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  • 1
    ISBN: 9781138570481 , 9781138930742
    Language: English
    Pages: xii, 280 Seiten , Illustrationen , 25 cm
    Edition: First edition
    Series Statement: Space, materiality and the normative
    Series Statement: A GlassHouse book
    DDC: 340/.1
    RVK:
    RVK:
    RVK:
    Keywords: Law Philosophy ; Law Psychological aspects ; Law Philosophy ; Law Psychological aspects
    Abstract: Introduction -- Emotional tropes in the courtroom : on display and representation of affect and emotion in court proceedings -- Achilles' wrath and the law : juridical space(s), striated and smooth -- Before the temple of justice : reading Roman law reading -- Factoring out justice : imaginaries of community, law, and the political in Ambrogio Lorenzetti and Niccolò Machiavelli -- The juridical spaces of Venice : reading and performing the law in/of the Merchant of Venice -- Mapping the law : reading old maps of Strasbourg as constituting juridical space and representing judicial places -- A modern trial : a study of the use of video-recorded testimonies in the Swedish Court of Appeal and of its effects on social interaction and the constitution of judicial space -- Concluding remarks : becoming juridical
    Description / Table of Contents: Introduction : spacing law and politicsEmotional tropes in the courtroom : on display and representation of affect and emotion in legal court proceedings -- Achilles' wrath and the law : juridical space(s), striated and smooth -- Before the temple of justice : reading Roman law reading -- Factoring out justice : imaginaries of community, law, and the political in Ambrogio Lorenzetti and Niccolò Machiavelli -- The spaces of Venice : reading and performing the law in/of the Merchant of Venice -- Mapping the law of Strasbourg : reading old maps of Strasbourg as constituting juridical space and representing judicial places -- A modern trial : a study of the use of video-recorded testimonies in the Swedish Court of Appeal and of its effects on social interaction and the constitution of judicial space -- Concluding remarks : becoming-juridical.
    Note: Literaturverzeichnis: Seite 249-273 und Index
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  • 2
    ISBN: 3110285371 , 9783110285376
    Language: English
    Pages: VI, 304 S. , Ill. , 230 mm x 155 mm
    Series Statement: Law & Literature 4
    Series Statement: Law & literature
    Parallel Title: Erscheint auch als Visualizing Law and Authority
    DDC: 340/.115
    RVK:
    RVK:
    RVK:
    Keywords: Law and aesthetics Congresses ; Law and literature Congresses ; Konferenzschrift 2010 ; Rechtsästhetik ; Visualisierung
    Abstract: "The volume "Visualizing Law and Authority. Essays on Legal Aesthetics" brings together revised papers from the international conference "Law and the Image", held in Stockholm, 24-25 September, 2010. The participants/contributors belong to the disciplines of Art history, Cultural studies, Literary and Media studies, and Law. The contributions discuss the complex relations between law, media and visual phenomena. The common theme of the essays consists in an examination of the scopic field and of regimes of visibility in phenomenological terms, arguing that law constitutes a cognitive and aesthetic field of normative world-making. Rather than merely inverting Shelley's dictum that the "poets are the unacknowledged legislators of the world", the essays argue in different ways for the necessity to develop a legal aesthetics"--
    Abstract: "The volume "Visualizing Law and Authority. Essays on Legal Aesthetics" brings together revised papers from the international conference "Law and the Image", held in Stockholm, 24-25 September, 2010. The participants/contributors belong to the disciplines of Art history, Cultural studies, Literary and Media studies, and Law. The contributions discuss the complex relations between law, media and visual phenomena. The common theme of the essays consists in an examination of the scopic field and of regimes of visibility in phenomenological terms, arguing that law constitutes a cognitive and aesthetic field of normative world-making. Rather than merely inverting Shelley's dictum that the "poets are the unacknowledged legislators of the world", the essays argue in different ways for the necessity to develop a legal aesthetics"--
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  • 3
    ISBN: 9789462701410
    Language: English
    Pages: 1 Online-Ressource (324 p.)
    Series Statement: Orpheus Institute Series
    DDC: 111.85
    RVK:
    Keywords: Theory of music & musicology ; Theory of music and musicology
    Abstract: "New modes of epistemic relationships in artistic research Research leads to new insights rupturing the existent fabric of knowledge. Situated in the still evolving field of artistic research, this book investigates a fundamental quality of this process. Building on the lessons of deconstruction, artistic research invents new modes of epistemic relationships that include aesthetic dimensions. Under the heading transposition, seventeen artists, musicians, and theorists explain how one thing may turn into another in a spatio-temporal play of identity and difference that has the power to expand into the unknown. By connecting materially concrete positions in a way familiar to artists, this book shows how moves can be made between established positions and completely new ground. In doing so, research changes from a process that expands knowledge to one that creatively reinvents it. Contributors: Annette Arlander (University of the Arts Helsinki), Paulo de Assis (Orpheus Institute, Ghent), Rosi Braidotti (Utrecht University), Leif Dahlberg (Royal Institute of Technology Stockholm), Lucia D’Errico (Orpheus Institute, Ghent), Mika Elo (University of the Arts Helsinki), Laura González (Royal Conservatoire of Scotland), Esa Kirkkopelto (University of the Arts Helsinki), Yve Lomax (Royal College of Art, London), Cecile Malaspina (CNRS-Université Paris 1/Université Paris 7), Tor-Finn Malum Fitje (independent artist, Oslo), Dieter Mersch (Zurich University of the Arts), David Pirrò (University of Music and Performing Arts Graz), Hans-Jörg Rheinberger (Max Planck Institute for the History of Science, Berlin), Hanns Holger Rutz (University of Music and Performing Arts Graz), Michael Schwab (Orpheus Institute, Ghent/University of Applied Arts Vienna), Birk Weiberg (Zurich University of the Arts)"
    Note: English
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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