Ihre E-Mail wurde erfolgreich gesendet. Bitte prüfen Sie Ihren Maileingang.

Leider ist ein Fehler beim E-Mail-Versand aufgetreten. Bitte versuchen Sie es erneut.

Vorgang fortführen?

Exportieren
  • 1
    Online-Ressource
    Online-Ressource
    Tuscaloosa : The University of Alabama Press
    ISBN: 0817387986 , 9780817387983
    Sprache: Englisch
    Seiten: 1 Online-Ressource (1 online resource)
    Paralleltitel: Erscheint auch als Siebert, Monika, 1965- Indians playing Indian
    DDC: 704.03/97
    Schlagwort(e): Indian arts ; Arts and society ; Arts and society ; Indians of North America Intellectual life ; Indians of North America Intellectual life ; Multiculturalism ; Multiculturalism ; Recognition (Philosophy) Social aspects ; Ethnic relations ; Indian arts ; Indians of North America ; Intellectual life ; Multiculturalism ; Multikulturelle Gesellschaft ; Kunst ; Indianerbild ; Stereotyp ; Postkolonialismus ; Selbstbestimmung ; Indianer ; ART ; Native American ; LITERARY CRITICISM ; Native American ; SOCIAL SCIENCE ; Ethnic Studies ; Native American Studies ; ART ; Subjects & Themes ; General ; Arts and society ; United States Ethnic relations ; Canada Ethnic relations ; Canada ; North America ; United States ; Kanada ; USA ; Electronic book
    Kurzfassung: "In Indians Playing Indian, Monika Siebert explores the appropriation, or misappropriation, of Native American cultural heritage for political and commercial ends, and the innovative ways in which indigenous artists in a range of media have responded to these developments. Contemporary indigenous people in North America confront a unique predicament. As legal and diplomatic practice in the early twenty first century returns to the recognition of their status as citizens of historic sovereign nations, popular culture continues to depict them as cultural minorities on the par with other ethnic Americans. This popular misperception of indigeneity as culture rather than as a historically developed political status sustains the myth of America as a refuge to the world's immigrants and a home to successful multicultural democracies. But it fundamentally misrepresents indigenous people who have experienced a history of colonization rather than a tradition of immigration on the continent. Contemporary indigenous cultural production is caught up in this phenomenon of multicultural misrecognition as well. The current flowering of indigenous literature, cinema, and visual arts is typically taken as evidence that Canada and the United States have successfully broken with their colonial pasts to become thriving nations of many cultures, where Native Americans, along other minorities, enjoy full freedom to represent their cultural difference"--
    Kurzfassung: Introduction: Indigeneity and Multicultural Misrecognition -- Indigeneity and the Dialectics of Recognition at the National Museum of the American Indian -- Atanarjuat and the Ideological Work of Indigenous Filmmaking -- Palimpsestic Images : Contemporary American Indian Digital Fine Art and the Ethnographic Photo Archive -- Of Turtles, Snakes, Bones, and Precious Stones : Jimmie Durham's Indices of Indigeneity -- Fictions of the Gruesome Authentic in LeAnne Howe's Shell Shaker -- Conclusion: Unsettling Misrecognition.
    Anmerkung: Includes bibliographical references and index
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 2
    Buch
    Buch
    Tuscaloosa : Univ. of Alabama Press
    ISBN: 9780817318550
    Sprache: Englisch
    Seiten: XIII, 221 S. , Ill. , 24 cm
    DDC: 704.03/97
    Schlagwort(e): Indian arts ; Arts and society ; Arts and society ; Indians of North America Intellectual life ; Indians of North America Intellectual life ; Multiculturalism ; Multiculturalism ; Recognition (Philosophy) Social aspects ; ART ; Arts and society ; Native American ; Gesellschaft ; Indian arts ; Indianer ; Indians of North America ; LITERARY CRITICISM ; Multiculturalism ; Native American ; Recognition (Philosophy) ; SOCIAL SCIENCE ; Ethnic Studies ; Native American Studies ; United States Ethnic relations ; Canada Ethnic relations ; Canada ; Kanada ; Nordamerika ; USA ; United States ; Kanada ; USA ; Multikulturelle Gesellschaft ; Kunst ; Indianerbild ; Stereotyp ; Postkolonialismus ; Selbstbestimmung ; Indianer
    Kurzfassung: "In Indians Playing Indian, Monika Siebert explores the appropriation, or misappropriation, of Native American cultural heritage for political and commercial ends, and the innovative ways in which indigenous artists in a range of media have responded to these developments. Contemporary indigenous people in North America confront a unique predicament. As legal and diplomatic practice in the early twenty first century returns to the recognition of their status as citizens of historic sovereign nations, popular culture continues to depict them as cultural minorities on the par with other ethnic Americans. This popular misperception of indigeneity as culture rather than as a historically developed political status sustains the myth of America as a refuge to the world's immigrants and a home to successful multicultural democracies. But it fundamentally misrepresents indigenous people who have experienced a history of colonization rather than a tradition of immigration on the continent. Contemporary indigenous cultural production is caught up in this phenomenon of multicultural misrecognition as well. The current flowering of indigenous literature, cinema, and visual arts is typically taken as evidence that Canada and the United States have successfully broken with their colonial pasts to become thriving nations of many cultures, where Native Americans, along other minorities, enjoy full freedom to represent their cultural difference"--
    Beschreibung / Inhaltsverzeichnis: Introduction: Indigeneity and Multicultural MisrecognitionIndigeneity and the Dialectics of Recognition at the National Museum of the American Indian -- Atanarjuat and the Ideological Work of Indigenous Filmmaking -- Palimpsestic Images : Contemporary American Indian Digital Fine Art and the Ethnographic Photo Archive -- Of Turtles, Snakes, Bones, and Precious Stones : Jimmie Durham's Indices of Indigeneity -- Fictions of the Gruesome Authentic in LeAnne Howe's Shell Shaker -- Conclusion: Unsettling Misrecognition.
    Anmerkung: Includes bibliographical references and index
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
Schließen ⊗
Diese Webseite nutzt Cookies und das Analyse-Tool Matomo. Weitere Informationen finden Sie hier...