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  • 1
    Online Resource
    Online Resource
    Ann Arbor [Michigan] : University of Michigan Press
    ISBN: 9780472903788 , 0472903780
    Language: English
    Pages: 1 Online-Ressource
    Parallel Title: Erscheint auch als Flinn, Caryl Alan Rudolph's "Trouble in Mind"
    Keywords: Rudolph, Alan Criticism and interpretation ; Trouble in Mind (Motion picture) History and criticism ; Film noir ; Films noirs ; PERFORMING ARTS / General ; Film noir ; Criticism, interpretation, etc
    Abstract: Despite a career spanning over forty years, filmmaker Alan Rudolph has flown largely under the radar of independent film scholars and enthusiasts, often remembered as Robert Altman's prote̹ge̹. Through a reading of his 1985 film Trouble in Mind, Caryl Flinn demonstrates that Rudolph is long overdue for critical re-evaluation. Exploring Trouble in Mind's influence on indie filmmaking, Rudolph's dream-like style, and the external political influences of the Reagan era, Flinn effectively conveys the originality of Rudolph's work through this multifaceted film. Utilizing archival materials and interviews with Rudolph himself and his collaborators, Flinn argues for this career-defining film's relevance to American independent cinema and the decade of the 1980s. Amply illustrated with frame enlargements and set photographs, this book uncovers new production stories and reception contexts of a film that Flinn argues deserves a place in the limelight
    Description / Table of Contents: Intro -- Contents -- Figures -- Chapter 1. Introduction -- Chapter 2. The Plot: Borrowed Pasts and Unclear Futures -- Chapter 3. Trouble in Mind in Independent Cinema: Smooth Sailing in a Troubled Term -- Chapter 4. Neo-noir and Anti-noir: Playing with Tropes -- Chapter 5. The Style of Dreams: Image and Music -- Chapter 6. The 1980s: Broken Politics, Surfaces, and Dreams -- Chapter 7. Marketing and Reception -- Chapter 8. Archives, Afterlives, and Acknowledgments -- Notes -- Bibliography -- Index
    Note: Includes bibliographical references (pages 145-147) and index
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  • 2
    Article
    Article
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    In:  Camp (1999), Seite 433-457 | year:1999 | pages:433-457
    ISBN: 9780748611713
    Language: Undetermined
    Titel der Quelle: Camp
    Publ. der Quelle: Edinburgh : Edinburgh University Press, 1999
    Angaben zur Quelle: (1999), Seite 433-457
    Angaben zur Quelle: year:1999
    Angaben zur Quelle: pages:433-457
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  • 3
    Online Resource
    Online Resource
    Berkeley : University of California Press
    ISBN: 1417520027 , 9781417520022 , 9780520937154 , 0520937155 , 0520228952 , 9780520228955
    Language: English
    Pages: VIII, 323 S. , Ill. , 24 cm
    Edition: Online-Ausg. Boulder, Colo NetLibrary 2004 E-Books von NetLibrary
    Series Statement: EBSCOhost eBook Collection
    Parallel Title: Print version New German cinema
    RVK:
    RVK:
    Keywords: Motion picture music Germany ; History and criticism ; Motion pictures ; Motion picture music History and criticism. ; Motion pictures Germany ; Motion picture music History and criticism ; Germany ; Germany ; Motion pictures ; Motion picture music History and criticism ; Motion picture music History and criticism ; Motion pictures ; Motion pictures ; Motion picture music History and criticism. ; Motion Pictures as Topic ; PERFORMING ARTS ; Film & Video ; Reference ; PERFORMING ARTS ; Film & Video ; General ; Motion picture music ; Motion pictures ; Criticism, interpretation, etc ; Filmmusik ; Filmästhetik ; Neuer deutscher Film ; Germany ; Germany ; Electronic books. ; Electronic books. ; Electronic books Criticism, interpretation, etc ; Neuer deutscher Film ; Filmmusik ; Geschichtsdarstellung ; Geschichte ; Deutschland ; Film ; Geschichte 1965-1990
    Abstract: Introduction: "strategies of remembrance" -- Mourning, melancholia, and "new German melodrama" -- Modernism's aftershocks: Peer Raben's film music for Fassbinder -- Kluge's assault on history: trauma, testimony, and difference in the patriot -- Undoing act 5: history, bodies, and operatic remains: Kluge's the power of emotion -- Restaging history with fantasy: body, camp, and sound in the films of Treut, Ottinger, and Von Praunheim -- Introjecting kitsch: Werner Schroeter, music, and alterity
    Description / Table of Contents: Introduction: "strategies of remembrance" -- Mourning, melancholia, and "new German melodrama" -- Modernism's aftershocks: Peer Raben's film music for Fassbinder -- Kluge's assault on history: trauma, testimony, and difference in the patriot -- Undoing act 5: history, bodies, and operatic remains: Kluge's the power of emotion -- Restaging history with fantasy: body, camp, and sound in the films of Treut, Ottinger, and Von Praunheim -- Introjecting kitsch: Werner Schroeter, music, and alterity
    Description / Table of Contents: Introduction: "strategies of remembrance"Mourning, melancholia, and "new German melodrama" -- Modernism's aftershocks: Peer Raben's film music for Fassbinder -- Kluge's assault on history: trauma, testimony, and difference in the patriot -- Undoing act 5: history, bodies, and operatic remains: Kluge's the power of emotion -- Restaging history with fantasy: body, camp, and sound in the films of Treut, Ottinger, and Von Praunheim -- Introjecting kitsch: Werner Schroeter, music, and alterity.
    Note: Includes bibliographical references and index , Electronic reproduction, Boulder, Colo : NetLibrary, 2004
    URL: Volltext  (Deutschlandweit zugänglich)
    URL: Volltext  (Deutschlandweit zugänglich)
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  • 4
    Online Resource
    Online Resource
    [Erscheinungsort nicht ermittelbar] : University of Michigan Press
    ISBN: 9780472039395
    Language: Undetermined
    Pages: 1 Online-Ressource (173 p.)
    Series Statement: Out of the Archives
    Keywords: Theatre studies ; Film: styles & genres ; Film theory & criticism
    Abstract: Despite a career spanning over forty years, filmmaker Alan Rudolph has flown largely under the radar of independent film scholars and enthusiasts, often remembered as Robert Altman’s protégé. Through a reading of his 1985 film Trouble in Mind, Caryl Flinn demonstrates that Rudolph is long overdue for critical re-evaluation. Exploring Trouble in Mind’s influence on indie filmmaking, Rudolph’s dream-like style, and the external political influences of the Reagan era, Flinn effectively conveys the originality of Rudolph’s work through this multifaceted film. Utilizing archival materials and interviews with Rudolph himself and his collaborators, Flinn argues for this career-defining film’s relevance to American independent cinema and the decade of the 1980s. Amply illustrated with frame enlargements and set photographs, this book uncovers new production stories and reception contexts of a film that Flinn argues deserves a place in the limelight
    Note: English
    Library Location Call Number Volume/Issue/Year Availability
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