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  • 1
    Online Resource
    Online Resource
    Amsterdam : Amsterdam University Press
    ISBN: 9048555744 , 9789048555741
    Language: English
    Pages: 1 Online-Ressource (238 pages) , illustrations
    Series Statement: Framing Film
    Parallel Title: Erscheint auch als
    Keywords: Films, cinema ; Media studies ; PERFORMING ARTS / Film & Video / General ; SOCIAL SCIENCE / Media Studies ; SOCIAL SCIENCE / Technology Studies ; Film history, theory or criticism ; Library, archive and information management ; Media studies ; Film, Media, and Communication ; FMC ; Film Studies ; FILM ; Media Studies ; MEDIA ; Film Archives and Museums, Early and Silent Cinema, Film Curatorship, Digital Turn, Film Historiography
    Abstract: 〈Cite〉Archival Film Curatorship is the first book-length study that investigates film archives at the intersection of institutional histories, early and silent film historiography, and archival curatorship. It examines three institutions at the forefront of experimentation with film exhibition and curatorship. The Eye Film Museum in Amsterdam, the George Eastman Museum in Rochester, NY, and the National Fairground and Circus Archive in Sheffield, UK serve as exemplary sites of historical mediation between early and silent cinema and the digital age. A range of elements, from preservation protocols to technologies of display and from museum architectures to curatorial discourses in blogs, catalogs, and interviews, shape what the author innovatively theorizes as the archive's hermeneutic dispositif. Archival Film Curatorship offers film and preservation scholars a unique take on the shifting definitions, histories, and uses of the medium of film by those tasked with preserving and presenting it to new digital-age audiences
    Note: "Amsterdam University Press" , Introduction Theorizing Archival Film Curatorship Chapter 1 The Eye Filmmuseum: Beyond the Canon, the Fragment and Remix Chapter 2 The George Eastman Museum: From Trivia to Popular and Fine Art Chapter 3 The National Fairground and Circus Archive: Early Fairground Cinema and Cine-Variety Pastiche Conclusion Moving-Image Curatorship Beyond Film Heritage Notes Index Bibliography Filmography
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  • 2
    Online Resource
    Online Resource
    Amsterdam : Amsterdam University Press
    ISBN: 9789463725675
    Language: Undetermined
    Pages: 1 Online-Ressource (241 p.)
    Series Statement: Framing Film
    Keywords: Film, TV & radio ; Media studies
    Abstract: Archival Film Curatorship is the first book-length study that investigates film archives at the intersection of institutional histories, early and silent film historiography, and archival curatorship. It examines three institutions at the forefront of experimentation with film exhibition and curatorship. The Eye Film Museum in Amsterdam, the George Eastman Museum in Rochester, NY, and the National Fairground and Circus Archive in Sheffield, UK serve as exemplary sites of historical mediation between early and silent cinema and the digital age. A range of elements, from preservation protocols to technologies of display and from museum architectures to curatorial discourses in blogs, catalogs, and interviews, shape what the author innovatively theorizes as the archive’s hermeneutic dispositif. Archival Film Curatorship offers film and preservation scholars a unique take on the shifting definitions, histories, and uses of the medium of film by those tasked with preserving and presenting it to new digital-age audiences
    Note: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    ISBN: 9783957960542 , 9783957960535
    Language: Undetermined
    Pages: 1 Online-Ressource (492 p.)
    Series Statement: Configurations of Film
    Keywords: Film theory & criticism ; Library, archive & information management ; Media studies ; activism ; pandemic ; cinema ; digitality ; archivism ; media ecology ; repositories
    Abstract: In the digital media ecology, archives are changing. Artists, curators, critics and scholars assume the role of accidental archivists. They shape cinema’s futures by salvaging precarious repositories and making them matter in new ways. In the process, the cinema’s public, a democratic body seemingly scattered about platforms and niches in a post-pandemic world, re-emerges as a political force. Accidental Archivism brings together programmatic statements and proposals to explore an artistic space between archiving and activism, a space where remnants of the past become the building blocks of new ways of making, showing, teaching and thinking cinema
    Note: English
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