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  • 1
    ISBN: 9788822005755
    Language: Italian
    Pages: 295 p , ill. (some col.) , 22 cm
    Series Statement: Storia e civiltà 75
    Series Statement: Storia e civiltà
    DDC: 398
    Keywords: Medusa (Greek mythology) ; Women Mythology ; Serpents Mythology ; Medusa ; Schlangen ; Weiblichkeit ; Künste ; Geschichte
    Note: Bound , A. Giallongo teaches at the University of Urbino , Includes bibliographical references
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  • 2
    ISBN: 8885050182
    Language: Italian
    Pages: 53 S.
    Series Statement: Lisistrata 1
    Series Statement: Lisistrata
    DDC: 305.4
    Keywords: Women in literature
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  • 3
    Online Resource
    Online Resource
    Newcastle upon Tyne, UK : Cambridge Scholars Publishing
    ISBN: 1527512134 , 9781527512139
    Language: English
    Pages: 1 Online-Ressource (xiii, 281 pages) , illustrations
    Uniform Title: Donna serpente
    Parallel Title: Erscheint auch als Giallongo, Angela Historical enigma of the snake woman from antiquity to the 21st century
    DDC: 398.21
    Keywords: Medusa ; Medusa ; Women Mythology ; Serpents Mythology ; SOCIAL SCIENCE ; Folklore & Mythology ; History of ideas ; Hoaxes & deceptions ; Gender studies, gender groups ; Serpents ; Mythology ; Women ; Mythology
    Abstract: Identifying the OtherStereotypes; The Hybrids; The iconography of "mournful thoughts"; Fear Itself; Monster-women on film; Chapter Three; In the chaos of the night; "With a terror similar to ... "; "Medusa, come ...!"; The snake as the emblem of Otherness; Women & snakes; "And do you not know that you are each an Eve?"; Unclean; The Poison-Damsel; Visual teachings; Lessons at Court; L'Atelier des femmes; Hildegard of Bingen; Trotula de Ruggiero; Christine de Pizan; "A great beauty"; Chapter Four; Infinite Varieties; Headhunters; Cold, serpentine art; A vital spark; Conclusion; Select Bibliography
    Abstract: Intro; Table of Contents; List of Illustrations; Introduction; Chapter One; The Gorgons and the gorgoneia; Venerable monsters; A taste of the Classical Medusa myths; A stroll with the bogey-woman-no walk in the; Metamorphoses; "My Name Is Red"; The Juice of Life; Hypatia's Curse; "Two eyes hurt you but three eyes heal"; Our Ladies of Serpents; Among the living Goddesses ... ; ... and the Goddesses of Terror were born; Medusa the Magistra; The "Empire of Man"; In the world of Telemachus; On the stage of infamy; A 'Wonder' Gorgon; Chapter Two; Mirrors on the past; From repellent to powerless
    Abstract: This book provides an exploration of the historical conditions that gradually defined subordinating symbols and conflictual values in social relations between the sexes. It reveals how snakes and the gelid eyes of Medusa--the archetypical snake-woman--have reverberated across the visual arts and written sources throughout the ages in association with negative emotions: fear, anger, scorn and shame. The outcomes and implications of the disturbing correlation between the dangerous female gaze, the malignitas of the snake and the lethal power of menstruation that have been woven through the fabric
    Note: Includes bibliographical references (pages 262-274) and index , Translated from the Italian: La donna serpente : storie di un enigma dall'antichità al XXI secolo. Bari, Italia : Dedalo, 2013
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  • 4
    ISBN: 8822005384
    Language: Italian
    Pages: 244 S. , Ill. , 22 cm
    Series Statement: Storia e civiltà 38
    Series Statement: Storia e civiltà
    DDC: 302
    Keywords: Visual education ; History ; Education, Medieval ; Visual communication ; History ; Visuelle Wahrnehmung ; Erziehungsphilosophie ; Geschichte 500-1500 ; Visuelle Kommunikation ; Bildungswesen ; Geschichte 500-1500
    Note: A.Giallongo teaches at the University of Urbino. - Bound
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  • 5
    Online Resource
    Online Resource
    Newcastle-upon-Tyne : Cambridge Scholars Publisher
    ISBN: 9781527512139
    Language: English
    Pages: 1 online resource (295 pages)
    Parallel Title: Erscheint auch als
    DDC: 398.21
    Keywords: Electronic books ; Electronic books
    Abstract: This book provides an exploration of the historical conditions that gradually defined subordinating symbols and conflictual values in social relations between the sexes. It reveals how snakes and the gelid eyes of Medusa--the archetypical snake-woman--have reverberated across the visual arts and written sources throughout the ages in association with negative emotions: fear, anger, scorn and shame.The outcomes and implications of the disturbing correlation between the dangerous female gaze, the malignitas of the snake and the lethal power of menstruation that have been woven through the fabric of the Western imaginary are analysed here. This analysis reveals an intriguing history of female reptilian hybrids--from the pleasing Minoan snake goddesses to the depressing Gorgon, Echidna, Amazons, Eve, Melusine, Basilisk, Poison-Damsel, Catoblepas and Sadako/Samara--and gives the reader an opportunity to explore things that never happened but have always been.
    Abstract: Intro -- Table of Contents -- List of Illustrations -- Introduction -- Chapter One -- The Gorgons and the gorgoneia -- Venerable monsters -- A taste of the Classical Medusa myths -- A stroll with the bogey-woman-no walk in the -- Metamorphoses -- "My Name Is Red" -- The Juice of Life -- Hypatia's Curse -- "Two eyes hurt you but three eyes heal" -- Our Ladies of Serpents -- Among the living Goddesses... -- …and the Goddesses of Terror were born -- Medusa the Magistra -- The "Empire of Man" -- In the world of Telemachus -- On the stage of infamy -- A 'Wonder' Gorgon -- Chapter Two -- Mirrors on the past -- From repellent to powerless -- Identifying the Other -- Stereotypes -- The Hybrids -- The iconography of "mournful thoughts" -- Fear Itself -- Monster-women on film -- Chapter Three -- In the chaos of the night -- "With a terror similar to…" -- "Medusa, come…!" -- The snake as the emblem of Otherness -- Women & snakes -- "And do you not know that you are each an Eve?" -- Unclean -- The Poison-Damsel -- Visual teachings -- Lessons at Court -- L'Atelier des femmes -- Hildegard of Bingen -- Trotula de Ruggiero -- Christine de Pizan -- "A great beauty" -- Chapter Four -- Infinite Varieties -- Headhunters -- Cold, serpentine art -- A vital spark -- Conclusion -- Select Bibliography -- Index.
    Note: Description based on publisher supplied metadata and other sources
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