ISBN:
0203676394
,
9780203676394
,
0203642481
,
9780203642481
Language:
English
Pages:
Online Ressource (x, 246 pages)
Parallel Title:
Print version Loving big brother
DDC:
306.4
Keywords:
Electronic surveillance Social aspects
;
Electronics in crime prevention Social aspects
;
Technology and the arts
;
Video recording in the theater
;
Popular culture
;
Privacy, Right of
;
Electronic surveillance Social aspects
;
Electronics in crime prevention Social aspects
;
Privacy, Right of
;
Technology and the arts
;
Video recording in the theater
;
Popular culture
;
Electronic surveillance Social aspects
;
Electronics in crime prevention Social aspects
;
SOCIAL SCIENCE ; Anthropology ; Cultural
;
POLITICAL SCIENCE ; Public Policy ; Cultural Policy
;
SOCIAL SCIENCE ; Popular Culture
;
Electronic surveillance ; Social aspects
;
Popular culture
;
Privacy, Right of
;
Technology and the arts
;
Video recording in the theater
;
Electronic books
;
Electronic books
Abstract:
1. An ideology of crime -- 2. Perverting privacy -- 3. Accidental death -- 4. Dimensions, doubles and data : producing surveillance space -- 5. Staging the spectator -- 6. Encountering surveillance.
Abstract:
Annotation
Abstract:
Constant scrutiny by surveillance cameras is usually seen as - at best - an invasion of privacy, and at worst an infringement of human rights. But in this radical new account of the uses of surveillance in art, performance and popular culture, John McGrath sets out a surprising alternative: a world where we have much to gain from the experience of being watched.In Loving Big Brother the author tackles head on the overstated claims of the crime-prevention and anti-terrorism lobbies. But he also argues that we can and do desire and enjoy surveillance, and that, if we can understand why this is, we may transform the effect it has on our lives. This text looks at a wide range of performance and visual artists, at popular TV shows and movies, and at our day-to-day encounters with surveillance, rooting its arguments in an accessible reading of cultural theory. This iconoclastic book develops a notion of surveillance space - somewhere beyond the public and the private, somewhere we will all soon live. It's a place we're just beginning to understand
Description / Table of Contents:
1. An ideology of crime2. Perverting privacy -- 3. Accidental death -- 4. Dimensions, doubles and data : producing surveillance space -- 5. Staging the spectator -- 6. Encountering surveillance.
Note:
Includes bibliographical references (pages 221-240) and index. - Print version record
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