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  • 1
    Book
    Book
    Changing tunes : the use of pre-existing music in film (2006)
    Aldershot [u.a.] : Ashgate
    Details
    ISBN: 0754651371
    Language: English
    Pages: XIX, 205 S , Ill., Notenbeisp , 24 cm
    Series Statement: Ashgate popular and folk music series
    DDC: 781.542
    RVK:
    AP 51450
    RVK:
    LR 53509
    Keywords: Motion picture music History and criticism ; Motion picture music Analysis, appreciation ; Motion picture music History and criticism ; Motion picture music Analysis, appreciation ; Aufsatzsammlung ; Filmmusik ; Filmmusik
    Abstract: Pt. 1. Pre-existing classical film scores: Ears wide open : Kubrick's music / Claudia Gorbman ; Classical music, ambiguity, and film / Mike Cormack ; The godfather, pt. iii : film, opera, and the generation of meaning / Lars Franke ; High and low culture : Bizet's Carmen and the cinema / Ann Davies ; Reconsidering Amadeus : Mozart as film music / Jeongwon Joe; The troll amongst us / Kristi A. Brown -- Pt. 2. Popular music and film: Queer pleasures : the bolero, camp, and almodóvar / Vanessa Knights ; Music, electricity, and the 'sweet mystery of life' in Young Frankenstein / Raymond Knapp ; Popular song as leitmotiv in Pulp fiction and Trainspotting / Ronald Rodman ; The fabulous destiny of the accordion in French cinema / Phil Powrie ; Vinyl Communion : the record as ritual object in girls' rites-of-passage films / Robynn Stilwell ; Narrating sound : the pop video in the age of the sampler / Timothy Warner.
    Description / Table of Contents: Pt. 1. Pre-existing classical film scores -- Ears wide open : Kubrick's music / Claudia Gorbman -- The pleasures of ambiguity : using classical music in film / Mike Cormack -- The godfather part III : film, opera, and the generation of meaning / Lars Franke -- High and low culture : Bizet's Carmen and the cinema / Ann Davies -- Reconsidering Amadeus : Mozart as film music / Jeongwon Joe -- The troll among us / Kristi A. Brown -- Pt. 2. Popular music and film -- Queer pleasures : the bolero, camp, and Almodóvar / Vanessa Knights -- Music, electricity, and the 'sweet mystery of life' in Young Frankenstein / Raymond Knapp -- The popular song as leitmotif in 1990s film / Ronald Rodman -- The fabulous destiny of the accordion in French cinema / Phil Powrie -- Vinyl communion : the record as ritual object in girls' rites-of-passage films / Robynn Stilwell -- Narrating sound : the pop video in the age of the sampler / Timothy Warner.
    Description / Table of Contents: Pt. 1. Pre-existing classical film scores: Ears wide open : Kubrick's music / Claudia Gorbman ; Classical music, ambiguity, and film / Mike Cormack ; The godfather, pt. iii : film, opera, and the generation of meaning / Lars Franke ; High and low culture : Bizet's Carmen and the cinema / Ann Davies ; Reconsidering Amadeus : Mozart as film music / Jeongwon Joe; The troll amongst us / Kristi A. Brown -- Pt. 2. Popular music and film: Queer pleasures : the bolero, camp, and almodóvar / Vanessa Knights ; Music, electricity, and the 'sweet mystery of life' in Young Frankenstein / Raymond Knapp ; Popular song as leitmotiv in Pulp fiction and Trainspotting / Ronald Rodman ; The fabulous destiny of the accordion in French cinema / Phil Powrie ; Vinyl Communion : the record as ritual object in girls' rites-of-passage films / Robynn Stilwell ; Narrating sound : the pop video in the age of the sampler / Timothy Warner
    Note: Includes bibliographical references (S. [188] - 198), filmography (S. [180] - 187), and index
    URL: Inhaltsverzeichnis
    Library Location Call Number Volume/Issue/Year Availability
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    Book
    Ethn. Museum Berlin
  • 2
    Online Resource
    Online Resource
    Music in contemporary French cinema : the crystal-song (2017)
    Cham, Switzerland : Palgrave Macmillan
