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Modernism, narrative, and humanism (2002)

Sheehan, Paul 1960-

Cambridge, UK : Cambridge University Press

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ISBN: 0511020589 , 9780511020582 , 051104562X , 9780511045622 , 0511120605 , 9780511120602 , 9780521814577 , 052181457X

Sprache: Englisch

Seiten: xiii, 234 p , 24 cm

Ausgabe: Boulder, Colo NetLibrary 2003 Online-Ressource E-Books von NetLibrary

Serie: EBSCOhost eBook Collection

Paralleltitel: Erscheint auch als Sheehan, Paul, 1960- Modernism, narrative, and humanism

RVK:

EC 7010

RVK:

HM 1071

RVK:

HM 1293

RVK:

HM 1331

Schlagwort(e): Lawrence, D. H. Views on humanism. ; Woolf, Virginia, Views on humanism. ; Conrad, Joseph, Views on humanism. ; Beckett, Samuel, Views on humanism. ; Woolf, Virginia 1882-1941 Views on humanism ; Conrad, Joseph 1857-1924 Views on humanism ; Beckett, Samuel 1906-1989 Views on humanism ; Lawrence, D. H. 1885-1930 Views on humanism ; Beckett, Samuel Views on humanism ; Lawrence, D. H Views on humanism ; Conrad, Joseph Views on humanism ; Woolf, Virginia Views on humanism ; Lawrence, D. H. Views on humanism. ; Woolf, Virginia, Views on humanism. ; Conrad, Joseph, Views on humanism. ; Beckett, Samuel, Views on humanism. ; Lawrence, D. H. 1885-1930 ; Woolf, Virginia 1882-1941 ; Conrad, Joseph 1857-1924 ; Beckett, Samuel 1906- Lawrence, David H. ; Woolf, Virginia ; Conrad, Joseph ; Beckett, Samuel ; Geschichte 1900-1950 ; Beckett, Samuel ; Conrad, Joseph ; Lawrence, D. H ; Woolf, Virginia ; Lawrence, David H ; Woolf, Virginia ; Conrad, Joseph ; Beckett, Samuel ; English fiction History and criticism. 20th century ; Modernism (Literature) ; Humanism in literature. ; Narration (Rhetoric) ; English fiction History and criticism ; 20th century ; Modernism (Literature) Great Britain ; Narration (Rhetoric) Englisch ; Humanism in literature ; English fiction History and criticism 20th century ; Modernism (Literature) ; English fiction History and criticism. 20th century ; Modernism (Literature) ; Humanism in literature. ; Narration (Rhetoric) ; Humanism ; Humanism in literature ; Modernism (Literature) ; Narration (Rhetoric) ; LITERARY CRITICISM ; European ; English, Irish, Scottish, Welsh ; English fiction ; Criticism, interpretation, etc ; Online-Publikation ; Literatur ; Humanismus ; Erzähltechnik ; Great Britain ; Englisch ; Electronic books. ; Electronic books. ; Electronic books Online-Publikation ; Englisch ; Literatur ; Humanismus ; Geschichte 1900-1950 ; Lawrence, D. H. 1885-1930 ; Woolf, Virginia 1882-1941 ; Conrad, Joseph 1857-1924 ; Beckett, Samuel 1906-1989 ; Humanismus ; Erzähltechnik ; Englisch ; Literatur ; Humanismus ; Geschichte 1900-1950 ; Lawrence, D. H. 1885-1930 ; Woolf, Virginia 1882-1941 ; Conrad, Joseph 1857-1924 ; Beckett, Samuel 1906-1989 ; Humanismus ; Erzähltechnik

Kurzfassung: Cover; Half-title; Title; Copyright; Dedication; Contents; Preface; Acknowledgments; INTRODUCTION The anthropometric turn; 1 Narrating the animal, amputating the soul; 2 Conrad and technology: homo ex machina; 3 The Lawrentian transcendent: after the fall; 4 Woolf's luminance: time out of mind; 5 Doubting Beckett: voices descant, stories still; CONCLUSION Humanness unbound; Notes; Bibliography; Index

Kurzfassung: In Modernism, Narrative and Humanism, Paul Sheehan attempts to redefine Modernist narrative for the twenty first century. He reveals the crucial link between the Modernist novel's narrative concerns and its philosophical orientation in a book that will be of interest to scholars of Modernism and literary theory

Anmerkung: Includes bibliographical references (p. 217-230) and index , Electronic reproduction, Boulder, Colo : NetLibrary, 2003

URL: Volltext (Deutschlandweit zugänglich)

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Enterprise Curl (2003)

Sheehan, Paul [VerfasserIn]

Upper Saddle River, N.J. : Prentice Hall PTR | Boston, MA :Safari,

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Sprache: Englisch

Seiten: xiv, 392 p. , ill. ; , 24 cm

DDC: 004.67/8

Schlagwort(e): Curl (Computer program language) ; Internet programming ; Object-oriented programming (Computer science) ; Programming languages (Electronic computers) ; Web site development ; Electronic books ; local

