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  • 1
    Article
    Article
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    In:  Transgression ; Vol. 2 (2006), Seite 3-22 | year:2006 | pages:3-22
    ISBN: 0415343410
    Language: Undetermined
    Titel der Quelle: Transgression ; Vol. 2
    Publ. der Quelle: London [u.a.] : Routledge, 2006
    Angaben zur Quelle: (2006), Seite 3-22
    Angaben zur Quelle: year:2006
    Angaben zur Quelle: pages:3-22
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  • 2
    Article
    Article
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    In:  Transgression ; Vol. 2 (2006), Seite 23-46 | year:2006 | pages:23-46
    ISBN: 0415343410
    Language: Undetermined
    Titel der Quelle: Transgression ; Vol. 2
    Publ. der Quelle: London [u.a.] : Routledge, 2006
    Angaben zur Quelle: (2006), Seite 23-46
    Angaben zur Quelle: year:2006
    Angaben zur Quelle: pages:23-46
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  • 3
    Online Resource
    Online Resource
    London : Bloomsbury Publishing Plc
    ISBN: 9781472535610
    Language: English
    Pages: 1 online resource (254 pages)
    Series Statement: The WISH List Ser.
    Parallel Title: Erscheint auch als
    DDC: 302
    Keywords: Electronic books
    Note: Description based on publisher supplied metadata and other sources
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  • 4
    Online Resource
    Online Resource
    London : Bloomsbury Academic
    ISBN: 9781472535658
    Language: English
    Pages: Online-Ressource
    Edition: Online-Ausg.
    Series Statement: WISH list
    Series Statement: The WISH List Ser.
    Parallel Title: Print version Sensational Subjects : The Dramatization of Experience in the Modern World
    DDC: 149.97
    Keywords: Culture Psychological aspects ; Postmodernism Psychological aspects ; Experience ; Culture ; Psychological aspects ; Experience ; Postmodernism ; Psychological aspects ; Electronic books
    Abstract: Under what conditions does 'sensation' become 'sensational'? By the early nineteenth century murder had become the staple of the sensationalizing popular press, and gruesome descriptions were deployed to make a direct impact on the 'sensations' of the reader. Later, concern with the thrills, spills, and shocks of modern life was being articulated in the language of sensation, and media sensationalism was already being seen both as contributing to this process and as magnifying its impact, just as sensation was, in turn, taken up by literature, art and film. Finally, it seems as though the dr
    Description / Table of Contents: FC; Half Title; The WISH List; Title; Copyright; Contents; List of Illustrations; A Note to the Reader; Acknowledgements; Foreword; 1 Introduction; 2 Sensation and Sensationalism; 3 Sensational Processes; 4 The Aesthetics of Sensation; 5 The Distractions of the Modern; 6 Cinematic Sensation: The Sublime and the Spectacle; 7 Sensational Affect; 8 The Melodrama of the Modern; Notes; Index
    Note: Includes bibliographical references and index
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