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  • 1
    Book
    Book
    A post-nationalist history of television in Ireland (2019)
    Cham, Switzerland : Palgrave Macmillan
    Details
    ISBN: 9783319968599 , 3319968599
    Language: English
    Pages: xiii, 231 pages , illustrations, map , 22 cm
    Parallel Title: Erscheint auch als
    DDC: 302.234509415
    Keywords: Television Social aspects ; History ; Mass media and nationalism ; Irland ; Fernsehen ; Fernsehsendung ; Sozialer Wandel ; Geschichte
    Abstract: 1. How Should We Write a History of Television? -- 2. A Dominant Narrative in Irish Television History -- 3. Personal Memory and Social Power -- 4. Making Sense of Television -- 5. Memories of Imported Programmes and International Broadcasts -- 6. Time, Space and Television -- 7. Recollection and Social Status -- 8. Putting the Bishop and the Nightie to Bed -- 9. Personally Remembering the Global -- Index.
    Abstract: This book explores the question of how society has changed with the introduction of private screens. Taking the history of television in Ireland as a case study due to its position at the intersection of British and American media influences, this work argues that, internationally, the transnational nature of television has been obscured by a reliance on institutional historical sources. This has, in turn, muted the diversity of audience experiences in terms of class, gender and geography. By shifting the focus away from the default national lens and instead turning to audience memories as a key source, A Post-Nationalist History of Television in Ireland defies the notion of a homogenous national television experience and embraces the diverse and transnational nature of watching television. Turning to people?s memories of past media, this study ultimately suggests that the arrival of the television in Ireland, and elsewhere, was part of a long-term, incremental change where the domestic and the intimate became increasingly fused with the global--back cover
    Note: Includes bibliographical references and index
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  • 2
    Online Resource
    Online Resource
    A Post-Nationalist History of Television in Ireland. (2019)
    Cham : Palgrave Macmillan US
    Details
    ISBN: 9783319968605
    Language: English
    Pages: 1 online resource (237 pages)
    Parallel Title: Erscheint auch als
    DDC: 384.55409417
    Keywords: Mass media and nationalism-Ireland ; Television-Social aspects-Ireland-History ; Television-Social aspects-Ireland-History-20th century ; Electronic books
    Abstract: Intro -- Acknowledgements -- Contents -- List of Figures -- List of Tables -- Chapter 1 How Should We Write a History of Television? -- From an Open to a Closed Technology -- Exclusive Institutional Histories -- Is the Medium the Message? -- Television as a Symptom of Modernity -- A Post-nationalist History? -- References -- Chapter 2 A Dominant Narrative in Irish Television History -- Breaking the Silence -- Closed Accounts of Openness -- An Institutional Lens -- Charactering the Dominant Narrative -- The Mediated Centre -- New Perspectives? -- Listening to Non-elite Voices -- References -- Chapter 3 Personal Memory and Social Power -- A Moving Window on a Changing Past -- The Effects of Ageing on Memory -- Collective Memory, Shared Values and Social Class -- The Power to Remember -- Learning to Remember -- What, Who, How? -- References -- Chapter 4 Making Sense of Television -- Can We Use One Mass Medium to Understand Another? -- Reading the Papers About Watching Television -- British Television -- The Divis Divide -- All-Electric, Suburban Fordism -- Modern Ireland -- Like Atomic Power -- Hopes and Fears -- Binding or Breaking? -- Discipline and Social Class -- The Television Forests of Never-Never Land -- Conclusion -- References -- Chapter 5 Memories of Imported Programmes and International Broadcasts -- RTÉ: A Dependent Broadcaster -- An International Childhood -- The Fugitive -- Music -- Mobile Music and Immobile Television -- Football -- Comedy, Drama and Social Issues -- Conclusion -- References -- Chapter 6 Time, Space and Television -- Radio: A Continuum of Media-Related Practices -- Marking Time Through Television -- Child's Play -- Television as Part of the Family -- Displacement -- Wide Open, Indoor Spaces -- No Sense of Place: Collapsing Spaces and Social Roles -- Make Room for Television -- Collective Viewing -- Suburbanisation.
