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  • 1
    Online Resource
    Online Resource
    [Erscheinungsort nicht ermittelbar] : Taylor & Francis
    ISBN: 9781032220239 , 9781474296069
    Language: Undetermined
    Pages: 1 Online-Ressource (9 p.)
    Keywords: Photographic reportage ; Photography & photographs ; General & world history ; Historiography
    Abstract: The notion that photographs are the products of biases and hidden agendas is nothing new. Photographs have presented Argentina's Proceso as a source of peace and stability, Canada's residential schools as agents of successful assimilation and the Extraordinary Chambers in the Courts of Cambodia as an unimpeachable force for justice. Photography has proven a valuable partner in these endeavours. Photographs provide evocative visual, temporal and material links to the past that allow them to be used as evidence, affirmations of different types of truth, political critique, and individual and shared historical narratives. Contemporary patterns of international photography education, exhibition, theorization and publication reaffirm the critical necessity of bringing a deterritorialized perspective to national case studies. Contemporary photographers are deterritorializing their responses to human rights abuses by forging connections between different historical events across time and space
    Note: English
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  • 2
    Online Resource
    Online Resource
    Acton, A.C.T : ANU Press
    ISBN: 1760462551 , 1760462543 , 9781760462543 , 9781760462550
    Language: English
    Pages: 1 Online-Ressource (xiv, 251 pages) , colour illustrations, colour maps
    Series Statement: Asian studies series monograph 11
    Parallel Title: Erscheint auch als Miles, Melissa Pacific exposures
    DDC: 327.94052
    Keywords: Photography ; Photography ; Japan ; Diplomatic relations ; Photography ; Australia ; Australia Foreign relations ; Japan Foreign relations ; Electronic books
    Abstract: 'The Child of the World's Old Age': Photographing Japan in the Early Twentieth Century -- 'White Australia' in the Darkroom: 1915-1941 -- Shooting Japanese: Photographing the Pacific War -- Japan for the Taking: Images of the Occupation -- Through Non-Military Eyes: Developing the Postwar Bilateral Relationship -- Cross-Cultural (Mis)understandings: Independent Photography since the 1980s -- Conclusion: Revising 'Us and Them'.
    Abstract: Photography has been a key means by which Australians have sought to define their relationships with Japan. From the fascination with all things Japanese in the late nineteenth century, through the era of 'White Australia', the bitter enmity of the Pacific War, the path to reconciliation in the post-war period and the culturally complicated bilateralism of today, Australians have used their cameras to express a divided sense of conflict and kinship with a country that has by turns fascinated and infuriated. The remarkable photographs collected and discussed here for the first time shed new light on the history of Australia's engagement with its most important regional partner. Pacific Exposures argues that photographs tell an important story of cultural production, response and reaction--not only about how Australians have pictured Japan over the decades, but how they see their own place in the Asia-Pacific
    Note: Includes bibliographical references (pages 235-251)
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  • 3
    Online Resource
    Online Resource
    London : Bloomsbury Visual Arts
    ISBN: 9781350054981 , 1350054984 , 9781350054974 , 1350054976
    Language: English
    Pages: 1 online resource , illustrations (black and white, and colour)
    DDC: 306.47
    Keywords: Art and society ; Photography / Social aspects
    Abstract: "Photography is a ubiquitous part of the public sphere. Yet we rarely stop to think about the important role that photography plays in helping to define what and who constitute the public. This book brings together leading experts and emerging thinkers to consider the special role of photography in shaping how the public is addressed, seen and represented. This book responds to a growing body of recent scholarship and flourishing interest in photography's connections to the law, society, culture, politics, social change, the media and visual ethics. Photography and Its Publics presents the public sphere as a vibrant setting where these realms are produced, contested and entwined. Public spheres involve yet exceed the limits of families, interest groups, identities and communities. They are dymamic realms of visibility, discussion, reflection and possible conflict among strangers of different race, age, gender, social and economic status. Through studies of photography in South America, North America, Europe and Australasia, the contributors consider how photography has changed the way we understand and locate the public sphere. As they address key themes including the referential and imaginative qualities of photography, the transnational circulation of photographs, online publics, social change, violence, conflict and the ethics of spectatorship, the authors provide new insight into photography's vital role in defining public life"--
    Note: Previously issued in print: 2020 , Description based on CIP data; resource not viewed
    URL: Volltext  (URL des Erstveroeffentlichers)
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  • 4
    Book
    Book
    London : Bloomsbury Visual Arts
    ISBN: 9781350054967
    Language: English
    Pages: xiii, 243 Seiten , Illustrationen
    DDC: 306.47
    RVK:
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  • 5
    Online Resource
    Online Resource
    [Erscheinungsort nicht ermittelbar] : ANU Press
    Language: English
    Pages: 1 Online-Ressource (266 p.)
