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  • 1
    Article
    Article
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    In:  Contemporary Asian cinema (2006), Seite 83-95 | year:2006 | pages:83-95
    ISBN: 1845202368
    Language: Undetermined
    Titel der Quelle: Contemporary Asian cinema
    Publ. der Quelle: Oxford [u.a.] : Berg, 2006
    Angaben zur Quelle: (2006), Seite 83-95
    Angaben zur Quelle: year:2006
    Angaben zur Quelle: pages:83-95
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  • 2
    Online Resource
    Online Resource
    Amsterdam : Amsterdam University Press
    ISBN: 0585498156 , 9053565809 , 9053565191 , 9048505127 , 9780585498157 , 9789053565803 , 9789053565193 , 9789048505128
    Language: English
    Pages: 1 Online-Ressource (301 pages) , illustrations
    Edition: Online-Ausg. [S.l.] HathiTrust Digital Library Electronic reproduction
    Series Statement: Film culture in transition
    Parallel Title: Erscheint auch als Van der Heide, William Malaysian cinema, Asian film
    Keywords: Motion pictures Cross-cultural studies ; Motion picture industry ; Motion pictures Cross-cultural studies ; Motion picture industry ; PERFORMING ARTS ; Film & Video ; Reference ; PERFORMING ARTS ; Film & Video ; General ; Film, TV and radio ; Films, cinema ; The arts ; Motion picture industry ; Motion pictures ; Filmkunst ; Multikulturelle Gesellschaft ; Film ; Asien ; Malaysia ; Malaysia ; Cross-cultural studies
    Abstract: A study of the heterogeneity and cultural complexities of the Malaysian cinema
    Description / Table of Contents: Introduction. Panggung Wayang; Malaysian Cinema, Asian Film -- The Realities of Film Viewing -- The Scope of this Study -- Chapter 1: Border Crossings. Introduction -- National Cinema and Genre -- Cross-cultural Analysis -- Transtextuality -- The Hamburger Western -- The Samurai Film and the Noodle Western -- The Samurai Film and the Hamburger Western -- The Sword Film and the Spaghetti Western -- The Spaghetti Western -- The Martial Arts Film and the Chop Suey Western -- The Stunt Film and the Curry Western -- Conclusion -- Chapter 2: Malaysian Society and Culture. Introduction -- Identity -- National Identity and National Culture -- Malaysian Identity -- Pre-colonial Malaysia -- Foundational Narratives -- Colonial Malaysia -- Parsee Theatre and Bangsawan -- Postcolonial Malaysia -- The National Cultural Policy and its Consequences -- Conclusion -- Chapter 3: Film in Malaysia. Introduction -- National Cinema -- National Cinema Texts -- The Film Industry and Film Culture in Malaysia -- Early Film-going in Malaya -- The British in Malaya -- Origins -- Laila Majnun, India and Indonesia -- Shaw Brothers -- The Golden Age -- The Indian Connection -- The Studio System -- P. Ramlee -- Indian Cinema -- Hong Kong Cinema -- Indonesian Cinema -- The Decline -- The Revival -- Government Assistance and Controls -- Hong Kong Cinema -- Indian Cinema -- Conclusion -- Chapter 4: Malaysian Cinema. Introduction -- The Indian Cinema of the 1950's -- Hujan Panas -- Penarik Beca -- Hang Tuah -- Semerah Padi -- Hang Jebat -- Ibu Mertua-ku -- Matinya Seorang Patriot -- Fenomena -- Selubung -- Perempuan, Isteri & ... -- Sembilu -- Conclusion.
    Note: Includes bibliographical references (pages 271-292) ; filmography (p. 265-270) ; and index , Use copy Restrictions unspecified star MiAaHDL , Electronic reproduction , Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. , English
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  • 3
    Online Resource
    Online Resource
    [Erscheinungsort nicht ermittelbar] : Amsterdam University Press
    ISBN: 9789053565803
    Language: English
    Pages: 1 Online-Ressource (336 p.)
    Series Statement: Film Culture in Transition
    Keywords: Film, TV & radio ; Films, cinema
    Abstract: This monograph departs from traditional studies of national cinema by accentuating the intercultural and intertextual links between Malaysian films and Asian (as well as European and American) film practices. Using cross-cultural analysis, the author characterizes Malaysia as a pluralist society consisting of a multiplicity of cultural identities. Malaysian film reflects this remarkable heterogeneity, particularly evident in the impact of the Indian and Hong Kong cinema. Detailed analyses of a selection of Malaysian films highlight their cultural complexities, while noting the tension between cultural inclusivity and ethnic exclusivity at the heart of this cinema
    Abstract: William van der Heide maakt in dit boek een vergelijking tussen de samenstelling en het karakter van de Maleisische samenleving en het karakter van de in Maleisië geproduceerde en gedistribueerde films. De auteur karakteriseert Maleisië als een pluralistische samenleving, die bestaat uit een veelvoud van culturele entiteiten. Van der Heide komt tot de slotsom dat de filmcultuur, die zowel nationaal gedistribueerde en vertoonde films als kleinschalige lokale producties omvat, in Maleisie een even heterogeen karakter bezit. Dit is in het bijzonder zichtbaar bij de impact die films uit India en Hong Kong hebben op het Maleisische publiek en de Maleisische filmmakers. Een gedetailleerde analyse van een aantal Maleisische films benadrukt de culturele complexiteit van de Maleisische samenleving. De spanning tussen cultureel saamhorigheidsgevoel en ethnische exclusiviteit ligt aan de basis van de Maleisische cinema. Het boek neemt de traditionele studies van de nationale filmindustrie als uitgangspunt en accentueert de interculturele en intertextuele overeenkomsten (relaties) tussen Maleisische films en Aziatische (maar ook Europese en amerikaanse) filmpraktijken
    Note: English
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