    Note: Description based on publisher supplied metadata and other sources
    URL: lizenzpflichtig
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  • 3
    Online Resource
    Online Resource
    Digital Roots : Historicizing Media and Communication Concepts of the Digital Age (2021)
    München ; : De Gruyter Oldenbourg,
    Details
    ISBN: 3-11-074020-6
    Language: English
    Pages: 1 online resource (VI, 318 p.)
    Series Statement: Studies in Digital History and Hermeneutics ; 4
    Series Statement: Studies in Digital History and Hermeneutics
    DDC: 302.2309
    Keywords: HISTORY / Study & Teaching. ; Communication concepts. ; Digital age. ; History. ; Media studies. ; History. ; History. ; History. ; History.
    Abstract: As media environments and communication practices evolve over time, so do theoretical concepts. This book analyzes some of the most well-known and fiercely discussed concepts of the digital age from a historical perspective, showing how many of them have pre-digital roots and how they have changed and still are constantly changing in the digital era. Written by leading authors in media and communication studies, the chapters historicize 16 concepts that have become central in the digital media literature, focusing on three main areas. The first part, Technologies and Connections, historicises concepts like network, media convergence, multimedia, interactivity and artificial intelligence. The second one is related to Agency and Politics and explores global governance, datafication, fake news, echo chambers, digital media activism. The last one, Users and Practices, is finally devoted to telepresence, digital loneliness, amateurism, user generated content, fandom and authenticity. The book aims to shed light on how concepts emerge and are co-shaped, circulated, used and reappropriated in different contexts. It argues for the need for a conceptual media and communication history that will reveal new developments without concealing continuities and it demonstrates how the analogue/digital dichotomy is often a misleading one.
    Note: Description based upon print version of record. , Frontmatter -- , Contents -- , Digging into Digital Roots. Towards a Conceptual Media and Communication History -- , Technologies and Connections -- , Networks -- , Media Convergence -- , Multimedia -- , Interactivity -- , Artificial Intelligence -- , Agency and Politics -- , Global Governance -- , Data(fication) -- , Fake News -- , Echo Chambers -- , Digital Media Activism -- , Users and Practices -- , Telepresence -- , Digital Loneliness -- , Amateurism -- , User-Generated Content (UGC) -- , Fandom -- , Authenticity -- , Authors , In English.
    DOI: 10.1515/9783110740202
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  • 4
    Online Resource
    Online Resource
    Digital Roots : Historicizing Media and Communication Concepts of the Digital Age (2021)
    München : De Gruyter Oldenbourg
    Details
    ISBN: 9783110740288 , 3110740281
    Language: English
    Pages: 1 Online-Ressource (VI, 318 p)
    Series Statement: Studies in Digital History and Hermeneutics 4
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 302.2309
    Keywords: Communication History ; Communication Social aspects ; Mass media and history ; HISTORY / Study & Teaching ; Communication ; Communication ; Social aspects ; Mass media and history ; History
    Abstract: Frontmatter --Contents --Digging into Digital Roots. Towards a Conceptual Media and Communication History --Technologies and Connections --Networks --Media Convergence --Multimedia --Interactivity --Artificial Intelligence --Agency and Politics --Global Governance --Data(fication) --Fake News --Echo Chambers --Digital Media Activism --Users and Practices --Telepresence --Digital Loneliness --Amateurism --User-Generated Content (UGC) --Fandom --Authenticity --Authors
    Abstract: As media environments and communication practices evolve over time, so do theoretical concepts. This book analyzes some of the most well-known and fiercely discussed concepts of the digital age from a historical perspective, showing how many of them have pre-digital roots and how they have changed and still are constantly changing in the digital era. Written by leading authors in media and communication studies, the chapters historicize 16 concepts that have become central in the digital media literature, focusing on three main areas. The first part, Technologies and Connections, historicises concepts like network, media convergence, multimedia, interactivity and artificial intelligence. The second one is related to Agency and Politics and explores global governance, datafication, fake news, echo chambers, digital media activism. The last one, Users and Practices, is finally devoted to telepresence, digital loneliness, amateurism, user generated content, fandom and authenticity. The book aims to shed light on how concepts emerge and are co-shaped, circulated, used and reappropriated in different contexts. It argues for the need for a conceptual media and communication history that will reveal new developments without concealing continuities and it demonstrates how the analogue/digital dichotomy is often a misleading one
    Note: Includes bibliographical references , In English
    URL: kostenfrei registrierungspflichtig
    URL: Inhaltsverzeichnis
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