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  • 1
    Online Resource
    Online Resource
    Post-cinema : Cinema in the Post-art Era (2020)
    Amsterdam : Amsterdam University Press
    Details
    ISBN: 9789048551941 , 9048551943
    Language: English
    Pages: 1 Online-Ressource (376 p)
    Series Statement: The Key Debates: Mutations and Appropriations in European Film Studies
    Keywords: Motion pictures Philosophy ; PERFORMING ARTS / Film & Video / Direction & Production
    Abstract: Frontmatter --Table of Contents --Editorial --Acknowledgments --1. Introduction --PART I A Tribute to Agnès Varda --2. The Incipit of Beaches of Agnès (Les plages d'Agnès) An Installation in the Form of a Self-portrait --PART II The End of Cinema? --3. Announcing the End of the Film Era. The Lumière Galaxy: Seven Key Words for the Cinema to Come by Francesco Casetti, Columbia University Press, 2015 --4. Cinema Hangs Tough --5. Jean-Luc Godard's Histoire(s) du cinéma or Cinema Surpasses Itself --PART III Technological Transformations --6. Mutation, Appropriation and Style --7. The Twenty-First-Century Postcinematic Ecology of the Film Museum. Theorizing a Film Archival Practice in Transition - A Dialogue --8. In-Flight Entertainment or the Emptying Process of Art in the Air --PART IV New Dispositif, New Conditions --9. What Kind of Art Is the Cinema of Interactions? --10. Thinking Inside and Outside of the (Black) Box. Bird Box and Netflix's Algorithmic Operations --11. Post-cinema Ecology --PART V Transformations in Film Form --12. Dwelling with Moving Images --13. Extraordinary Stories, a Mariano Llinás Postmodern Art Film --14. Art, Otherwise Than Art. Cinema and Contemporary Art: A Mutual Challenge --15. The Zidane Film --PART VI Post-cinema, an Artists' Affair --16. The Happy Failure. La pluie (Projet pour un texte) by Marcel Broodthaers, 1969 --17. Per aspera ad astra, or Through Postcinema Toward Cinema, the Reverse Journey of Ilya Khrzhanovsky's DAU --18. Cinématon: The Shortest Films for the Longest Film - A Dialogue --19. Documentary as Contemporary Art - A Dialogue
    Abstract: Post-cinema designates a new way of making films. It is time to ask whether this novelty is complete or relative and to evaluate to what extent this novation represents a unitary current or multiple ways. The book proposes to integrate the post-cinema question within the post-art question in order to study the new way of making filmic images in new conditions more or less remote from the dispositif of the theater and in closer relationship with contemporary art. The issue will be considered at three levels: the impression of post-art on "regular" films ; the "relocation" (Cassetti) of the same films that can be seen using devices of all kinds, in conditions more or less remote from the dispositif of the theater ; parallel to the integration of contemporary art in "regular" cinema, the integration of cinema into contemporary art in all kinds of forms of creation and exhibition
    Note: In English
    URL: kostenfrei
    URL: kostenfrei
    URL: OAPEN Library: download the publication
    URL: OAPEN Library: description of the publication
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    MPI Ethno. Forsch.
  • 2
    Online Resource
    Online Resource
    La Question de la question de l'art (1994)
    [Erscheinungsort nicht ermittelbar] : Presses universitaires de Vincennes
    Details
    ISBN: 9782842929244
    Language: French
    Pages: 1 Online-Ressource
    Abstract: Qu'est-ce que l'art ? Depuis le milieu des années cinquante, de nombreux philosophes anglo-saxons sont entrés dans le débat ouvert par une telle interrogation. Insatisfaits des réponses de l'esthétique traditionnelle, ils cherchaient moins à introduire de nouvelles réponses à cette ancienne question qu'à changer la question elle-même. L'importante collection de textes rangés sous le nom d'esthétique analytique engage ainsi une hypothèse commune, traversant la disparité des sujets abordés : tout progrès de l'esthétique et, par là, tout progrès de notre connaissance sur l'art exigent un changement de problématique, et la philosophie analytique, inspirée par la logique ou la linguistique, peut l'assurer. La Question de la question de l'art dresse un bilan critique de cette école de pensée. Traçant le panorama des principales conceptions, certaines atypiques, l'ouvrage évalue leur contribution au débat sur les fondements de l'esthétique. Dans quelle mesure Danto, Goodman et quelques autres ont-ils revivifié cette discipline en la coupant de ses racines ?
    Note: French
    URL: kostenfrei
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    Online Resource
    MPI Ethno. Forsch.
