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  • 1
    Article
    Article
    In:  Deathscapes (2016), Seite 283-297 | year:2016 | pages:283-297
    ISBN: 9780754679752
    Language: English
    Titel der Quelle: Deathscapes
    Publ. der Quelle: London : Routledge, 2016
    Angaben zur Quelle: (2016), Seite 283-297
    Angaben zur Quelle: year:2016
    Angaben zur Quelle: pages:283-297
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Online Resource
    Online Resource
    London ; New York ; Oxford ; New Delhi ; Sydney : Bloomsbury Visual Arts
    ISBN: 9781350158337 , 9781350158351 , 9781350158344
    Language: English
    Pages: 1 Online-Ressource (xiii, 345 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 759.989
    RVK:
    Keywords: Wilson, Edward 1872-1912 ; Themes, motives ; Gould, Polly ; Wilson, Edward Adrian ; Geschichte 1900-2020 ; Nature and civilization ; Nature (Aesthetics) ; Documentation Social aspects ; Antarktisforschung ; Kunst ; Expedition ; Antarctica In art ; Wilson, Edward Adrian 1872-1912 ; Antarktisforschung ; Expedition ; Kunst ; Geschichte 1900-2020 ; Gould, Polly
    Abstract: "An illustrated analysis of the visual, material and anthropological formation of environmental art and histories, in particular a visual history of the Antarctic"
    Abstract: Antarctica, that icy wasteland and extreme environment at the ends of the earth, was – at the beginning of the 20th century – the last frontier of Victorian imperialism, a territory subjected to heroic and sometimes desperate exploration. Now, at the start of the 21st century, Antarctica is the vulnerable landscape behind iconic images of climate change. In this genre-crossing narrative Gould takes us on a journey to the South Pole, through art and archive. Through the life and tragic death of Edward Wilson, polar explorer, doctor, scientist and artist, and his watercolours, and through the work of a pioneer of modern anthropology and opponent of scientific racism, Franz Boas, Gould exposes the legacies of colonialism and racial and gendered identities of the time. Antarctica, the White Continent, far from being a blank – and white – canvas, is revealed to be full of colour. Gould argues that the medium matters and that the practices of observation in art, anthropology and science determine how we see and what we know. Stories of exploration and open-air watercolour painting, of weather experiments and ethnographic collecting, of evolution and extinction, are interwoven to raise important questions for our times. Revisiting Antarctica through the archive becomes the urgent endeavour to imagine an inhabitable planetary future.
    Note: Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 3
    Article
    Article
    In:  Deathscapes 2010, S. 283-297
    Language: English
    Titel der Quelle: Deathscapes
    Angaben zur Quelle: 2010, S. 283-297
    Note: Polly Gould
    Library Location Call Number Volume/Issue/Year Availability
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