ISBN:
9780268025786
,
0268025770
,
0268025789
,
9780268025779
Language:
English
Pages:
XIV, 323 S
,
Ill., Notenbeisp
,
24 cm
DDC:
306.48420941509033
Keywords:
Music History and criticism 18th century
;
Music History and criticism 19th century
;
Popular culture History
;
Gender identity
Description / Table of Contents:
Nation and notation : Irish music and print culture in the eighteenth century -- Harping on the past : Joseph Cooper Walker's historical memoirs of the Irish bards and the "horizontal brotherhood" of the Irish nation -- "The united powers of female poesy and music" : Charlotte Brooke's reliques of Irish poetry -- Sequels of colonialism : Edward Bunting, the ancient Irish music, and the cultural politics of performance -- Patriotism and "woman's sentiment" in Sydney Owenson's Hibernian melodies and The wild Irish girl -- A "truly national" project : Thomas Moore's Irish melodies and the gendering of the British cultural marketplace -- In Moore's wake : Irish music in Ireland after the Irish melodies -- Irish music, British culture, and the transatlantic experience
Note:
Includes bibliographical references (S. 287 - 300) and index
URL:
http://www.loc.gov/catdir/toc/ecip061/2005029467.html
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