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  • 1
    Article
    Article
    Show associated volumes/articles
    In:  Autonomy (2012), Seite 88-104 | year:2012 | pages:88-104
    ISBN: 9789056628581
    Language: Undetermined
    Titel der Quelle: Autonomy
    Publ. der Quelle: Rotterdam : NAI Publ. [u.a.], 2012
    Angaben zur Quelle: (2012), Seite 88-104
    Angaben zur Quelle: year:2012
    Angaben zur Quelle: pages:88-104
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  • 2
    ISBN: 9789056628581
    Language: English
    Pages: 160 S. , Ill.
    Series Statement: Open 11.2012,23
    Series Statement: Cahier on art and the public domain
    Series Statement: Open / Cahier on art and the public domain
    Keywords: Aufsatzsammlung ; Kunst ; Autonomie
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  • 3
    ISBN: 9783956791949
    Language: English
    Pages: 184 Seiten , Illustrationen
    DDC: 111/.85
    RVK:
    Keywords: Aesthetics ; Aufsatzsammlung ; Aufsatzsammlung ; Kulturrevolution ; Ästhetik ; Kulturrevolution ; Kunst ; Kunst ; Kulturrevolution
    Abstract: In this collection of essays, art historian and critic Sven Lütticken focuses on aesthetic practice in a rapidly expanding cultural sphere. He analyzes its transformation by the capitalist cultural revolution, whose reshaping of art's autonomy has wrought a field of afters and posts. In a present moment teeming with erosions - where even history and the human are called into question - 'Cultural revolution: aesthetic practice after autonomy' reconsiders these changing values, for relegating such notions safely to the past betrays their possibilities for potential today. Lütticken discusses practices that range from Black Mask to Subversive Aktion, from Krautonomy to Occupy, from the Wet Dream Film Festival in the early 1970s to Jonas Staal's recently established New World Academy. Within these pages Scarlett Johansson meets Paul Chan, Walid Raad, and Hito Steyerl, and Dr. Zira from Planet of the Apes mingles with the likes of Paul Lafargue and Alexandre Kojève
    Abstract: In this collection of essays, art historian and critic Sven Lütticken focuses on aesthetic practice in a rapidly expanding cultural sphere. He analyzes its transformation by the capitalist cultural revolution, whose reshaping of arts autonomy has wrought a field of afters and posts. In a present moment teeming with erosionswhere even history and the human are called into questionCultural Revolution: Aesthetic Practice after Autonomy reconsiders these changing values, for relegating such notions safely to the past betrays their possibilities for potential today. Lütticken discusses practices that range from Black Mask to Subversive Aktion, from Krautonomy to Occupy, from the Wet Dream Film Festival in the early 1970s to Jonas Staals recently established New World Academy. Within these pages Scarlett Johansson meets Paul Chan, Walid Raad, and Hito Steyerl, and Dr. Zira from Planet of the Apes mingles with the likes of Paul Lafargue and Alexandre Kojève.(Quelle: Klappentext)
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  • 4
    Book
    Book
    Utrecht : BAK, basis voor actuele kunst | Cambridge, MA : The MIT Press
    ISBN: 9780262539432 , 0262539438
    Language: English
    Pages: 262 Seiten , Illustrationen , 17 cm
    Series Statement: Basics series
    Parallel Title: Erscheint auch als Deserting from the culture wars
    DDC: 303.6
    RVK:
    Keywords: Culture conflict Philosophy ; Arts and society ; Arts Political aspects ; Culture in art ; Culture in art ; Arts ; Political aspects ; Arts and society ; Culture conflict ; Sociology ; Interpersonal relations ; Konferenzschrift 2019 ; Konferenzschrift 2019 ; Kunstsoziologie ; Kulturkonflikt ; Kulturkonflikt ; Kunst
    Abstract: "Deserting from the Culture Wars reflects upon and intervenes in our current moment of ever-more polarizing ideological combat, often seen as the return of the "culture wars." How are these culture wars defined and waged? Engaging in a theater of war that has been delineated by the enemy is a shortcut to defeat. Getting out of the reactive mode that produces little but a series of Pavlovian responses, this book proposes a tactical desertion from the culture wars as they are being waged today--a refusal to play the other side's war games, an unwillingness to be distracted.The volunteer troops in the culture wars are often given marching orders by professional masters of propaganda. What, then, might artists and others who are professionally engaged with images and imaginaries, with narratives and assemblies, have to contribute to the collective discovery of different modes of living culture? Far from limiting the performance of culture to a one-sided speech act, to the abstract "right to say something," an emancipatory understanding of culture needs to conceive of it as embodied and intersubjective--as a collective performance." --
    Note: Includes bibliographical references and index
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  • 5
    Online Resource
    Online Resource
    Cambridge : The MIT Press
    ISBN: 9780262363686 , 0262363682
    Language: English
    Pages: 1 online resource (150 pages).
    Series Statement: The MIT Press
    Parallel Title: Erscheint auch als Deserting from the culture wars
    DDC: 306.01
    RVK:
    Keywords: Culture conflict Philosophy ; Culture conflict ; Philosophy ; Kunstsoziologie ; Kulturkonflikt
    Abstract: Artists and writers consider a tactical desertion from the "culture wars"--a refusal to be distracted, an embrace of the emancipatory understanding of culture. Deserting from the Culture Wars reflects upon and intervenes in our current moment of ever-more polarizing ideological combat, often seen as the return of the "culture wars." How are these culture wars defined and waged Engaging in a theater of war that has been delineated by the enemy is a shortcut to defeat. Getting out of the reactive mode that produces little but a series of Pavlovian responses, this book proposes a tactical desertion from the culture wars as they are being waged today--a refusal to play the other side's war games, an unwillingness to be distracted. The volunteer troops in the culture wars are often given marching orders by professional masters of propaganda. What, then, might artists and others who are professionally engaged with images and imaginaries, with narratives and assemblies, have to contribute to the collective discovery of different modes of living culture Far from limiting the performance of culture to a one-sided speech act, an emancipatory understanding of culture needs to conceive of speech as embodied and intersubjective--as a collective performance. Contributors Bini Adamczak, Kader Attia, Rose Hammer, Tom Holert, Sven Lütticken, Diana McCarty, Dan McQuillan, Johannes Paul Raether, Natascha Sadr Haghighian, Jonas Staal.
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