  • 3
    Online Resource
    Online Resource
    Screens : from materiality to spectatorship : a historical and theoretical reassessment (2016)
    Amsterdam : Amsterdam University Press
    Details
    ISBN: 9789462981904 , 9462981906 , 9789048531691 , 9048531691
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: The key debates [6]
    Series Statement: mutations an appropriations in European film studies
    Parallel Title: Erscheint auch als
    Keywords: Cinematography Philosophy ; Electronic books ; Film theory and criticism ; Film, TV and radio ; Films, cinema ; The arts ; ART ; General ; Cinematography ; Philosophy ; Electronic book
    Abstract: Introduction : Screen, a concept in progress / Dominique Chateau and José Moure -- Rectangle-film [25x19] (1918) / Emmanuele Toddi [Pietro Silvio Rivetta] -- Intersections between showing and concealment in the history of the concept of screen / Giorgio Avezzù -- Archaic paradigms of the screen and its images / José Moure -- Thematizing the "arche-screen" through its variations / Mauro Carbone -- The stuff of screens / Ian Christie -- Scaling down : Cinerama on Blu-ray / Ariel Rogers -- The disappearance of the surface / Simon Lefebvre -- GoPro : augmented bodies, somatic images / Richard Bégin -- The four practices? Challenge for an archaeology of the screen / Erkki Huhtamo -- Screens in the city / Nanna Verhoeff -- The screenic image : between verticality and horizontality, viewing and touching, displaying and playing / Wanda Strauven -- From screen-scape to screen-sphere : a meditation in Medias Res / Vivian Sobchack -- The concept of the mental screen : the internalized screen, the dream screen, and the constructed screen / Roger Odin -- Between fascination and denial : the power of the screen / Dominique Chateau -- Screens after Dos Passos's U.S.A. trilogy : current answers for the eyeminded public / Salvador Rubio Marco -- El Lissitzky's screening rooms / Olivia Crough -- But who actually watched Mark Lewis's films at the Louvre? / Raymond Bellour -- Gulliver goes to the movies : screen size, scale, and experiential impact : a dialogue / Martine Beugnet and Annie van den Oever -- The skin and the screen : a dialogue / Laura U. Marks, Dominique Chateau, and José Moure -- The screen and the concept of dispositif : a dialogue / Frank Kessler, Dominique Chateau, and José Moure.
    Abstract: We live in an era of screens. No longer just the place where we view movies, or watch TV at night, screens are now ubiquitous, the source of the majority of information we consume daily, and a crucial component of our basic interactions with colleagues, friends, and family. This transformation has happened almost without us realizing it-and certainly without the full theoretical and intellectual analysis it deserves. Screens brings together scholars from a variety of disciplines to analyse the growing presence and place of screens in our lives today. They tackle such topics as the archaeology of screens, film and media theories about our interactions with them, their use in contemporary art, and the new avenues they open up for showing films and other media in non-traditional venues
    Note: Includes bibliographical references (pages 273-343) and indexes , English
    URL: kostenfrei
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    Online Resource
    MPI Ethno. Forsch.
  • 4
    Online Resource
    Online Resource
    Subjectivity : filmic representation and the spectator's experience (2011)
    [Place of publication not identified] : Amsterdam University Press
    Details
    ISBN: 9089643176 , 9789089643179 , 9789048514205 , 9048514207
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Key debates 2
    DDC: 791.4301
    Keywords: Subjectivity in motion pictures Philosophy ; Motion pictures ; Subjectivity ; Point of view (Literature) ; Subjectivité au cinéma - Philosophie ; Point de vue (Littérature) ; Cinéma ; PERFORMING ARTS / Film & Video / History & Criticism ; Motion pictures ; Point of view (Literature) ; Subjectivity
    Abstract: Subjectivity is a central concept in film theory, philosophy and cultural studies. It was also a key term in the reception of the Nouvelle Vague film movement in France and Italy from the start of 1945. This timely volume explores the ways in which the concept of subjectivity has made its way into film theory, history, practice and criticism, as well as the confrontations of the subject with this rapidly changing medium.Contributors to this timely study include Francesco Casetti, Gregory Currie, Marina Grzinic, Maria Klonaris and Katerina Thomadaki, Jacinto Lageira, José Moure, Pere Salabert, Céline Scemama, Karl Sierek, Vivian Sobchack, and Pierre Taminiaux. Their illuminating essays are a testimony to their profound involvement in the subjectivity debate, enriching our perception of film history and our understanding of the medium
    Note: Frontmatter , Contents , Editorial , Acknowledgments , Introduction: Rethinking Subjectivity in Film , Part I From Mind to Film, from Film to Mind , The Cinema as Art of the Mind: Hugo Münsterberg, First Theorist of Subjectivity in Film , The Representation of Experience in Cinema , Beyond Subjectivity: The Film Experience , Part II Ways of Expressing Subjectivity , The Man Who Wasn't There: The Production of Subjectivity in Delmer Daves' Dark Passage , From Aesthetic Experience to the Loss of Identity, in Three Steps , Robert Bresson and the Voices of an Inner World: "I" Can Never Be "You," or the Impossible Identification , The Silence of the Lenses: Blow Up and the Subject of Photography , Part III Subjectivity and the Epistemology of Film Studies , Beyond Subjectivity. Bakhtin's Dialogism and the Moving Image , Imaginary Subject , A Philosophical Approach to Subjectivity in Film Form , Part IV Conversation Subjectivity in Artistic Coupling , Conversation with Maria Klonaris and Katerina Thomadaki , Notes , General Bibliography , Notes on Contributors , Index of Names , Index of Film Titles , Index of Subjects , English
    URL: kostenfrei
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    Online Resource
    MPI Ethno. Forsch.
