ISBN:
9783319482675
Language:
English
Pages:
1 online resource (243 pages)
Series Statement:
Screening Spaces
Parallel Title:
Erscheint auch als
DDC:
301
Keywords:
Brazilian literature
;
Brazilian literature
;
Electronic books
Abstract:
Contents -- Chapter 1 Introduction -- Brazilian Landscapes and Subjects in Cinema and Culture -- Space and Subjectivity in Contemporary Brazilian Cinema -- References -- Editors and Contributors -- List of Figures -- Part I Territorialization and Marginal Subjectivities -- Chapter 2 Tikmũ'ũn's Caterpillar-Cinema: Off-Screen Space and Cosmopolitics in Amerindian Film -- The Hypothesis of a "Shamanic Critique" -- The Tatakox Series: From One Opacity to Another -- Chants and Films, Films-Chants -- Incompossible Spaces, Peoples to Become -- Flock of Swallows -- References -- Chapter 3 The Reterritorializations of Urban Space in Brazilian Cinema -- Brasília and Cinema -- Relational Space, Cinema, and Deterritorialization -- References -- Chapter 4 Mapping from the Margins: The Films of Beto Brant -- The Trilogy of Conflict -- The Trilogy of Connection -- The Killers: Living in Borrowed Space -- Nihilists and Outcasts: The World as Delusion -- Conclusion: The Map of Normalization and Resistance -- References -- Part II Intensive Space, Landscape, and Spatial Experience -- Chapter 5 Bodies in Landscape: The Scientist's Presence in Viajo Porque Preciso, Volto Porque Te Amo and Ventos De Agosto -- Landscape, Scale, and Absent Bodies: Viajo Porque Preciso, Volto Porque Te Amo -- Open Spaces, Sound, and the Presence of the Body: Ventos de Agosto -- Conclusion -- References -- Chapter 6 Intensive Spatium and the Construction of Child Subjectivities in Brazilian Cinema -- Dialogues Between Child Subjectivities and Cinema -- Bilu E João: Childhood in Heterogeneity -- Meu Pé De Laranja Lima: The Liquid Fold -- Território Do Brincar: Intensive Object -- Conclusion: Child-Image and Filmic Crossings -- References -- Part III Utopia, Memory, and Urban Architecture -- Chapter 7 Insolação: Subjective Perception of an Urban Utopia Through the Lens of Love and Loss
Abstract:
Cinematic Space and the Built Environment -- Modern Architecture Under Brazil's Midwestern Sun -- References -- Chapter 8 Astral Cities, New Selves: Utopian Subjectivities in Nosso Lar and Branco Sai, Preto Fica -- Retrofuturism and Transhumanism in Nosso Lar -- Salvagepunk and the Apocalypse in Branco Sai,Preto Fica -- Conclusion -- References -- Chapter 9 Underneath the Surface, Embodied on Screen: Memory and Social Conflict in São Paulo's Cityscape -- São Paulo's History: Hidden Lines of the Urban Palimpsest Through Space and Cinema -- The Making of Obra -- São Paulo: The Building of a Modern City -- The Expression of the City -- Conclusion -- References -- Part IV Queering Spaces -- Chapter 10 The Space of Queer Masculinities in Karim Aïnouz's Praia Do Futuro -- Male Bodies, Queer Masculinities -- Liquid Imagination and Spaces of Protection -- A Place to Be Who You Want to Be -- From Aquaman to Speed Racer -- Conclusion: Is There a "Space" for Queer Masculinities in Brazilian Cinema? -- References -- Chapter 11 Water and Queer Intimacy -- Water, Intimacy, and the Self -- Queer Desire and the Swimming Pool: Do Começo Ao Fim and Hoje Eu Quero Voltar Sozinho -- Running Away from the Self in Praia Do Futuro -- Conclusion -- References -- Part V Domestic Spaces and Social Differences -- Chapter 12 'Casa Grande & Senzala': Domestic Space and Class Conflict in Casa Grande and Que Horas Ela Volta? -- Casa Grande -- Que Horas Ela Volta? -- Conclusion -- References -- Chapter 13 O Som Ao Redor: Aural Space, Surveillance, and Class Struggle -- Works Cited -- Filmography -- Index
Note:
Includes bibliographical references at the end of each chapters, filmographies and index. Description based on print version record
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