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  • 1
    Online Resource
    Online Resource
    [Erscheinungsort nicht ermittelbar] : Indiana University Press
    ISBN: 9780253049087
    Language: Undetermined
    Pages: 1 Online-Ressource
    Keywords: Film theory & criticism
    Abstract: This fascinating study presents for the first time the full story of Eisenstein's disastrous attempt to make a great film in Mexico, a motion picture "symphony" of Mexican life, history, culture, and the perpetual Mexican fiesta of death. It clarifies the relationship between Eisenstein and Upton Sinclair, the American novelist who financed the picture, and reveals the causes and consequences of Sinclair's withdrawal of financial backing. Eisenstein was at the height of his creative powers when he began working on the Mexican film. The fiasco that ended the project was to leave a permanent mark on his life and work, while Sinclair was to be vilified on both sides of the Atlantic as the desecrator of the most important film of the world's greatest motion picture director. The book presents the story of these events in a unique manner by embedding the actual correspondence of the main participants in a commentary by Professors Geduld and Gottesman, who have endeavored to tell the truth about a tragic episode in the history of the cinema
    Note: English
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  • 2
    Online Resource
    Online Resource
    [Erscheinungsort nicht ermittelbar] : Indiana University Press
    ISBN: 9780253049308
    Language: Undetermined
    Pages: 1 Online-Ressource
    Keywords: Film: styles & genres
    Abstract: Writers have been deeply involved with film virtually from its inception in the 1890's down to the present moment. Their involvement is a story of transition from wonder and optimism about the new medium to a gradual disenchantment and a growing tendency to regard cinema as a destructive rival rather than a creative partner. Authors on Film reflects the wide range of attitudes toward film as the world 's most celebrated writers candidly express their opinions. The articles include studies of the silent film and the transition to sound, general statements on the film medium and the film-maker, discussions of the problems of screenwriting, and descriptions of the Hollywood scene, past and present. Among the thirty- five contributors are James Baldwin, Bertolt Brecht, Jean Cocteau, John Dos Passos, T. S. Eliot, William Faulkner, F. Scott Fitzgerald, Andre Gide, Maxim Gorky, Aldous Huxley, Jack Kerouac, Thomas Mann, Somerset Maugham, Jean-Paul Sartre, Bernard Shaw, Upton Sinclair, Leo Tolstoy, H. G. Wells, and Virginia Woolf
    Note: English
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  • 3
    Online Resource
    Online Resource
    [Erscheinungsort nicht ermittelbar] : Indiana University Press
    ISBN: 9780253048851
    Language: Undetermined
    Pages: 1 Online-Ressource
    Keywords: Film production: technical & background skills
    Abstract: An intimate view of the art and craft of the film is afforded by this anthology of the writings of thirty leading film directors. Ranging from formal essays to informal interviews, the selections provide 'insight into the personalities and purposes of the men behind the cameras and constitute a unique history of the cinema from the early inventions of the Lumière brothers to the current experiments of the "underground" film makers. The selections are international in scope and interest, ranging from an analysis of the techniques of slapstick comedy by the most famous early master of the form (Mack Sennett's "How to Throw a Pie") to the aesthetic of the nouvelle vague film (Alain Resnais's "Trying to Understand My Own Film") and a speculative commentary by the most inventive and celebrated Swedish director (Ingmar Bergman's "What is 'Film Making'?"). The first section of the book is devoted to the views of film pioneers and masters of the silent film with selections from Cecil Hepworth, Edwin S. Porter, Mack Sennett, D. W. Griffith, Robert Flaherty, Charles Chaplin, Erich von Stroheim, Serge Eisenstein, and Carl Dreyer. The second part surveys the opinions of outstanding recent and contemporary directors representing twelve countries: Alfred Hitchcock, Tony Richardson, Jean Cocteau, Alain Resnais, Louis Buñuel, Ingmar Bergman, Federico Fellini, Michelangelo Antonioni, Fritz Lang, Andrzej Wajda, Satyajit Ray, Akira Kurosawa, Orson Welles, and Kenneth Anger. In his introduction Mr. Geduld discusses the ways in which a director imposes his personal vision on a film, the major differences between the film and other artistic media, and the special problems of adapting the novel and other literary forms to the cinema. Included is an index to the contributors presenting biographical data and listing their major films
    Note: English
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  • 4
    Online Resource
    Online Resource
    [Erscheinungsort nicht ermittelbar] : Indiana University Press
    ISBN: 9780253053473
    Language: Undetermined
    Pages: 1 Online-Ressource
    Keywords: Film theory & criticism
    Abstract: Prepared in commemoration ofthe fiftieth anniversary of the talkies, The Birth of the Talkies is the first complete, authoritative account of how sound cinema was born. The story begins in 1877 with the invention of the phonograph, which was to provide silent cinema with its earliest form of recorded sound accompaniment. It concludes in 1929, the first year in which a talkie won an Academy Award. En route, the book recounts the various applications of the phonograph in supplying sound for the so-called silent cinema. It surveys the profusion of failures, half-failures, and abortive successes that led ultimately to Vitaphone and the international triumph of The Jazz Singer. Remarkable but virtually forgotten developments such as the Phono-Cinéma-Théâtre of 1900, the Filmsparlants of Léon Gaumont, and the Kinetophone shows of Thomas Alva Edison are described in detail, along with a wealth of information about related efforts to harness the phonograph to the cinematograph. All the early sound films of the Hollywood studios are described and discussed, and a concluding chapter surveys the effects of the sound revolution on the American film industry
    Note: English
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