  • 5
    Online Resource
    Online Resource
    Screens : From Materiality to Spectatorship – A Historical and Theoretical Reassessment (2016)
    [Erscheinungsort nicht ermittelbar] : Amsterdam University Press
    Details
    ISBN: 9789462981904 , 9789048531691
    Language: English
    Pages: 1 Online-Ressource
    Keywords: Film theory & criticism
    Abstract: We live in an era of screens. No longer just the place where we view movies, or watch TV at night, screens are now ubiquitous, the source of the majority of information we consume daily, and a crucial component of our basic interactions with colleagues, friends, and family. This transformation has happened almost without us realizing it-and certainly without the full theoretical and intellectual analysis it deserves. Screens brings together scholars from a variety of disciplines to analyse the growing presence and place of screens in our lives today. They tackle such topics as the archaeology of screens, film and media theories about our interactions with them, their use in contemporary art, and the new avenues they open up for showing films and other media in non-traditional venues
    Note: English
    URL: OAPEN Library: download the publication
    URL: OAPEN Library: description of the publication
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Online Resource
    MPI Ethno. Forsch.
  • 6
    Online Resource
    Online Resource
    Screens : from materiality to spectatorship : a historical and theoretical reassessment (2016)
    Amsterdam : Amsterdam University Press
    Details
    ISBN: 9789462981904
    Language: Undetermined
    Pages: 1 Online-Ressource (1 electronic resource (358 p.))
    Abstract: We live in an era of screens. No longer just the place where we view movies, or watch TV at night, screens are now ubiquitous, the source of the majority of information we consume daily, and a crucial component of our basic interactions with colleagues, friends, and family. This transformation has happened almost without us realizing it-and certainly without the full theoretical and intellectual analysis it deserves.Screens brings together scholars from a variety of disciplines to analyse the growing presence and place of screens in our lives today. They tackle such topics as the archaeology of screens, film and media theories about our interactions with them, their use in contemporary art, and the new avenues they open up for showing films and other media in non-traditional venues
    Note: en
    URL: Volltext
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    MPI Ethno. Forsch.
  • 7
    Online Resource
    Online Resource
    Subjectivity. Filmic Representation and the Spectator's Experience (2011)
    [Erscheinungsort nicht ermittelbar] : Amsterdam University Press
    Details
    ISBN: 9789089643179
    Language: English
    Pages: 1 Online-Ressource (276 p.)
    Series Statement: The Key Debates: Mutations and Appropriations in European Film Studies
    Keywords: Film theory & criticism
    Abstract: Subjectivity is a central concept in film theory, philosophy and cultural studies. It was also a key term in the reception of the Nouvelle Vague film movement in France and Italy from the start of 1945. This timely volume explores the ways in which the concept of subjectivity has made its way into film theory, history, practice and criticism, as well as the confrontations of the subject with this rapidly changing medium.Contributors to this timely study include Francesco Casetti, Gregory Currie, Marina Grzinic, Maria Klonaris and Katerina Thomadaki, Jacinto Lageira, José Moure, Pere Salabert, Céline Scemama, Karl Sierek, Vivian Sobchack, and Pierre Taminiaux. Their illuminating essays are a testimony to their profound involvement in the subjectivity debate, enriching our perception of film history and our understanding of the medium
    Note: English
    URL: kostenfrei
    URL: OAPEN Library: download the publication
    URL: OAPEN Library: description of the publication
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Online Resource
    MPI Ethno. Forsch.
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