular music
    DDC: 301
    RVK:
    Keywords: Arts ; Electronic books ; Electronic books
    Abstract: Pages:1 to 25 -- Pages:26 to 50 -- Pages:51 to 75 -- Pages:76 to 100 -- Pages:101 to 125 -- Pages:126 to 150 -- Pages:151 to 175 -- Pages:176 to 200 -- Pages:201 to 225 -- Pages:226 to 250 -- Pages:251 to 262
    URL: Volltext  (lizenzpflichtig)
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  • 4
    Online Resource
    Online Resource
    London : Routledge, Taylor and Francis Group
    ISBN: 9781351862622
    Language: English
    Pages: 1 Online-Ressource (248 Seiten)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.484
    RVK:
    RVK:
    RVK:
    RVK:
    RVK:
    Keywords: Geschichte 1960-2000 ; Popular music / Social aspects ; Kultur ; USA ; USA ; Kultur ; Geschichte 1960-2000
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  • 5
    Online Resource
    Online Resource
    Cham : Palgrave Macmillan
    ISBN: 9783319525006
    Language: English
    Pages: 1 Online-Ressource (xi, 305 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als Heading North
    DDC: 302.23
    Keywords: Mass media--Social aspects ; Mass media ; Social aspects ; Mass media ; Electronic books ; Film ; Fernsehserie ; England ; Identität
    Abstract: Heading North -- Contents -- List of Figures -- List of Tables -- 1 Introduction: Imagining the North of England -- The Pathos of the Oppressed Region -- Realism and Poetry of the North -- A Short History of the North in Film and on Television -- Modifying the Master Narrative -- Notes -- References -- Part I The North, History and an Archive -- 2 Knocking-off Time in the North: Images of the Working Class and History in L.S. Lowry and Mitchell and Kenyon -- Lowry: Sealing the North -- Opening the Gates -- References -- 3 Mediating Northern Identities through Visual Heritage: An Unfinished Journey -- Regions, Archives and Identities -- Viewing the North-west -- Yorkshire: An Even Bigger Picture -- Looking Back, Looking Forward -- Notes -- References -- 4 To the Cheshire Station: Alan Garner and John Mackenzie's Red Shift -- The Cheshire Planes -- About Time -- Cheshire's Archives of Violence -- References -- Filmography -- Part II The North and the Rural and Urban Identities -- 5 Screening South Yorkshire: The Gamekeeper and Looks and Smiles -- The Gamekeeper -- Looks and Smiles -- Conclusion -- Note -- References -- 6 Re-reading Edge of Darkness: The Power of Northernness and the 'Man of Feeling' -- The Northern Man of Feeling -- An English Provincial Detective -- Yorkshire and Texas: Unlikely Alliances -- Notes -- References -- 7 Producing Habitus: ITV Soap Operas and the 'Northern Powerhouse' -- Habitus -- Soaps and Brand Profile -- Representing and Representative of Place -- Heritage -- Contemporaneity -- Cultural Economy and Creative Milieu -- The Promise of a 'Northern Powerhouse' -- References -- 8 North Square, New Street Law and Outlaws: Class and Race in Recent Northern Legal Television Drama -- The UK Television Legal Drama -- Northern Characters in British Legal Dramas -- North Square -- New Street Law -- Outlaws -- References
    Abstract: 9 It's Grimm Up North: Domestic Obscenity, Assimilation Anxiety and Medical Salvation in BBC Three's In the Flesh -- Uncanny Valleys, Wolds and Moors: Horror and the North -- Medicalising the Supernatural: PDS and the NHS -- The Horrific Closet and the Othered Other -- Passing Failures -- Conclusion -- Notes -- References -- Part III The North in a Transnational Context -- 10 Looking West, not South: The Anglo-American Films Agreement and the North on Film, 1948 to 1958 -- America and the British Film Industry 1948-1958 -- Americanisation of the North, 1948 to 1958 -- Notes -- References -- 11 The North and Europe in 24 Hour Party People and Control -- Manchester and Europe -- Tony Wilson as an Honorary European in Manchester -- Escaping the North -- Conclusions -- Notes -- References -- 12 From North to East: Children and the Spatial Allegory of Entrapment in Ken Loach's Kes and Csaba Bollók's Iska's Journey -- Constructions of Northernness and Critical Realism -- A North without Enlightenment? The Case of Kes -- Critical Realism and the Budapest School -- Spaces and Children of the Margins: Iska's Journey -- Conclusion -- Notes -- References -- 13 The (Global) Northern Working Class: Engels Revisited -- The Concept of Class -- The Working Class in the Mainstream Media -- The Representation of the Working Class in The Condition of the Working Class -- The Global Working Class -- Conclusions -- Notes -- References -- Index
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  • 6
    Online Resource
    Online Resource
    Milton : Routledge
    ISBN: 9781351862622
    Language: English
    Pages: 1 Online-Ressource (248 pages)
    Parallel Title: Erscheint auch als Mazierska, Ewa Popular Viennese Electronic Music, 1990-2015 : A Cultural History
    DDC: 306.484
    Keywords: Popular music-Social aspects
    Abstract: Cover -- Title -- Copyright -- Contents -- List of figures -- Acknowledgements -- Introduction: putting Viennese electronic music on the map -- Part I -- 1 Vienna, the city of music: from Mozart to Conchita Wurst -- Part II -- 2 Vienna Electronica as scene and industry: between cultivated provincialism and cosmopolitanism -- Part III -- 3 Between rock and electronic music, or the pleasures of sin(ging) -- 4 Kruder and Dorfmeister: the studio(us) remixers -- 5 The cool ambience of Tosca -- 6 Sofa Surfers: surfing and post-rocking -- 7 Patrick Pulsinger: the happy techno kid -- 8 Peter Rehberg, Christian Fennesz and the Label Mego: between Glitch and Bécs -- 9 Women in a mixed world: Electric Indigo and Sweet Susie -- Conclusions -- Bibliography -- Index.