    Details
    ISBN: 9783319523620
    Language: English
    Pages: 1 online resource (273 pages)
    Parallel Title: Erscheint auch als
    DDC: 301
    Keywords: Gender ; Motion picture music ; France ; History and criticism ; Electronic books
    Abstract: Music in Contemporary French Cinema -- Preface -- Referencing -- Contents -- List of Figures -- List of Tables -- 1 Introduction -- Contexts -- Setting the Parameters of the Crystal-song -- Issues and Methods -- Notes -- References -- Music -- 2 Space -- Heritage, Patrimoine and Historical authenticity -- Utopian Openness and Dystopian Enclosure -- Third Space Music -- Notes -- References -- Music -- 3 Gender -- Talking About Music -- The Leitmotif -- Musical Cues -- Notes -- References -- Music -- 4 Performance -- The Heterosexual Piano -- The Lesbian Piano -- The Piano and Violence -- Notes -- References -- Music -- 5 Time -- "Chanson-synthèse," "Intoxication" and the "Crystal" -- The Increasing Dominance of English Songs -- French Songs and Nostalgia -- Notes -- References -- Music -- 6 Hearing -- Hearing Time -- The Foregrounded Song -- Foregrounding the Singer and Composer -- Notes -- References -- Music -- 7 Seeing -- Songs Danced -- Songs Sung -- Singing and Dancing -- Notes -- References -- Music -- 8 Conclusion -- Repetition and the Leitmotif -- The Pause and the Body in Time -- On a Personal Note -- Notes -- References -- Music -- Filmography -- Note -- Index of musical pieces -- Index of proper names and titles -- Index of topics
    Note: Description based on online resource; title from PDF title page (ebrary, viewed July 26, 2017). Includes indexes
    URL: Volltext
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    GBV
  • 3
    Article
    Article
    Jean-Jacques Beineix (2002)
    Show associated volumes/articles
    In:  Fifty contemporary filmmakers (2002), Seite 33-40 | year:2002 | pages:33-40
    Details
    ISBN: 0415189748
    Language: Undetermined
    Titel der Quelle: Fifty contemporary filmmakers
    Publ. der Quelle: London [u.a.] : Routledge, 2002
    Angaben zur Quelle: (2002), Seite 33-40
    Angaben zur Quelle: year:2002
    Angaben zur Quelle: pages:33-40
    Library Location Call Number Volume/Issue/Year Availability
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    Article
    MPI Ethno. Forsch.
  • 4
    Online Resource
    Online Resource
    French cinema : a student's guide (2002)
    London : Arnold
    Details
    ISBN: 0585497095 , 9780585497099
    Language: English
    Pages: vi, 212 p , ill , 24 cm
    Edition: Boulder, Colo NetLibrary 2004 Online-Ressource E-Books von NetLibrary
    Series Statement: EBSCOhost eBook Collection
    Parallel Title: Print version French cinema
    DDC: 791.430944
    RVK:
    AP 59735
    RVK:
    IH 2000
    Keywords: Motion pictures History. ; Motion pictures History ; France ; France ; Motion pictures History ; Motion pictures History. ; Film ; Geschichte ; Frankreich ; Electronic books. ; Electronic books. ; Electronic books History ; Frankreich ; Film ; Geschichte ; Frankreich ; Film ; Geschichte
    Note: Includes bibliographical references (p. 199-208) and index , Electronic reproduction, Boulder, Colo : NetLibrary, 2004
    URL: Volltext  (Deutschlandweit zugänglich)
    URL: Volltext  (Deutschlandweit zugänglich)
    Library Location Call Number Volume/Issue/Year Availability
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    MPI Ethno. Forsch.
  • 5
    Online Resource
    Online Resource
    When Music Takes Over in Film (2023)
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    Details
    ISBN: 9783030891558
    Language: English
    Pages: 1 Online-Ressource(XVIII, 255 p. 18 illus., 15 illus. in color.)
    Edition: 1st ed. 2023.
    Series Statement: Palgrave Studies in Audio-Visual Culture
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Keywords: Motion pictures. ; Music.
