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  • 1
    ISBN: 0719096529 , 9780719096525
    Language: English
    Pages: xi, 274 Seiten , Illustrationen
    Series Statement: Studies in imperialism
    DDC: 325/.309045
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    Keywords: Colonies Administration ; History ; Decolonization History ; Decolonization in literature ; Konferenzschrift ; Konferenzschrift 2012 ; Konferenzschrift Institute of Commonwealth Studies, School of Advanced Studies, Universitiy of London May 2012 ; Konferenzschrift ; Konferenzschrift 2012 ; Entkolonialisierung ; Geschichte 1945-1970 ; Kolonie ; Entkolonialisierung ; Geschichte 1945-1970
    Abstract: Machine generated contents note: pt. I Decolonising metropolitan cultures? -- 1. Black America and the overthrow of the European colonial order: The tragic voice of Richard Wright / Bill Schwarz -- 2. Humanist modernism: Ralph Hotere and `New Commonwealth Internationalism' / Damian Skinner -- 3. Henry Swanzy, Sartre's zombie? Black Power and the transformation of the Caribbean Artists Movement / Rob Waters -- 4. Anxiety abroad: Austerity, abundance and race in post-war visual culture / David C. Wall -- pt. II Performing decolonisation -- 5. The peasant armed: Bengal, Vietnam and transnational solidarities in Utpal Dutt's Invincible Vietnam / Abin Chakraborty -- 6. Cultural heritage as performance: Re-enacting Angkorian grandeur in postcolonial Cambodia (1953 -- 70) / Michael Falser -- 7.`I still don't have a country': The southern African settler diaspora after decolonisation / Jean Smith -- pt. III Decolonising expertise
    Abstract: Note continued: 8. Managing the cultural past in the newly independent states of Mali and Ghana / Sophie Mew -- 9. More than tropical? Modern housing, expatriate practitioners and the Volta River Project in decolonising Ghana / Viviana D'Auria -- 10. Designing change: Coins and the creation of new national identities / Catherine Eagleton -- 11. What colonial legacy? The Dewan Bahasa dan Pustaka (House of Language) and Malaysia's cultural decolonisation / Rachel Leow
    Note: Im Vorwort: This edited collection arose from the conference "Cultures of decolonisation" which took place in May 2012 at the Institute of Commonwealth Studies, School of Advanced Studies, Universitiy of London
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  • 2
    Language: English
    Pages: XIX, 244 S. , Ill., Kt.
    Series Statement: Museums and Collections 4
    Keywords: Andamanen Nikobaren ; West-Indonesien ; Indonesien ; Großbritannien ; Sachkultur ; Museum ; Materielle Kultur ; Sammler und Sammlung ; Kolonisierung
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  • 3
    ISBN: 9780857459411 , 9780857459428
    Language: English
    Pages: XIX, 244 S. , Ill., 2 Kt.
    Edition: 1. publ.
    Series Statement: Museums and collections 4
    DDC: 930.1
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    Keywords: Royal Pavilion, Art Gallery and Museums ; Geschichte 1800-1900 ; Sammlung ; Kolonialismus ; Sachkultur ; Andamanen und Nikobaren ; Konferenzschrift ; Konferenzschrift ; Konferenzschrift ; Konferenzschrift ; Royal Pavilion, Art Gallery and Museums ; Sammlung ; Andamanen und Nikobaren ; Sachkultur ; Geschichte 1800-1900 ; Andamanen und Nikobaren ; Kolonialismus ; Geschichte 1800-1900
    Note: Enth.: Literaturverz. S. 221 - 237
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  • 4
    ISBN: 0857459422 , 9780857459428
    Language: English
    Pages: 1 Online-Ressource (264 pages)
    Series Statement: Museums and Collections
    Parallel Title: Erscheint auch als Wintle, Claire Colonial Collecting and Display : Encounters with Material Culture from the Andaman and Nicobar Islands
    DDC: 930.1
    Keywords: Material culture ; Museums Collection management ; Antiquities ; Collectors and collecting ; British colonies ; Material culture ; Museums ; Collection management ; HISTORY ; Ancient ; General ; SOCIAL SCIENCE ; Anthropology ; Cultural ; Great Britain Colonies ; Andaman and Nicobar Islands (India) Antiquities ; Collectors and collecting ; Asia ; Great Britain ; India ; Andaman and Nicobar Islands ; Electronic books