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  • 7
    ISBN: 1782384871 , 9781782384878 , 9781789204742 , 1789204747
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Berghahn on film
    Parallel Title: Erscheint auch als Mazierska, Ewa From self-fulfillment to survival of the fittest
    Keywords: 1900-2099 ; Work in motion pictures ; Working class in motion pictures ; Motion pictures History 20th century ; Motion pictures History 21st century ; Labor in motion pictures ; Travail au cinéma ; Travailleurs au cinéma ; Cinéma - Europe - Histoire - 20e siècle ; Cinéma - Europe - Histoire - 21e siècle ; BUSINESS & ECONOMICS - Labor ; PERFORMING ARTS / Film / History & Criticism ; Labor in motion pictures ; Motion pictures ; Work in motion pictures ; Working class in motion pictures ; History ; Europe ; Performing Arts ; Film ; History & Criticism
    Abstract: Contrary to the assumption that Western and Eastern European economies and cinemas were very different from each other, they actually had much in common. After the Second World War both the East and the West adopted a mixed system, containing elements of both socialism and capitalism, and from the 1980s on the whole of Europe, albeit at an uneven speed, followed the neoliberal agenda. This book examines how the economic systems of the East and West impacted labor by focusing on the representation of work in European cinema. Using a Marxist perspective, it compares the situation of workers in Western and Eastern Europe as represented in both auteurist and popular films, including those of Tony Richardson, Lindsay Anderson, Jean-Luc Godard, Andrzej Wajda, DusanMakavejev, Jerzy Skolimowski, the Dardenne Brothers, Ulrich Seidl and many others
    Description / Table of Contents: Introduction -- Homo faber and the work of cinema -- The 1960: in search of self-fulfilment -- The 1970s: seeking change -- The 1980s: learning to survive -- The 1990s, the 2000s and beyond: moving towards the unknown -- Conclusions towards the new cinema of work and idleness.
    Note: "Berghahn on film." , Includes bibliographical references and index
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  • 8
    ISBN: 9781789204742
    Language: English
    Pages: 1 Online-Ressource (303 Seiten) , Illustrationen
    Series Statement: Berghahnonfilm
    Keywords: Film theory & criticism ; Europa ; Film ; Arbeit ; Arbeiter ; Geschichte 1960-
    Abstract: Contrary to the assumption that Western and Eastern European economies and cinemas were very different from each other, they actually had much in common. After the Second World War both the East and the West adopted a mixed system, containing elements of both socialism and capitalism, and from the 1980s on the whole of Europe, albeit at an uneven speed, followed the neoliberal agenda. This book examines how the economic systems of the East and West impacted labor by focusing on the representation of work in European cinema. Using a Marxist perspective, it compares the situation of workers in Western and Eastern Europe as represented in both auteurist and popular films, including those of Tony Richardson, Lindsay Anderson, Jean-Luc Godard, Andrzej Wajda, DušanMakavejev, Jerzy Skolimowski, the Dardenne Brothers, Ulrich Seidl and many others.
    Note: Literaturverzeichnis: Seite 273-293 , Enthält ein Register
    URL: Cover
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  • 9
    Online Resource
    Online Resource
    [Erscheinungsort nicht ermittelbar] : Taylor & Francis
    ISBN: 9781315230627
    Language: English
    Pages: 1 Online-Ressource (20 p.)
    Keywords: The arts
    Abstract: When Cruise , the film whose dialogue I used as an epigraph for this chapter, was released in 1970, these words were seen as capturing Polish inability to move beyond the safe zone of a well-known repertoire of images, melodies and symbols. Austrians allegedly are also stuck in the past (see Chapter 1 ). This would explain Kruder and Dorfmeister’s penchant for making capital from our pleasure of listening to melodies we already know, if not for the fact that they gained fame not from capitalising on Vienna’s music history but remixing songs coming from the Anglo-American centre of popular music, such as those by Depeche Mode, Madonna and David Holmes. Theirs is thus an interesting case of colonisation, which includes self-colonisation and reverse colonisation: taking something from the centre, reworking it and returning to the centre an improved version. Depending on the perspective, their productions can be seen as proof of the hegemony of the centre or a sign that the periphery can not only resist the centre’s power but also penetrate it on its own terms. Equally, they can be seen as a sign of the end of authenticity and originality in popular music (and art at large) in the postmodern era or a need to rework these concepts to fit the art of creative recycling
    Note: English
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  • 10
    Online Resource
    Online Resource
    [Erscheinungsort nicht ermittelbar] : Taylor & Francis
    ISBN: 9781315230627
    Language: English
    Pages: 1 Online-Ressource (29 p.)
    Keywords: The arts
    Abstract: A large proportion of artists considered in this study at some stage of their career veered towards ‘serious’ or experimental music. This also refers to Peter Rehberg and Christian Fennesz. However, they differ from those considered previously, because unlike them, they did not cross the boundary between the popular and academic now and then but made it their personal signature. Their music also challenges our concept of electronic music, as well as studio and stage and even music and non-music. To contextualise their work, it is worth locating it first against the concept of ‘noise music’ or rather ‘noise as music’
    Note: English
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