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  • 1
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    In:  Pictures in place (2004), Seite 265-288 | year:2004 | pages:265-288
    ISBN: 0521818796
    Language: Undetermined
    Titel der Quelle: Pictures in place
    Publ. der Quelle: Cambridge : Cambridge Univ. Press, 2004
    Angaben zur Quelle: (2004), Seite 265-288
    Angaben zur Quelle: year:2004
    Angaben zur Quelle: pages:265-288
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  • 2
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    In:  Perceiving rock art Oslo: 1995, Seite 247-262
    Language: English
    Titel der Quelle: Perceiving rock art
    Angaben zur Quelle: Oslo: 1995, Seite 247-262
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  • 3
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    In:  Rock Art Research Institute Monograph Series 3, 2010, S. 169-187
    Language: English
    Titel der Quelle: Rock Art Research Institute Monograph Series
    Angaben zur Quelle: 3, 2010, S. 169-187
    Note: Knut Helskog
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  • 4
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    In:  Narratives and journeys in rock art Oxford: 2018, Seite 421-442
    Language: English
    Titel der Quelle: Narratives and journeys in rock art
    Angaben zur Quelle: Oxford: 2018, Seite 421-442
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  • 5
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    In:  Networking for rock art Los Angeles: [2022], Seite 86-87
    Language: English
    Titel der Quelle: Networking for rock art
    Angaben zur Quelle: Los Angeles: [2022], Seite 86-87
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  • 6
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    In:  Handbook of rock art research Walnut Creek 2001, S.482-529.
    Language: English
    Titel der Quelle: Handbook of rock art research
    Angaben zur Quelle: Walnut Creek 2001, S.482-529.
    Note: Richard Bradley; Christopher Chippindale; Knut Helskog
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  • 7
    Article
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    In:  Rock Art Research Institute Monograph Series 2012, S. 83-98
    Language: English
    Titel der Quelle: Rock Art Research Institute Monograph Series
    Angaben zur Quelle: 2012, S. 83-98
    Note: Knut Helskog
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  • 8
    Article
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    In:  Pictures in place Cambridge 2004, S. 265-288
    Language: English
    Titel der Quelle: Pictures in place
    Angaben zur Quelle: Cambridge 2004, S. 265-288
    Note: Knut Helskog
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  • 9
    ISBN: 978-1-86814-545-4 , 1-86814-545-X
    Language: English
    Pages: XV, 312 S. , Ill., Kt.
    Series Statement: Rock Art Research Institute Monograph Series 4
    Keywords: Felsbild Kunst ; Prähistorische Kunst ; Indigenität ; Wissen, lokales ; Wissenschaft
    Abstract: This volume contains cutting edge contributions that consider new approaches to three areas: the documentation of rock art; its interpretation using indigenous knowledge; and the presentation of rock art. Working with Rock Art is the first edited volume to consider each of these areas in a theoretical rather than a technical fashion, and it therefore makes a significant contribution to the discipline. The volume aims to promote the sharing of new experiences between leading researchers in the field. While the geographic focus is truly global, there is a dominant north-south axis with strong representation from researchers in southern Africa and northern Europe, two leading centres for new approaches in rock art research. Working with Rock Art opens up a long overdue dialogue about shared experiences between these two centres, and a number of the chapters are the first published results of new collaborative research--Internet. This volume contains cutting edge contributions that consider new approaches to three areas: the documentation of rock art; its interpretation using indigenous knowledge; and the presentation of rock art. Working with Rock Art is the first edited volume to consider each of these areas in a theoretical rather than a technical fashion, and it therefore makes a significant contribution to the discipline. The volume aims to promote the sharing of new experiences between leading researchers in the field. While the geographic focus is truly global, there is a dominant north-south axis with strong representation from researchers in southern Africa and northern Europe, two leading centres for new approaches in rock art research. Working with Rock Art opens up a long overdue dialogue about shared experiences between these two centres, and a number of the chapters are the first published results of new collaborative research. Since this volume covers the recording, interpretation and presentation of rock art, it will attract a wide audience of researchers, heritage managers and students, as well as anyone interested in the field of rock art studies.
