ISBN:
9781317367390
Language:
English
Pages:
1 Online-Ressource (199 pages)
Series Statement:
Routledge Advances in Film Studies
Parallel Title:
Print version McNelis, Tim US Youth Films and Popular Music : Identity, Genre, and Musical Agency
DDC:
302.234
Abstract:
Cover -- Half Title -- Title Page -- Copyright Page -- Dedication -- Contents -- List of Figures -- Acknowledgements -- Introduction: Youth Films, Identity, and Musical Agency -- PART I: She's a Rebel? Girls, Guitars, and Agency -- 1 The Girl Can't Have It: Restricted Musical Agency in 10 Things I Hate About You and Love Don't Cost a Thing -- 2 Queer Agency and the Reappropriation of the "Technophallus" in All Over Me -- 3 Silent Punk and Audible Folk: Musical Sleight-of-Hand in Juno -- PART II: Listening to the Other: Cultural Borrowing and Critical Reflection -- 4 Consumption, Authenticity, and Identity Experimentation in Ghost World -- 5 "I didn't move to Bosnia": Critical Cultural Immersion in Save the Last Dance -- 6 Cheerleaders, Bullies, and Nerds: Intersections of White Stereotypes and Black Music in Bring It On, Mean Creek, and Napoleon Dynamite -- PART III: Unheard Ethnicities: Musical Construction of Ethnic Identity and Agency -- 7 'Old World' Ethnicity, Hybrid Identity, and 'New World' Agency in Real Women Have Curves -- 8 "Neighbourhood is sure changing, isn't it?": Evolving Traditions and Complex Identities in Quinceañera -- 9 Reimagining the All-American Teenager: Inaudible Ethnicity and Agency from the Margins in Better Luck Tomorrow -- Conclusion: The Continuing Relevance of Film Music to Identity and Agency -- Index
URL:
https://www.taylorfrancis.com/books/9781317367406
Permalink
