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  • 1
    Online Resource
    Online Resource
    Boston : BRILL | Ann Arbor, Michigan : ProQuest
    ISBN: 9789004347601
    Language: English
    Pages: 1 Online-Ressource (335 pages)
    Series Statement: Cross/Cultures Ser.
    DDC: 303.48/2
    Note: Description based on publisher supplied metadata and other sources
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  • 2
    ISBN: 9004347046 , 9789004347045
    Language: English
    Pages: 325 Seiten , Illustrationen
    Series Statement: Cross/Cultures volume 200
    Series Statement: Cross/Cultures
    Parallel Title: Erscheint auch als Concurrent imaginaries, postcolonial worlds
    DDC: 303.48/2
    RVK:
    RVK:
    RVK:
    Keywords: Colonies Social aspects ; Colonies Historiography ; Culture and globalization ; Postcolonialism and the arts ; Arts, Modern Themes, motives ; Literature, Modern History and criticism ; Commonwealth literature (English) Themes, motives ; Aufsatzsammlung ; Aufsatzsammlung ; Postkolonialismus
    Abstract: Brydon, Forsgren, and Fur's 'Concurrent Imaginaries, Postcolonial Worlds' demonstrates the value of reading for concurrences in situating discussions of archives, voices, and history in colonial and postcolonial contexts. Starting with the premise that our pluriversal world is constructed from concurrent imaginaries yet the role of concurrences has seldom been examined, the collection brings together case studies that confirm the productivity of reading, looking, and listening for concurrences across established boundaries of disciplinary or geopolitical engagement. Contributors working in art history, sociology, literary, and historical studies bring examples of Nordic colonialism together with analyses of colonial practices worldwide. The collection invites uptake of the study of concurrences within the humanities and in interdisciplinary fields such as postcolonial, cultural, and globalization studies
    Abstract: Brydon, Forsgren, and Fur's 'Concurrent Imaginaries, Postcolonial Worlds' demonstrates the value of reading for concurrences in situating discussions of archives, voices, and history in colonial and postcolonial contexts. Starting with the premise that our pluriversal world is constructed from concurrent imaginaries yet the role of concurrences has seldom been examined, the collection brings together case studies that confirm the productivity of reading, looking, and listening for concurrences across established boundaries of disciplinary or geopolitical engagement. Contributors working in art history, sociology, literary, and historical studies bring examples of Nordic colonialism together with analyses of colonial practices worldwide. The collection invites uptake of the study of concurrences within the humanities and in interdisciplinary fields such as postcolonial, cultural, and globalization studies
    Note: Literaturangaben
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  • 3
    ISBN: 9789004347601
    Language: English
    Pages: 1 Online-Ressource (335 pages)
    Series Statement: Cross / Cultures volume 200
    Series Statement: Cross/Cultures Volume 200
    Parallel Title: Print version Brydon, Diana Concurrent Imaginaries, Postcolonial Worlds : Toward Revised Histories
    DDC: 303.48/2
    Keywords: Colonies ; Social aspects ; Colonies ; Historiography ; Culture and globalization ; Postcolonialism and the arts ; Arts, Modern ; Themes, motives ; Electronic books
    Abstract: Concurrent Imaginaries, Postcolonial Worlds: Toward Revised Histories -- Copyright -- Table of Contents -- List of Illustrations -- Acknowledgements -- SECTION ONE: INTRODUCTION TO CONCURRENCES IN THEORY AND PRACTICE -- What Reading for Concurrences Offers Postcolonial Studies -- Concurrences as a Methodology for Discerning Concurrent Histories -- Travel Writing and the Representation of Concurrent Worlds: Caryl Phillips' The Atlantic Sound and Noo Saro-Wiwa's Looking for Transwonderland -- SECTION TWO: IN AND OUT OF THE ARCHIVES -- "Unhallowed Mysteries" in the Colonial Archive: Competing Epistemologies in North America -- Concurrent Domesticities in Letters from the Colonial Fringe -- The 'Lapland Giantess' in Britain: Reading Concurrences in a Victorian Ethnographic Exhibition -- Oral Tradition and the Postcolonial Challenge: The Historiographical Autonomy of Non-Literate Societies -- Entangled Encounters, Land-Taking, and the Oral Archive: Notes from the Field -- Constructing Otherness in Swedish District Courts: Concurrent Distance-Making Performances During Courtroom Interaction -- SECTION THREE: READING FOR CONCURRENCES -- An African Woman Coming to Voice Through a Multimodal Artwork -- Asymmetrical Voices: A Concurrent Reading of Tsitsi Dangarembga's The Book of Not and Alexandra Fuller's Don't Let's Go to the Dogs Tonight -- "A Voice Speaking For Me a Riddle": Postcolonial Voice and Marlene van Niekerk's Agaat -- From Colonial Oppression to Social Utopia: The Decolonization of Norrland and Its Limits in the Swedish Historical Novel The Great Wrath (Den stora vreden) -- Can the Subaltern Speak Under Duress? Voice, Agency, and Corporal Discipline in Zero Dark Thirty -- Notes on the Contributors -- Index
    URL: Volltext  (lizenzpflichtig)
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