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  • 1
    Language: German
    Pages: 1 Online-Ressource
    DDC: 302.23
    Keywords: Immersion ; Medientheorie ; Virtuelle Realität ; Medien ; Raumwahrnehmung ; Ästhetik
    Note: In: Jahrbuch immersiver Medien 3, S. 9–19.
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  • 2
    ISBN: 9783894727147
    Language: German
    Pages: 117 Seiten , Illustrationen, Diagramme , 240 mm x 170 mm
    Series Statement: Jahrbuch immersiver Medien 2015
    Series Statement: Jahrbuch immersiver Medien ...
    DDC: 300
    Keywords: Aufsatzsammlung ; Aufsatzsammlung ; Medien ; Gesellschaft ; Immersion ; Virtuelle Realität
    Abstract: "...Denn immersive Medientechnologien und ästhetische Strategien der Immersion greifen schon jetzt in nahezu alle Bereiche unseres täglichen Lebens ein - sei es im Unterhaltungssektor, in der Lehre und Forschung, in der Medizin oder in unserem Wohnzimmer. Das Jahrbuch immersiver Medien wird sich daher in der aktuellen Ausgabe intensiv mit der Rolle von innovativen und immersiven Medien in den Bereichen des täglichen Lebens auseinandersetzen."
    Note: Titel auf dem Bucheinband
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  • 3
    ISBN: 1784533564 , 9781350985520 , 9781784533564 , 9781786721457 , 9781786731456
    Language: English
    Pages: 1 Online-Ressource (x, 259 pages) , illustrations
    Edition: Also available in print
    Series Statement: Popular television genres
    Series Statement: International library of cultural studies
    Parallel Title: Erscheint auch als
    DDC: 305.896041
    Keywords: Blacks ; Television plays, Danish History and criticism ; Great Britain Race relations 20th century ; History ; Electronic books ; Electronic books ; Fernsehserie ; Dramaturgie
    Abstract: Drawing worldwide acclaim from critics and audiences alike, programmes like The Killing, Borgen, The Bridge and The Legacy demonstrate widespread fascination with Danish style, aesthetics and culture as seen through television narratives. This book uses familiar, alongside lesser known, case studies of drama series to demonstrate how the particular features of Danish production - from work cultures, to storytelling techniques and trans-national cooperation - have enhanced contemporary Danish drama's appeal both at home and abroad. The era of globalisation has blurred national and international television cultures and promoted regular cross-fertilisation between film and television industries. Important questions have emerged from this context surrounding, for example, the 'Americanisation' of foreign television formats, the meaning and practice behind the term 'quality television', and the purpose and efficacy of public service broadcasting. Beyond the Bridge tackles these issues in relation to Danish television, by examining the so-called 'scaffolded production processes' behind the making of quality serials and their thought-provoking content. Drawing on popular motifs from these celebrated dramas such as foreign politics, organised crime, global warming, and the impact of multinational corporations, this timely book provides crucial insight into the Danish dramas at the forefront of sophisticated, forward-thinking, fictional television
    Abstract: The Danish audio-visual media landscape: from dogma 95 to transnational cooperation -- Danish production culture and creativity management through 'scaffolding' -- Does crime pay? Forbrydelsen (The killing) and the thriving of Nordic noir -- Crime across borders: Broen (The bridge) -- Politics, family life and the media: Borgen -- Family noir: Arvingerne (The legacy) -- The Danish take on national security and the war on terror: Ørnen: en krimi-odyssé (The eagle) -- Conclusions: From dogmas to Nordic noir and beyond.
    Note: Includes bibliographical references (pages 245-251) and index , Also available in print. , Mode of access: World Wide Web.
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