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  • 1
    Online Resource
    Online Resource
    Cham : Springer International Publishing | Cham : Springer International Publishing AG
    ISBN: 9783030787240 , 3030787249
    Language: English
    Pages: 1 Online-Ressource (XVI, 136 Seiten) , 10 illus.
    Edition: 2nd ed. 2021
    Parallel Title: Erscheint auch als Ingvarsson, Jonas Towards a Digital Epistemology
    DDC: 302.231
    Keywords: Digital media ; Humanities—Digital libraries ; Digital/New Media. ; Digital Humanities.
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  • 2
    ISBN: 9783030787240
    Language: English
    Pages: 1 Online-Ressource
    Edition: 2nd ed.
    Series Statement: Palgrave pivot
    Parallel Title: Erscheint auch als
    DDC: 302.231
    RVK:
    RVK:
    Keywords: Digital/New Media ; Digital Humanities ; Digital media ; Humanities Digital libraries ; Digital Humanities ; Erkenntnistheorie ; Digital Humanities ; Erkenntnistheorie
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 3
    ISBN: 9783030564254
    Language: English
    Pages: 1 online resource (152 pages)
    Parallel Title: Erscheint auch als
    DDC: 001.0285
    Keywords: Digital humanities ; Electronic books
    Abstract: Intro -- Foreword -- References -- Preface and Acknowledgments -- Contents -- List of Figures -- Chapter 1: Digital Epistemology: An Introduction -- 1.1 Digital/Analog -- 1.2 Liu/Lindhé/O'Gorman -- 1.3 Epistemology and Early Modern Modes of Thought -- 1.3.1 The Emblem -- 1.3.2 The Cabinets of Curiosity -- 1.3.3 Epistemology Engines and Recursive Historiography -- 1.4 Media Archaeology -- 1.5 The Book -- References -- Chapter 2: Evoking McLuhan's Juxtapositions in the Digital Age: Archaeology and the Mosaic -- 2.1 The Past and the Contemporary1 -- 2.2 McLuhan, Media Archaeology and Historiography -- 2.3 Strategies and Juxtapositions -- 2.3.1 Salon Culture versus Social Media -- 2.3.2 The Principle of Pertinence and the Mosaic of McLuhan -- 2.3.3 Electronic Literature versus the Renaissance Emblem -- 2.4 Interface. Mosaic -- 2.5 Hegnhøj and Essvik. Materiality and Analog Nostalgia -- References -- Chapter 3: CCC versus WWW: Digital Epistemology and Literary Text -- 3.1 The Mechanical Hand -- 3.2 The Literary Text: Operation CCC -- 3.3 Postdigitality and Analog Nostalgia -- 3.4 Digital. Tactile. Cabinet -- 3.5 The Principle of Pertinence -- 3.6 Imri Sandström: Language and the Principle of Pertinence -- 3.7 Kunstkammer Poetics -- 3.8 Babbage. Again -- References -- Chapter 4: "Books Are Machines": Materiality and Agency from the 1960s to the 2010s -- 4.1 Digitization as a Lens -- 4.2 Digital History and Threats -- 4.3 Without Us: UKON -- 4.4 Ubiquitous Viruses -- 4.5 The Number of the Beast -- 4.6 Torsten Ekbom 1965 -- 4.7 Johannes Heldén 2010 -- 4.8 On Digital Humanities -- References -- Chapter 5: Towards a Twenty-First-Century Pedagogy for the Humanities -- 5.1 Introduction -- 5.2 The Two Cultures 2.03 -- 5.2.1 Counter-culture -- 5.2.2 Correspondence -- 5.3 Digital Expressions? -- 5.3.1 Digital Practices6 -- 5.3.2 Digital-Born Works.
    Note: Description based on publisher supplied metadata and other sources
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  • 4
    Online Resource
    Online Resource
    Cham : Springer International Publishing | Cham : Palgrave Macmillan
    ISBN: 9783030564254
    Language: English
    Pages: 1 Online-Ressource (XVI, 140 Seiten)
    Edition: 1st ed. 2020
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 302.231
    RVK:
    RVK:
    Keywords: Digital/New Media ; Digital Humanities ; Digital media ; Humanities—Digital libraries ; Digital Humanities ; Erkenntnistheorie ; Digital Humanities ; Erkenntnistheorie
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 5
    Online Resource
    Online Resource
    [Erscheinungsort nicht ermittelbar] : Springer Nature
    ISBN: 9783030787240
    Language: English
    Pages: 1 Online-Ressource (136 p.)
    Keywords: Media studies ; Literature: history & criticism
    Abstract: This Open Access book explores the concept of digital epistemology. In this context, the digital will not be understood as merely something that is linked to specific tools and objects, but rather as different modes of thought. For example, the digital within the humanities is not just databases and big data, topic modelling and speculative visualizations; nor are the objects limited to computer games, other electronic works, or to literature and art that explicitly relate to computerization or other digital aspects. In what way do digital tools and expressions in the 1960s differ to the ubiquitous systems of our time? What kind of artistic effects does this generate? Is the present theoretical fascination for materiality an effect or a reaction to a digitization? Above all: how can early modern forms such as the cabinets of curiosity, emblem books and the archival principle of pertinence contribute to the analyses of contemporary digital forms?
    Note: English
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