    Keywords: Japan ; Australia ; Photography & photographs ; History
    Abstract: "Photography has been a key means by which Australians have sought to define their relationships with Japan. From the fascination with all things Japanese in the late nineteenth century, through the era of ‘White Australia’, the bitter enmity of the Pacific War, the path to reconciliation in the post-war period and the culturally complicated bilateralism of today, Australians have used their cameras to express a divided sense of conflict and kinship with a country that has by turns fascinated and infuriated. The remarkable photographs collected and discussed here for the first time shed new light on the history of Australia’s engagement with its most important regional partner. Pacific Exposures argues that photographs tell an important story of cultural production, response and reaction—not only about how Australians have pictured Japan over the decades, but how they see their own place in the Asia-Pacific. ‘Pacific Exposures presents the first study of the photographic exchanges between Australia and Japan—its photographers, personalities, motivations, anxieties and tensions—based on a diverse range of archival materials, interviews, and well-chosen photographs.’ — Dr Luke Gartlan, University of St Andrews ‘[Pacific Exposures] will become a key text on Australia’s interactions with Japan, and the way that photographs can inform cross-cultural relations through their production, consumption and circulation.’ — Prof. Kate Darian-Smith, University of Tasmania"
    Note: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 6
    Online Resource
    Online Resource
    [Erscheinungsort nicht ermittelbar] : Taylor & Francis
    ISBN: 9781032220239 , 9781474296069
    Language: Undetermined
    Pages: 1 Online-Ressource (19 p.)
    Keywords: Photographic reportage ; Photography & photographs ; General & world history ; Historiography
    Abstract: Photography, Truth and Reconciliation examines the special place of photographs in contexts of truth and reconciliation. The moral and political implications of viewing photographs of human suffering, especially from a political and geographic distance, informs much of this body of work. The importance of acknowledging these contextual specificities is why Photography, Truth and Reconciliation is structured around five discrete national case studies: Argentina, South Africa, Canada, Australia and Cambodia. Photography's ability to lend itself to different forms of truth means that this medium has been eagerly adopted in contexts of truth and reconciliation. Reconciliation and its relationships to photography, truth and history are similarly variable and contextually determined. In studies of transitional justice, there is little consensus about what reconciliation means and how it can be achieved. The chapter also presents an overview on the key concepts discussed in this book
    Note: English
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  • 7
    Online Resource
    Online Resource
    [Erscheinungsort nicht ermittelbar] : Taylor & Francis
    ISBN: 9781003103820 , 9781032220239 , 9781474296069
    Language: Undetermined
    Pages: 1 Online-Ressource
    Keywords: Photographic reportage ; Photography & photographs ; General & world history ; Historiography ; history of photography, art history, visual studies
    Abstract: Photography, Truth and Reconciliation charts the connections between photography and a crucial issue in contemporary social history. The book examines the prevalence of photography in cultural responses to processes of truth and reconciliation, and argues that photographs are a valuable means through which stories can be retold and historiography can be rethought. Five compelling case studies from Argentina, Canada, Australia, South Africa and Cambodia underscore the special role that this medium has played in facilitating processes of recovery, and in reconstructing suppressed histories, even when a documentary record of the events does not exist. The diverse practices addressed in this book - including artistic, protest, institutional, archival, legal and personal photography - prompt a new consideration of photography's links to presence, place, time, spectatorship and justice. Collectively, these practices attest to photography's key role in transitional justice, and in shaping historical understanding internationally. Important reading for students taking photography, visual culture, history and media studies courses, Photography, Truth and Reconciliation explores key historical and theoretical themes, including photography and testimony, international discourses on human rights and justice, and problematic notions of public and collective memory
    Note: English
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  • 8
    Online Resource
    Online Resource
    [Erscheinungsort nicht ermittelbar] : ANU Press
    ISBN: 9781760462543
    Language: English
    Pages: 1 Online-Ressource (266 p.)
    Keywords: Japan ; Australia ; Photography & photographs ; History
    Abstract: "Photography has been a key means by which Australians have sought to define their relationships with Japan. From the fascination with all things Japanese in the late nineteenth century, through the era of ‘White Australia’, the bitter enmity of the Pacific War, the path to reconciliation in the post-war period and the culturally complicated bilateralism of today, Australians have used their cameras to express a divided sense of conflict and kinship with a country that has by turns fascinated and infuriated. The remarkable photographs collected and discussed here for the first time shed new light on the history of Australia’s engagement with its most important regional partner. Pacific Exposures argues that photographs tell an important story of cultural production, response and reaction—not only about how Australians have pictured Japan over the decades, but how they see their own place in the Asia-Pacific. ‘Pacific Exposures presents the first study of the photographic exchanges between Australia and Japan—its photographers, personalities, motivations, anxieties and tensions—based on a diverse range of archival materials, interviews, and well-chosen photographs.’ — Dr Luke Gartlan, University of St Andrews ‘[Pacific Exposures] will become a key text on Australia’s interactions with Japan, and the way that photographs can inform cross-cultural relations through their production, consumption and circulation.’ — Prof. Kate Darian-Smith, University of Tasmania"
    Note: English
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