    Abstract: 1. Introduction -- Part I. What the Musical Moment Can Do - Theoretical Approaches -- 2. The Musical Moment, Counter-Memory, Oblivion -- 3. The Crystal Song in four American Films from 2016 to 2018 -- 4. Seriously Funny: Comedy, Performance and the Musical Moment in Toni Erdmann (2016) -- 5. Experiencing Romance in Musical Moments -- Part II. How the Musical Moment was Created – Musical Numbers in Silent Cinema -- 6. Film’s First Musical Moment: The Dickson Experimental Sound Film, 1895 -- 7. The Musical Moment in three Silent Films by Jacques Feyder: Narrative Vector or Emotional Catalyst? -- 8. A Waltz Dream: Musical Moments in Silent Operetta Films -- 9. Silent Movie Music(ians) on Screen: How Four Films Made Period Practices Audible and Visible -- Part III. Musical Dis/Placements – Musical Moments in Global Cinema -- 10. Musical Numbers in Bollywood Cinema's Homeland and Diaspora -- 11. Envisioning Chinese Musicals in the Era of Sound: Sound Cinema, the Songstress, and the Emergence of Mandarin Chinese Film Musicals, 1920s-1930s -- 12. De-Gendering Genre: Mayuzumi Toshirō's Avant-Garde Music in Popular Cinema.-13. Music in Nollywood Films: Schools of Thought and Performance Contexts -- 14. Redemption Songs: Musical Moments in Flora Gomes’s Nha Fala (2002) and Joseph Gaï Ramaka’s Karmen Geï (2001) -- 15. “No hay nada que celebrar”: Migration, Violence, and Musical Moments in Luis Estrada’s El Infierno (2010).
    Abstract: “This book reveals new insights into what happens when music is unconstrained by narrative. It is a brilliant read on what we thought we knew.” — Kathryn Kalinak, Rhode Island College, USA “This collection is wonderfully rich in its range and astonishing in its revelation of the joyous and disturbing things musical moments can do.” — Richard Dyer, King’s College London, UK “The essays here will appeal to film scholars and music specialists alike.” — Estella Tincknell, UWE Bristol, UK This open access collection deals with musical moments in film as one of the most pivotal and compelling issues of current film music research. Musical moments as defined by Amy Herzog occur when a musical number inverts the normal relationship between the image track and the soundtrack in a film in such a way that what we see is determined by what we hear. As one potential approach, this definition provokes a variety of perspectives to investigate the disruptive potential of these moments and numbers as a creative device in the production of audiovisual narratives. In this sense, the book responds to a need for an anthology that introduces students as well as scholars of cinema, musicology, media studies and cultural studies more broadly, to recent discourses in film music scholarship. The volume includes contributions by early career researchers as well as by established experts in the fields of musicology, film studies, media studies, and cultural studies, promoting cross-disciplinary collaboration in film music research. Anna K. Windisch is a film scholar who gained her PhD in Theatre, Film and Media Studies at the University of Vienna, Austria, and completed a postdoctoral position at the Austrian Academy of Sciences. Claus Tieber is Principal Investigator of the research project “Screenwriting musical numbers” in the Department of Theater, Film and Media Studies at the University of Vienna, Austria. Phil Powrie is Professor of Cinema Studies at the University of Surrey, UK, where he was Executive Dean of the Faculty of Arts and Human Sciences 2010-2015.
    Note: Open Access
    DOI: 10.1007/978-3-030-89155-8
    URL: kostenfrei
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    Online Resource
    BSZ
    MPI Ethno. Forsch.
  • 6
    Online Resource
    Online Resource
    When Music Takes Over in Film (2023)
    [Erscheinungsort nicht ermittelbar]
    Details
    ISBN: 9783030891558 , 9783030891541
    Language: Undetermined
    Pages: 1 Online-Ressource
    Abstract: This open access collection deals with musical moments in film as one of the most pivotal and compelling issues of current film music research. Musical moments as defined by Amy Herzog occur when a musical number inverts the normal relationship between the image track and the soundtrack in a film in such a way that what we see is determined by what we hear. As one potential approach, this definition provokes a variety of perspectives to investigate the disruptive potential of these moments and numbers as a creative device in the production of audiovisual narratives
    Abstract: Dieser Open Access Sammelband behandelt musikalische Momente im Film als zentrales und wegweisendes Thema aktueller Filmmusikforschung. Musikalische Momente wie von Amy Herzog (2009) definiert, treten dann auf, wenn die konventionelle Beziehung im Film zwischen Bild und Ton umgekehrt wird, so dass das was wir sehen von dem was wir hören bestimmt wird. Diese Definition ermöglicht neue Ansätze um besonders das disruptive Potential dieser musikalischen Momente und Nummern als kreatives Mittel der Produktion audiovisueller Erzählungen zu untersuchen
    Note: English
    URL: kostenfrei
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    Online Resource
    MPI Ethno. Forsch.
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