ISBN:
9781137573759
Language:
English
Pages:
1 online resource (280 pages)
Parallel Title:
Contemporary film music
Parallel Title:
Print version Coleman, Lindsay Contemporary Film Music : Investigating Cinema Narratives and Composition
DDC:
780.2
Keywords:
Motion pictures
;
Motion picture music History and criticism
;
Electronic books
;
Filmmusik
;
Film
;
Komponist
;
Geschichte 1990-2016
Abstract:
Acknowledgements -- Contents -- Notes on Contributors -- List of Figures -- Chapter 1: Introduction -- Notes -- Bibliography -- Chapter 2: A.R. Rahman Interview -- Chapter 3: The 'Alternate Space' of A.R. Rahman's Film Music -- Introduction -- Comparative Conventions in Indian and Western Film Music -- Aspects of Tonality and Extra-Musical Meaning in Indian and Western Music -- Roja, 1992 and Bombay, 1995 -- Fire, 1996 -- Slumdog Millionaire, 2008 and 127 Hours, 2010 -- Conclusion -- Notes -- Bibliography -- Internet -- Chapter 4: Zbigniew Preisner Interview -- Chapter 5: Music by Zbigniew Preisner? Fictional Composers and Compositions in the Kieślowski Collaborations -- Fictional Music in Theory and Practice -- Composing Fiction -- The Fictional and the Real -- Notes -- Bibliography -- Chapter 6: Carter Burwell Interview -- Chapter 7: Burwell and Space: Inner, Outer, Environmental and Acoustical -- Introduction -- The Materials -- Motive, Acoustical Space, and Place -- Narrative Disconnect to Emotional Synchrony: Motive, Image and Affect -- Conclusion: Film as Music -- Notes -- Bibliography -- Chapter 8: Rachel Portman Interview -- Chapter 9: Eero Tarasti and the Narratological Construction of Rachel Portman's Emma -- Notes -- Bibliography -- Chapter 10: Dario Marianelli Interview -- Chapter 11: Solo Instruments and Internal Focalization in Dario Marianelli's Pride & Prejudice and Atonement -- Pride & Prejudice -- Lizzie's Theme -- The Secret Life of Daydreams -- The Solo Cello in Pride & Prejudice -- The Role of the Orchestra -- Atonement -- 'Elegy for Dunkirk' and the Solo Cello -- The Love Theme -- Denouement and a Change of Narrative Perspective -- Conclusion -- Notes -- Bibliography -- Chapter 12: Mychael Danna Interview -- Chapter 13: Mychael Danna: Music as Metaphor -- The Ice Storm -- Moneyball -- Life of Pi -- Epilogue -- Notes
Abstract:
Bibliography -- Chapter 14: John Williams and Contemporary Film Music -- A Background of Contemporary Hollywood Music -- John Williams and Contemporary Hollywood -- Notes -- Bibliography -- Chapter 15: Musical Syntax in John Williams's Film Music Themes -- Sentence -- Period -- Trifold Sentence -- Sentence with a Dissolving Third Statement -- Unfolding Sentence -- Conclusion -- Notes -- Appendix -- Sentence -- Sentence with Dissolving Third Statement -- Trifold Sentence -- Unfolding Sentence -- Period -- Bibliography -- Index
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