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  • 1
    Book
    Book
    New York ; Oxford :Berghahn Books,
    ISBN: 978-1-80073-427-2
    Language: English
    Pages: vi, 286 Seiten : , Illustrationen.
    Series Statement: Spektrum: publications of the German Studies Association volume 23
    Series Statement: Spektrum: publications of the German Studies Association
    Parallel Title: Erscheint auch als
    RVK:
    RVK:
    Keywords: Geschichte 1990-2022 ; Minderheit. ; Diskurs. ; Rassismus. ; Migration. ; Deutschland. ; Konferenzschrift 2017 ; Minderheit ; Diskurs ; Rassismus ; Migration ; Geschichte 1990-2022
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  • 2
    Language: English
    Pages: 95 Seiten , Illustrationen, Karten
    Series Statement: African Arts Vol. 50.2017,Number 4
    Series Statement: African arts
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  • 3
    Book
    Book
    Ann Arbor : University of Michigan Press
    ISBN: 9780472130801
    Language: English
    Pages: ix, 259 Seiten , Illustrationen
    Series Statement: Social history, popular culture, and politics in Germany
    Dissertation note: Dissertation University of California at Berkeley
    DDC: 830.9896
    RVK:
    RVK:
    Keywords: German literature History and criticism 20th century ; German literature Black authors ; History and criticism ; Blacks in literature ; Masculinity in literature ; Blacks in popular culture History 20th century ; Motion pictures History 20th century ; Blacks in motion pictures ; Masculinity in motion pictures ; Blacks ; Whites ; German literature History and criticism ; 20th century ; German literature Black authors ; History and criticism ; Blacks in literature ; Masculinity in literature ; Blacks in popular culture History ; 20th century ; Germany ; Motion pictures History ; 20th century ; Germany ; Blacks in motion pictures ; Masculinity in motion pictures ; Blacks Race identity ; Germany ; Whites Race identity ; Germany ; Hochschulschrift ; Schwarze ; Popkultur ; Rezeption ; Deutsch ; Literatur ; Geschichte 1950-2017 ; Schwarze ; Popkultur ; Rezeption ; Deutschland ; Film ; Geschichte 1950-2017 ; Schwarze ; Popkultur ; Rezeption ; Deutsch ; Literatur ; Film ; Geschichte 1950-2017
    Abstract: Who's afraid of the black cook? -- Waiting for my band -- The blues and blue jeans : American dreams in the East -- Two black boys look at the white boy -- The future is unwritten
    Abstract: "Analyzing literary texts and films, White Rebels in Black shows how German authors have since the 1950s appropriated black popular culture, particularly music, to distance themselves from the legacy of Nazi Germany, authoritarianism, and racism, and how such appropriation changes over time. Priscilla Layne offers a critique of how blackness came to symbolize a positive escape from the hegemonic masculinity of postwar Germany, and how black identities have been represented as separate from, and in opposition to, German identity, foreclosing the possibility of being both black and German. Citing four autobiographies published by black German authors Hans Jürgen Massaquo, Theodor Michael, Günter Kaufmann, and Charly Graf, Layne considers how black German men have related to hegemonic masculinity since Nazi Germany, and concludes with a discussion on the work of black German poet, Philipp Khabo Köpsell."--Provided by publisher
    Note: Auch als Online-Ausgabe erschienen , Includes filmography. Includes bibliographical references and index
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  • 4
    ISBN: 9783110753295
    Language: English
    Pages: 1 Online-Ressource (X, 550 p.)
    Edition: 2021
    DDC: 303.6
    Keywords: Geschichte ; Gewalt ; Forschung ; Reflexivität ; Aufsatzsammlung
    Abstract: This book offers to academic and general public readers timely reflections about our relationships to violence. Taking cues from the self-reflexivity, themes, and subject matters of Holocaust, queer, and Black studies, this large group of diverse intellectuals wrestles with questions that connect past, present and future: where do I stand in relation to violence? What is my attitude toward that adjacency? Whose story gets to be told by whom? What story do I take this image to be telling? How do I co-witness to another's suffering? How do I honor the agency and resilience of family members or historical personages? How do past violence and injustice connect to the present? In smart, self-conscious, passionate, and often painfully beautiful prose, cultural practitioners, historians and cultural studies scholars such as Angelika Bammer, Doris Bergen, Ann Cvetkovich, Marianne Hirsch, Priscilla Layne, Mark Roseman, Leo Spitzer, Susan R. Suleiman and Viktor Witkowski explore such questions, inviting readers to do the same. By making available compelling examples of thinkers performing their own work within the cauldron of crises that came to a boil in 2020 and continued into the next year, this volume proposes strategies for moving forward with hope.
    URL: Cover
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  • 5
    Article
    Article
    In:  Who can speak and who is heard/hurt? (2019), Seite 217-238 | year:2019 | pages:217-238
    ISBN: 9783837641035
    Language: English
    Titel der Quelle: Who can speak and who is heard/hurt?
    Publ. der Quelle: Bielefeld : transcript, 2019
    Angaben zur Quelle: (2019), Seite 217-238
    Angaben zur Quelle: year:2019
    Angaben zur Quelle: pages:217-238
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  • 6
    ISBN: 9781800734289
    Language: Undetermined
    Pages: 1 Online-Ressource (294 p)
    Edition: 1st edition
    Series Statement: Spektrum: Publications of the German Studies Association 23
    Abstract: While German unification promised a new historical beginning, it also stirred discussions about contemporary Germany's Nazi past and ideas of citizenship and belonging in a changing Europe. Minority Discourses in Germany Since 1990 explores the intersections and divergences between Black German, Turkish German, and German Jewish experiences, with reflections on the evolving academic paradigms with which these are studied. Informed by comparative approaches, the volume investigates social and aesthetic interventions into contemporary German public and political discourse on memory, racism, citizenship, immigration, and history
    Description / Table of Contents: List of Illustrations -- Introduction: Minority Discourses in Germany since 1990 -- Ela Gezen, Priscilla Layne, Jonathan Skolnik -- Chapter 1. Refugee-Migrant-Immigrant -- Esther Dischereit -- Chapter 2. “Strange Stars” in Constellation: Özdamar, Lasker-Schüler, and the Archive -- Kristin Dickinson -- Chapter 3. Jewish Tales from a Muslim Turkish Pen: Feridun Zaimoğlu and Moses in Oberammergau -- Joshua Shelly -- Chapter 4. Schwarz tragen: Blackness, Performance, and the Utopian in Contemporary German Theater -- Olivia Landry -- Chapter 5. German Comedians Combatting Racist Stereotypes and Discrimination: Oliver Polak, Dave Davis, and Serdar Somuncu -- Britta Kallin -- Chapter 6. Dialogue and Intersection in German Holocaust Memory Culture: Stumbling Blocks and the Memorial to the Murdered Jews of Europe -- Nick Block -- Chapter 7. Young, Diverse, and Polyglot: Ilker Çatak and Amelia Umuhire Track the New Urban Sound of Europe -- Berna Gueneli -- Chapter 8. Subjunctive Remembering; Contingent Resistance: Katja Petrowskaja's Vielleicht Esther -- Maya Caspari -- Chapter 9. Posthumanism and Object-Oriented Ontology in Sharon Dodua Otoo's Synchronicity (2014) and Herr Gröttrup setzt sich hin (2016) -- Evan Torner -- Chapter 10. Future Narrative as Contested Ground: Emine Sevgi Özdamar's “On the Train” and Michael Götting's Contrapunctus -- Leslie Adelson -- Index
    Note: Zielgruppe: Professional and scholarly
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