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  • 1
    Article
    Article
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    In:  Ethnic and racial studies : ERS Vol. 22, No. 6 (1999), p. 1062
    ISSN: 0141-9870
    Language: Undetermined
    Titel der Quelle: Ethnic and racial studies : ERS
    Publ. der Quelle: London [u.a.] : Routledge
    Angaben zur Quelle: Vol. 22, No. 6 (1999), p. 1062
    DDC: 390
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  • 2
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    In:  Mobilities Vol. 6, No. 1 (2011), p. 95-103
    ISSN: 1745-0101
    Language: Undetermined
    Titel der Quelle: Mobilities
    Publ. der Quelle: Abingdon : Routledge, Taylor & Francis Group
    Angaben zur Quelle: Vol. 6, No. 1 (2011), p. 95-103
    DDC: 300
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  • 3
    Online Resource
    Online Resource
    Hoboken : Taylor & Francis
    ISBN: 9780415495448
    Language: English
    Pages: Online-Ressource (210 p)
    Series Statement: International Library of Sociology
    Parallel Title: Print version Revolution : The Paradox of Society
    DDC: 303.4
    Keywords: Electronic books
    Abstract: In contemporary society the idea of 'revolution' seems to have become obsolete. What is more untimely than the idea of revolution today? At the same time, however, the idea of radical change no longer refers to exceptional circumstances but has become normalized as part of daily life. Ours is a 'culture' of permanent revolution in which constant systemic disembedding demands a meta-stable subjectivity in continuous transformation. In this sense, the idea of revolution is painfully timely. This paradoxical coincidence, the simultaneous absence and presence of the desire for radical change in co
    Description / Table of Contents: Front Cover; Revolt, Revolution, Critique; Copyright Page; Contents; Acknowledgements; Introduction: Life without idea; Part I: Revolt and counter-revolt; 1. Revolt and repetition; 2. The profane; 3. Revolt as pure politics; Excursus I: The ghost of Spartacus; Part II: Revolution and counterrevolution; 4. The infinite revolution; 5. Nothing and everything; 6. Strategy and intoxication; 7. Mass movement, elections and the medieval man; 8. Antagonisms and disjunctive syntheses; Excursus II: Huxley's Brave New World - and ours; Part III: Critique and counter-critique
    Description / Table of Contents: 9. Critique of critique of critique . . .10. Critique as communism, communism as critique; Afterword: De te fabula narratur!; References; Index;
    Note: Description based upon print version of record
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  • 4
    Online Resource
    Online Resource
    New York : Routledge,
    ISBN: 9780203878552 , 9781134005598 , 9781134005635 , 9781134005642
    Language: English
    Pages: 1 online resource (x, 204 pages)
    Series Statement: International library of sociology
    Parallel Title: Erscheint auch als
    DDC: 303.4
    Keywords: Revolutions
    Abstract: pt. 1. Revolt and counter-revolt -- pt. 2. Revolution and counterrevolution -- pt. 3. Critique and counter-critique.
    Note: Includes bibliographical references (pages [187]-196) and index
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  • 5
    Online Resource
    Online Resource
    Hoboken : Taylor and Francis
    ISBN: 9780415495448
    Language: English
    Pages: Online-Ressource (210 p)
    Series Statement: International Library of Sociology
    Parallel Title: Print version Revolt, Revolution, Critique : The Paradox of Society
    DDC: 303.4
    Keywords: Electronic books
    Abstract: The book addresses the social, political and cultural significance of revolt and revolution in three dimensions. First, it analyzes revolt and revolution as 'events' which are of history but not reducible to it. Second, it elaborates on theories that grant revolt and revolution a central place in their structure. And third, it discusses revolutionary or emancipatory theories that seek to participate in radical change. Further, since both revolt and revolution involve the critique of what exists, of actual reality, the implications of the intimate relationship between revolt, revolution and cri
    Description / Table of Contents: Front Cover; Revolt, Revolution, Critique; Copyright Page; Contents; Acknowledgements; Introduction: Life without idea; Part I: Revolt and counter-revolt; 1. Revolt and repetition; 2. The profane; 3. Revolt as pure politics; Excursus I: The ghost of Spartacus; Part II: Revolution and counterrevolution; 4. The infinite revolution; 5. Nothing and everything; 6. Strategy and intoxication; 7. Mass movement, elections and the medieval man; 8. Antagonisms and disjunctive syntheses; Excursus II: Huxley's Brave New World - and ours; Part III: Critique and counter-critique
    Description / Table of Contents: 9. Critique of critique of critique . . .10. Critique as communism, communism as critique; Afterword: De te fabula narratur!; References; Index
    Note: Description based upon print version of record
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  • 6
    Online Resource
    Online Resource
    Florence : Taylor and Francis | Ann Arbor, Michigan : ProQuest
    ISBN: 9780203934395
    Language: English
    Pages: 1 Online-Ressource (156 pages)
    Edition: 1st ed.
    Series Statement: International Library of Sociology
    DDC: 302.23/43
    Keywords: Film ; Gesellschaft ; Soziologie
    Abstract: Sociology through the Projector takes issue with the question of how contemporary film can help answering the general, abstract but still urgent question: what is the social today? This book explains the performative relation to contemporary social theory in which cinema functions as a tool for social diagnosis. There is much to be learned about social theory through an encounter with films as films are part and parcel of the society they portray. Increasingly more lay knowledge about social problems and facts stems from cinema as it offers to large audiences a popular and pedagogical introduction to social knowledge. Social theory cannot avoid a critical engagement with cinema as cinema interprets, invents, displaces and distorts the object of sociological inquiry. This book will provide a deeper understanding of contemporary social theory as the chosen films will work as a pedagogical route into contemporary social theory. The films represent a mix of European and American blockbusters and more aesthetically orientated films. The authors question several dominant topics and concerns within social theory and film studies. Firstly, by cross-examining a series of concepts such as identity, representation, memory and surveillance (filming social behaviour) which are of concern to both film theory and social theory. Secondly, by trying to develop imaginative approaches to standard social concerns such as exclusion, gender roles and inequalities, power, infantilisation and commodification of the social and psychological bonds.   This book will be a great resource for students and researchers of Sociology, Contemporary Social Theory, Film Studies and Cultural Studies.
    Note: Description based on publisher supplied metadata and other sources
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