Your email was sent successfully. Check your inbox.

An error occurred while sending the email. Please try again.

Proceed reservation?

Export
  • 1
    ISBN: 9789004467057 , 900446705X
    Language: English , Sanskrit
    Pages: 1 Online-Ressource
    Series Statement: Gonda indological studies 23
    Parallel Title: Erscheint auch als Ganser, Elisa Theatre and its other
    Keywords: Bharata Muni ; Abhinavagupta ; Nāṭyaśāstra (Bharata Muni) ; Sanskrit drama History and criticism ; Theater ; Aesthetics, Indic ; Théâtre sanscrit - Histoire et critique ; Théâtre - Inde ; Esthétique de l'Inde ; PERFORMING ARTS / Dance / General ; Aesthetics, Indic ; Sanskrit drama ; Theater ; Criticism, interpretation, etc ; India
    Abstract: "What is Dance? What is Theatre? What is the boundary between enacting a character and narrating a story? When does movement become tinted with meaning? And when does beauty shine alone as if with no object? These universal aesthetic questions find a theoretically vibrant and historically informed set of replies in the oeuvre of the eleventh-century Kashmirian author Abhinavagupta. The present book offers the first critical edition, translation, and study of a crucial and lesser known passage of his commentary on the Nāṭyaśāstra, the seminal work of Sanskrit dramaturgy. The nature of dramatic acting and the mimetic power of dance, emotions, and beauty all play a role in Abhinavagupta's thorough investigation of performance aesthetics, now presented to the modern reader"--
    Note: Includes bibliographical references and index , English and Sanskrit
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 2
    Online Resource
    Online Resource
    [Erscheinungsort nicht ermittelbar] : Brill
    ISBN: 9789004467057 , 9789004449817
    Language: English
    Pages: 1 Online-Ressource (428 p.)
    Keywords: Dance & other performing arts
    Abstract: In Theatre and Its Other, Elisa Ganser revisits a telling debate on the intertwined natures of dance and dramatic acting; preserved in Abhinavagupta’s eleventh-century commentary on the Nāṭyaśāstra, it reflects complex historical shifts in aesthetic theory and performance practice. ; Readership: All those interested in the history of Indian dance and theatre and in Abhinavagupta’s aesthetics, including scholars and students of Indology, performance, dance, and theatre studies, as well as performers
    Note: English
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
Close ⊗
This website uses cookies and the analysis tool Matomo. More information can be found here...