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  • 1
    ISBN: 1848852835 , 9781848852839
    Language: English
    Pages: XXII, 247 S , Ill , 24 cm
    Edition: New ed.
    DDC: 746.44082
    RVK:
    Keywords: Embroidery History ; Women in art ; Femininity ; Embroidery ; History ; Women in art ; Femininity ; Textilkunst ; Stickerei ; Frauenkunst ; Geschichte
    Abstract: "The Subversive Stitch is now available again with a new Introduction that brings the book up to date with exploration of the stitched art of Louise Bourgeois and Tracey Emin, as well as the work of new young female and male embroiderers. Rozsika Parker uses household accounts, women's magazines, letters, novels and the works of art themselves to trace through history how the separation of the craft of embroidery from the fine arts came to be a major force in the marginalisation of women's work. Beautifully illustrated, her book also discusses the contradictory nature of women's experience of embroidery: how it has inculcated female subservience while providing an immensely pleasurable source of creativity, forging links between women."--pub. desc
    Note: Hier auch später erschienene unveränderte Nachdrucke , Previous ed.: London: Women's Press, 1996
    URL: Cover
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  • 2
    ISBN: 0415902061
    Language: English
    Pages: 247 S. , Ill.
    Edition: Repr.
    DDC: 746.44/082
    RVK:
    Keywords: Embroidery History ; Women in art ; Femininity
    Note: Bibliography: p233-239. - Includes index. - Previous ed.: 1984
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  • 3
    ISBN: 0704344785
    Language: Undetermined
    Pages: 247p, [66]p of plates , ill, facsims, ports
    Edition: [New ed.]
    DDC: 746.44082
    RVK:
    Keywords: Embroidery History ; Women in art ; Femininity
    Note: Bibliography: p233-239. - Includes index. - Previous ed.: 1984
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  • 4
    ISBN: 0704344785
    Language: English
    Pages: 247 S. , Ill.
    Edition: Repr. and rev.
    DDC: 746.4409
    RVK:
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  • 5
    ISBN: 9781350149175 , 1350149179
    Language: English
    Pages: xli, 210 Seiten , Illustrationen , 22 cm
    Keywords: Women in art ; Women artists ; Feminism and art ; Feminism and art ; Women artists ; Women in art ; Feminismo y arte ; Mujeres artistas ; Feminismus ; Kunst ; Künstlerin ; Frau
    Abstract: Why is everything that compromises greatness in art coded as 'feminine'? Has the feminist critique of Art History history yet effected real change? With a new preface by Griselda Pollock, this edition of a truly groundbreaking book offers a radical challenge to a women-free Art History. Parker and Pollock's critique of Art History's sexism leads to expanded, inclusive readings of the art of the past. They demonstrate how the changing historical social realities of gender relations and women artists' translation of gendered conditions into their works provide keys to novel understandings of why we might study the art of the past. They go further to show how such knowledge enables us to understand art by contemporary artists who are women and can contribute to the changing self-perception and creative work of artists today. In March 2020 Griselda Pollock was awarded the Holberg Prize in recognition of her outstanding contribution to research and her influence on thinking on gender, ideology, art and visual culture worldwide for over 40 years. Old Mistresses was her first major scholarly publication which has become a classic work of feminist art history
    Note: Hier auch später erschienene, unveränderte Nachdrucke , Preface by Rozsika Parker and Griselda Pollock A Lonely Preface to the New Edition by Griselda Pollock Acknowledgments 1 Critical Stereotypes: the essential feminine or how essential is femininity 2 Crafty women and the hierarchy of the arts 3 'God's little artist' 4 Painted ladies 5 Back to the twentieth century: femininity and and feminism Conclusion Notes Select bibliography and further reading Index
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  • 6
    ISBN: 0704338831
    Language: English
    Pages: 247 S. , Ill.
    DDC: 746.44082
    RVK:
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    Keywords: Geschichte ; Stickerei ; Frau ; Textilkunst ; Sticken ; Großbritannien
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  • 7
    Image
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    London [u.a.] : Bloomsbury Visual Arts
    ISBN: 9781350132290
    Language: English
    Pages: xxii, 247 Seiten , Illustrationen , 24 cm
    Parallel Title: Erscheint auch als
    DDC: 746.44082
    RVK:
    RVK:
    RVK:
    Keywords: Frau ; Frau ; Gebärde ; Textilkunst ; Stickerei ; Geschichte ; Sticken ; Großbritannien ; Embroidery / History ; Women in art ; Femininity ; Embroidery ; Meiji period ; Femininity ; Women in art ; Frau ; Textilkunst ; Sticken ; Geschichte ; Großbritannien ; Stickerei ; Geschichte ; Frau ; Gebärde
    Abstract: The creation of femininity -- Eternalising the feminine -- Fertility, chastity and power -- The domestication of embroidery -- The inculcation of femininity -- From milkmaids to mothers -- Femininity as feeling -- A naturally revolutionary art?
    Abstract: The Subversive Stitch is now available again with a new Introduction that brings the book up to date with exploration of the stitched art of Louise Bourgeois and Tracey Emin, as well as the work of new young female and male embroiderers. Rozsika Parker uses household accounts, women's magazines, letters, novels and the works of art themselves to trace through history how the separation of the craft of embroidery from the fine arts came to be a major force in the marginalisation of women's work. Beautifully illustrated, her book also discusses the contradictory nature of women's experience of embroidery: how it has inculcated female subservience while providing an immensely pleasurable source of creativity, forging links between women. -- Publisher's description
    Note: Includes bibliographical reference and index , First published in 2010 by I.B. Tauris & Co, Ltd , Hier auch später erschienene, unveränderte Nachdrucke
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  • 8
    ISBN: 9781848852839
    Language: English
    Pages: XXII, 247 S. , zahlr. Ill. , 24 cm
    Edition: repr.
    RVK:
    Keywords: Embroidery ; History ; Women in art ; Femininity
    Note: Previous ed.: London: Women's Press, 1996
    URL: Cover
    URL: Cover
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