    Abstract: In the late-nineteenth century, British travelers to the Andaman and Nicobar Islands compiled wide-ranging collections of material culture for scientific instruction and personal satisfaction. Colonial Collecting and Display follows the compelling history of a particular set of such objects, tracing their physical and conceptual transformation from objects of indigenous use to accessioned objects in a museum collection in the south of England. This first study dedicated to the historical collecting and display of the Islands' material cultures develops a new analysis of colonial discourse
    Abstract: List of Figures; Acknowledgements; List of Abbreviations; Maps; Introduction: Imperial Encounters and Material Culture; Chapter 1: Production, Use, Exchange -- Spheres of Influence in the Andaman and Nicobar Islands; Chapter 2: Colonial Perspectives on Material Culture from the Andaman and Nicobar Islands; Chaper 3: Wider Spheres of Influence -- The Andaman and Nicobar Islands in Victorian and Edwardian Britain; Chapter 4: Public Property -- The Andaman and Nicobar Islands at Brighton Museum, 1900-1949; Chapter 5: Objects and Encounters Today; Bibliography; Index.
    Note: Includes bibliographical references and index
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  • 5
    ISBN: 9780857459428
    Language: English
    Pages: 1 Online-Ressource (264 p.)
    Series Statement: Museums and Collections 4
    DDC: 930.1
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    Keywords: Material culture ; Museums Collection management ; ART / Museum Studies
    Abstract: In the late-nineteenth century, British travelers to the Andaman and Nicobar Islands compiled wide-ranging collections of material culture for scientific instruction and personal satisfaction. Colonial Collecting and Display follows the compelling history of a particular set of such objects, tracing their physical and conceptual transformation from objects of indigenous use to accessioned objects in a museum collection in the south of England. This first study dedicated to the historical collecting and display of the Islands' material cultures develops a new analysis of colonial discourse, using a material culture-led approach to reconceptualize imperial relationships between Andamanese, Nicobarese, and British communities, both in the Bay of Bengal and on British soil. It critiques established conceptions of the act of collecting, arguing for recognition of how indigenous makers and consumers impacted upon "British" collection practices, and querying the notion of a homogenous British approach to material culture from the Andaman and Nicobar Islands
    Note: Frontmatter , Contents , List of Figures , Acknowledgements , List of Abbreviations , Map of the Andaman Islands , Map of the Nicobar Islands , Introduction: Imperial Encounters and Material Culture , 1 Production, Use, Exchange: Spheres of Influence in the Andaman and Nicobar Islands , 2 Colonial Perspectives on Material Culture from the Andaman and Nicobar Islands , 3 Wider Spheres of Influence: Th e Andaman and Nicobar Islands in Victorian and Edwardian Britain , 4 Public Property: Th e Andaman and Nicobar Islands at Brighton Museum, 1900–1949 , 5 Objects and Encounters Today , Bibliography , Index , In English
    URL: Cover
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  • 6
    ISBN: 9780857459428
    Language: English
    Pages: 1 Online-Ressource (264 p.)
    Series Statement: Museums and Collections 4
    DDC: 930.1
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    Keywords: Sachkultur ; Andamanen und Nikobaren
    Abstract: In the late-nineteenth century, British travelers to the Andaman and Nicobar Islands compiled wide-ranging collections of material culture for scientific instruction and personal satisfaction. Colonial Collecting and Display follows the compelling history of a particular set of such objects, tracing their physical and conceptual transformation from objects of indigenous use to accessioned objects in a museum collection in the south of England. This first study dedicated to the historical collecting and display of the Islands' material cultures develops a new analysis of colonial discourse, using a material culture-led approach to reconceptualize imperial relationships between Andamanese, Nicobarese, and British communities, both in the Bay of Bengal and on British soil. It critiques established conceptions of the act of collecting, arguing for recognition of how indigenous makers and consumers impacted upon "British" collection practices, and querying the notion of a homogenous British approach to material culture from the Andaman and Nicobar Islands.
    URL: Cover
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