    Description / Table of Contents: Partial contents ON DOCUMENTING ROCK ART. Rock art management: juggling with paradoxes and compromises, and how to live with them / Anne-Sophie Hygen -- Expressing intangibles: A recording experience with /Xam Rock Engravings / Janette Deacon -- Aspects of documentation for conservation purposes exemplified by rock art / Terje Norsted -- The spatial context of rock art sites: what might GIS have to offer in the absence of a temporal resolution of rock paintings? / Thembi Russell -- Rock art in context - theoretical aspects of pragmatic data collections / Tilman Lenssen-Erz -- Representing southern African San rock art: a move towards digitisation / D.Winnie Mokokwe -- The routine of documentation / Knut Helskog -- Prehistoric explorations in rock - investigations beneath and beyond carved surfaces / Trond Lødøen-- Partial contents ON UNDERSTANDING ROCK ART USING INDIGENOUS KNOWLEDGE. Politics, ethnography and prehistory: in search of an 'informed' approach to Finnish and Karelian rock art / Antti Lahelma -- Ethnography, history, rock art: the significance of social change in interpreting rock art / David Pearce -- Symbols on stone - in the footsteps of the bear in Finnish antiquity / Juha Pentiki~nen -- Animals and humans: metaphors of representation in south-central African rock art / Leslie Zubieta -- Ways of knowing and ways of seeing: spiritual agents and the origins of Native American rock art / David Whitley -- Shamanism, rock art and history: implications from a Central Asian case study / Andrzej Rozwadowski-- Partial contents ON PRESENTING ROCK ART. Presenting rock art through digital film / Paul Tao?n -- Rock art at present in the past / Lindsay Weiss -- The importance of Wildebeest Kuil: 'a hill with a future, a hill with a past' / David Morris -- Theoretical approaches and practical training for rock art tourist guiding and management / Janette Deacon and Neville Agnew -- Two related rock art conservation/education projects in Lesotho / Pieter Jolly -- Scandinavian rock art in the past - the present - and the future / Gitte Kjeldsen -- The presentation of rock art in South Africa: what are the new challenges? / Ndukuyakhe Ndlovu -- Yellowstone, Kruger, Kakadu: nature, culture and rock-art in three celebrated national parks / Catherine Namono and Christopher Chippindale.
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  • 10
    ISBN: 82-7099-239-9 , 978-82-7099-239-3
    Language: English
    Pages: 416 Seiten , Illustrationen, Karten
    Series Statement: Instituttet for Sammenlignende Kulturforskning. Serie B, Skrifter 92
    Keywords: Felsbild Felsbildforschung ; Anthropologie, soziale ; Ethnographie ; Prähistorische Kunst ; Tagungsbericht ; Aufsatzsammlung
    Abstract: The papers presented in this volume originate from the Alta Conference on Rock Art (ACRA) which was held in Alta, North Norway, on June 19-24, 1993. The theme social and political perpectives on rock art signals the dual identity of rock art both as a scientific source material for archaeological inquiries and as a present-day political and economic resource. As such the papers range from general overviews of research traditions in regions central to rock art research, to discussions on social perspectives, application of ethnographic analogies, and the control of meanings seen from ethnic and political perspectives.The plurality of meanings, traditions and approaches expressed by the participants - from South Africa to Scandinavia, from Australia and China to America - not only reflect the manysidedness of research and reseachers but also the dynamism with which the subjct matter currently is pursued. (Umschlagtext)
    Description / Table of Contents: Figures and tables -- Acknowledgements -- Introduction -- I. General perspectives and traditions in rock art research -- II. Rock art and its social context -- III. Ethnographic analogies and the interpreation of prehistoric rock art -- IV. Present political and ethnic perspectives -- V. Presentations of ongoing rock art research -- VI. Concluding commentary -- Contributors
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