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  • 1
    Online Resource
    Online Resource
    Ann Arbor, Mich. : Center for Chinese Studies, The University of Michigan | Ann Arbor, Mich. : University of Michigan Press
    ISBN: 0892640197 , 9780472901371
    Language: English
    Pages: 1 Online-Ressource (viii, 255 Seiten) , Illustrationen
    Edition: Open access edition funded by the National Endowment for the Humanities/Andrew W. Mellon Foundation Humanities Open Book Program
    Series Statement: Michigan papers in Chinese studies No. 19
    Series Statement: Michigan papers in Chinese studies
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Musiktheater ; Japan ; China ; Konferenzschrift ; Japan ; Musiktheater ; China ; Musiktheater
    URL: Volltext  (kostenfrei)
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  • 2
    Book
    Book
    Ann Arbor, Mich : Center for Chinese Studies, University of Michigan
    ISBN: 0892640936 , 0892641010
    Language: English
    Pages: ix, 429 p , ill , 24 cm
    Series Statement: Michigan Monographs in Chinese studies 62
    Series Statement: Michigan monographs in Chinese studies
    DDC: 792/.0951/09023
    Keywords: Theater History ; Chinese drama Translations into English Yuan dynasty, 1260-1368 ; China ; Theater
    Note: Reprint. Originally published: Tucson : University of Arizona Press, 1980 , Includes English translations of three Chinese plays: Li Kʿuei carries thorns (YCH #87) (attributed to Kʿang Chin-chih, fl. 1279), Rain on the Hsiao-Hsiang (YCH #15) (attributed to Yang Hsien-chih, fl. 1246), The Mo-Ho-Lo doll (YCH #79) (attributed to Meng Han-chʿing, fl. 1279) , Includes bibliographical references (p. 417-421) and index (p. 425-429)
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  • 3
    Article
    Article
    Show associated volumes/articles
    In:  Journal of Oriental studies Vol. 34, No. 1 (1996), p. 108-110
    ISSN: 0022-331X
    Language: Undetermined
    Titel der Quelle: Journal of Oriental studies
    Publ. der Quelle: Hong Kong : Centre
    Angaben zur Quelle: Vol. 34, No. 1 (1996), p. 108-110
    DDC: 890
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  • 4
    Book
    Book
    Oxford : Clarendon Press
    ISBN: 0198154399
    Language: English
    Pages: XXVIII, 602 S. , Kt. , 23 cm
    Series Statement: The Oxford library of East Asian literatures
    Uniform Title: Zhanguoce
    DDC: 913.31
    Keywords: China History Warring States, 403-221 B.C ; Anecdotes
    Note: Bibliography: p. [584]-587
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  • 5
    Online Resource
    Online Resource
    Ann Arbor : University of Michigan Press
    Language: English
    Pages: 1 Online-Ressource (269 p.)
    Series Statement: Michigan Monographs In Chinese Studies
    Keywords: History of art / art & design styles
    Abstract: Chinese and Japanese Music-Dramas is the result of a conference on the relations between Chinese and Japanese music-drama held at the University of Michigan, Ann Arbor, on October 1–4, 1971. In addition to the Association for Asian Studies, four U-M departments participated in the conference: the Center for Japanese Studies, the Center for Chinese Studies, the School of Music, and the Speech Department. One important inspiration for the creation of such an interdisciplinary conference was the fact that each participant had found, after years of individual research on music-drama in East Asia, consistent frustration caused by attempts to deal on their own with multiple cultural and technical problems. Another motivating force was an awareness among many members of the four disciplines involved that the topic is in fact one of the largest untouched fields of scholarly endeavor in both Asian and theatrical studies. The collection opens with J. I. Crump’s exploration of the Ming commentators who began to subject Yüan musical drama to the same critiques as other literature from the past. In the second chapter, Rulan Chao Pian looks to the structure of arias in Peking Opera for clues about what distinguishes this art form. William P. Malm turns to three key sources for the performance conventions of Japanese Noh drama to glean any Sino-Japanese music relationships that exist in technical terms and practices. In the fourth essay, Carl Sesar analyzes a Noh play that stages the tension between Chinese influence and Japanese originality. Roy E Teele concludes the volume with a formal study of Noh play structure to assess lineages of influence from Chinese dramatic forms. After each contribution, the editors print a transcript of the conference participants’ discussion of that paper, providing the reader with a detailed and nuanced view of how the contributors understood and responded to each other’s work
    Note: English
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  • 6
    Book
    Book
    Ann Arbor, Mich. : Center for Chinese Studies | Ann Arbor, Mich. : University of Michigan Press
    ISBN: 0892640197 , 9780472901371
    Language: English
    Pages: VIII, 255 Seiten , Ill.
    Edition: Open access edition funded by the National Endowment for the Humanities/Andrew W. Mellon Foundation Humanities Open Book Program.
    Series Statement: Michigan papers in Chinese studies 19
    Series Statement: Michigan papers in Chinese studies
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Musiktheater ; China ; Japan ; Konferenzschrift ; Konferenzschrift ; Konferenzschrift ; Konferenzschrift ; Japan ; Musiktheater ; China ; Musiktheater
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 7
    ISBN: 9780804725064 , 0804725063
    Language: English
    Pages: XXXVI, 283 S , Ill
    Edition: Orig. print
    Uniform Title: Shoushen-ji 〈engl.〉
    DDC: 398.2/0951
    Keywords: Legends
    Note: Aus dem Chines. übers
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  • 8
    Book
    Book
    Ann Arbor : Center for Chinese Studies, Univ. of Michigan
    ISBN: 0892640197
    Language: English
    Pages: VIII, 255 S. , Ill., Noten
    Series Statement: Michigan papers in Chinese studies 19
    Series Statement: Michigan papers in Chinese studies
    DDC: 782.10951
    RVK:
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