Kurzfassung: Breakthrough Curl techniques Build rich, robust, low-bandwidth Web applications Curl makes it easy to build Internet applications that use little bandwidth, integrate with existing Web standards, provide a rich graphical interface, and fit seamlessly into virtually any client environment. Enterprise Curl is the first book that shows how to take advantage of Curl for serious enterprise development. Through a start-to-finish case study, Paul Sheehan introduces powerfully effective design and development techniques that draw on his experience leading a Curl consulting teams. Coverage includes: Developing the key elements of a Curl-based application framework Creating search interfaces that accept and extract XML responses, then display them in flexible, powerful spreadsheet-like grids Using Curl to show data within 2D graphs Building Web-based data mining applications that can "drill down" to more detailed views of data Using Curl's built-in SOAP support to construct sophisticated Web services

Anmerkung: Includes index

URL: lizenzpflichtig

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Adapting Television and Literature (2024)

Worthy, Blythe [HerausgeberIn] ; Sheehan, Paul [HerausgeberIn]

Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan

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ISBN: 9783031508325

Sprache: Englisch

Seiten: 1 Online-Ressource(XVII, 293 p. 9 illus., 7 illus. in color.)

Ausgabe: 1st ed. 2024.

Serie: Palgrave Studies in Adaptation and Visual Culture

Paralleltitel: Erscheint auch als

Schlagwort(e): Adaptation (Literary, artistic, etc.). ; Television broadcasting.

Kurzfassung: Paul Sheehan and Blythe Worthy, “Introduction” -- Part 1: Making Comedy Central -- Paul Giles, “The Aesthetics of Television: Genre, Auteur, Canon” -- Paul Sheehan, “Difficult Laughter: Modernist Aesthetics in Better Things and Atlanta” -- Part 2: Criminals, Outlaws, Auteurs -- Shannon Wells-Lassagne, “Entente Cordiale: Sherlock (BBC) and Lupin (Netflix), a Tale of Two Fandoms” -- Thomas Britt, “What Is Television? Two Auteur Series in Literary Contexts” -- Ryan Twomey, “Remixing the Law: Timely and Untimely Politics in Lindelof’s Watchmen ” -- Part 3: Adaptive Disruption: Young Adult and Children’s Television -- Debra Dudek, “Ambiguous Endings and Disrupted Paratexts in The End of the F***ing World and I Am Not Okay With This” -- Sabina Rahman, “From Medieval Legend to Modern Superheroics: Arrow as a 21st-Century Robin Hood” -- Katrine Kwong, “(Re)animating Shakespeare: Screen Theatre, on Television and Online” Pamela Demory, “Queering Emily Dickinson for the Millennial Age” -- Part 4: Transnational Dramas, Transcultural Contexts Blythe Worthy, “The Suburban Serial: tracing textual and community limits in Jane Campion’s Top of the Lake” -- Susan Lever, “Witnessing: Indigenous Life Experience on Television” -- Meenakshi Bharat, “The Dialectic of Transnational Adaptation: The Problematic Web Adaptation of A Suitable Boy” Trisha Dunleavy, “Complex Teenage Passion: Normal People and the Affordances of Cultural Specificity” -- Afterword: Christine Geraghty.

Kurzfassung: Adapting Television and Literature is an incisive collection of essays that explores the growing sub-category of television adaptations of literature and poetics. Each chapter questions inflexible notions of film / literature and adaptation / intertext, focusing judiciously on emergent or overlooked media and literary forms. These lines of enquiry embrace texts both within and beyond ‘adaptation proper’, to reveal the complex relationships between literary works, television adaptations, and related dialogues of textual interconnectivity. Adapting Television and Literature proposes, in particular, a ‘re-seeing’ of four genres pivotal to television and its history: caustic comedy, which claims for itself more freedoms than other forms of scripted television; auteurist outlaw drama, an offbeat, niche genre that aligns a fixation on lawbreakers with issues of creative control; young adult reinventions that vitalise this popular, yet under-examined area of television studies; and transcultural exchanges, which highlight adaptations beyond the white, Anglo-American programming that dominates ‘peak TV’. Through these genres, Adapting Television and Literature examines the creative resources of adaptation, plotting future paths for enquiries into television, literature and transmedial storytelling. Paul Sheehan is an Associate Professor of Literature at Macquarie University, Sydney. He is the author of two monographs, Modernism, Narrative, and Humanism (2002) and Modernism and the Aesthetics of Violence (2013), both with Cambridge UP. His work on film / television and literary studies includes book chapters on The Matrix Trilogy, HBO’s Deadwood, and Michael Haneke; as well as journal articles on Werner Herzog and HBO’s True Detective. He is currently working on a project about Black modernism and blues culture. Blythe Worthy is a sessional academic in the film studies and English disciplines at The University of Sydney. Blythe has had their research on television and film published by the University of California Press, Edinburgh University Press, Springer, and Rowman and Littlefield. Blythe is Managing Editor of the Australasian Journal of American Studies and has worked in research for SBS and ABC television.

DOI: 10.1007/978-3-031-50832-5

URL: lizenzpflichtig

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