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  • 1
    Online Resource
    Online Resource
    Oxford : Peter Lang AG, Internationaler Verlag der Wissenschaften
    ISBN: 9783035306736
    Language: English
    Pages: Online-Ressource , Illustrations, b-w/color
    Series Statement: Cultural History and Literary Imagination 22
    Series Statement: Cultural History and Literary Imagination
    Parallel Title: Druckausg.
    Parallel Title: Druckausg.
    Parallel Title: Druckausg.
    Parallel Title: Druckausg.
    Parallel Title: Druckausg. Alternative worlds
    DDC: 003.2
    Keywords: Prognose ; Zukunft ; Prognose ; Futurologie ; Prognostik ; Vorhersagbarkeit ; (Produktform)Electronic book text ; (Zielgruppe)Fachpublikum/ Wissenschaft ; (VLB-WN)9750 ; (BISAC Subject Heading)HIS000000 ; (BIC Subject Heading)HBAH ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Prognose ; Aufsatzsammlung ; Zukunft ; Aufsatzsammlung
    Note: Lizenzpflichtig
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Book
    Book
    Oxford [u.a.] :Lang,
    ISBN: 978-3-03911-931-8
    Language: English
    Pages: VII, 386 S.
    Series Statement: Cultural history and literary imagination 16
    Series Statement: Cultural history and literary imagination
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    Keywords: Geschichte 1968 ; Achtundsechziger. ; Studentenbewegung. ; Kollektives Gedächtnis. ; Konferenzschrift 2008 ; Achtundsechziger ; Studentenbewegung ; Kollektives Gedächtnis ; Geschichte 1968
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  • 3
    Online Resource
    Online Resource
    Rochester, NY : Camden House
    ISBN: 9781782048299 , 9781571139542
    Language: English
    Pages: 1 online resource (x, 315 pages)
    Series Statement: Studies in German literature, linguistics, and culture
    Parallel Title: Erscheint auch als
    DDC: 943.087/6
    RVK:
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    Keywords: Nineteen sixty-eight, A.D ; Protest movements ; Opposition (Political science) ; Authoritarianism History ; Counterculture History ; Popular culture History ; Student movements History ; Nineteen sixty-eight, A.D ; Protest movements ; Germany (West) ; Opposition (Political science) ; Germany (West) ; Authoritarianism ; Germany (West) ; History ; Counterculture ; Germany (West) ; History ; Popular culture ; Germany (West) ; History ; Student movements ; Germany (West) ; History ; Germany (West) ; Politics and government ; 20th century ; Historiography ; Germany (West) Politics and government 20th century ; Historiography ; Deutschland ; Studentenbewegung ; Protestbewegung ; Geschichte 1968 ; Diskurs ; Geschichtsdarstellung ; Geschichtsbild
    Abstract: In Germany, the concept of "1968" is enduring and synonymous with the German Student Movement, and is viewed, variously, as a fundamental liberalization, a myth, a second foundation, or an irritation. The movement's aims - radical re-imagination of the political and economic order and social hierarchy - have been understood as requiring a "long march." While the movement has been judged at best a"successful failure," cultural elites continue to engage in the construction of 1968. Ingo Cornils's book argues that writing about 1968 in Germany is no longer about the historical events or the specific objectives of a bygone counterculture, but is instead a moral touchstone, a marker of social group identity meant to keep alive (or at bay) a utopian agenda that continues to fire the imagination. The book demonstrates that the representation of 1968 as a "foundational myth" suits the needs of a number of surprisingly heterogeneous groups, and that even attempts to deconstruct the myth strengthen it. Cornils brings together for the first time the historical, literary, and media representations of the movement, showing the motivation behind and effect of almost five decades of writing about 1968. In so doing, Cornils challenges the way 1968 has been instrumentalized: as a powerful imaginary that has colonized every aspect of life in Germany, and as symbolic capital in cultural and political debates.〈BR〉〈BR〉 Ingo Cornils is Senior Lecturer in German at the University of Leeds.〈BR〉〈BR〉
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  • 4
    Book
    Book
    Rochester, New York : Camden House
    ISBN: 1571139540 , 9781571139542
    Language: English
    Pages: x, 315 Seiten , 1 Diagramm
    Series Statement: Studies in German literature, linguistics, and culture
    Parallel Title: Erscheint auch als Cornils, Ingo, 1958 - Writing the revolution
    DDC: 943.087/6
    RVK:
    RVK:
    RVK:
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    Keywords: Nineteen sixty-eight, A.D ; Protest movements ; Opposition (Political science) ; Authoritarianism History ; Counterculture History ; Popular culture History ; Student movements History ; Germany (West) Politics and government 20th century ; Historiography ; Deutschland ; Studentenbewegung ; Protestbewegung ; Geschichte 1968 ; Diskurs ; Geschichtsdarstellung ; Geschichtsbild ; Deutschland ; Achtundsechziger ; Studentenbewegung ; Protestbewegung ; Geschichte 1968 ; Deutschland ; Achtundsechziger ; Studentenbewegung ; Protestbewegung ; Auswirkung ; Gesellschaft ; Massenkultur ; Medien ; Geschichte
    Abstract: In Germany, the concept of "1968" is enduring and synonymous with the German Student Movement, and is viewed, variously, as a fundamental liberalization, a myth, a second foundation, or an irritation. The movement's aims-radical re-imagination of the political and economic order and social hierarchy-have been understood as requiring a "long march." While the movement has been judged at best a "successful failure," cultural elites continue to engage in the construction of 1968. Ingo Cornils's book argues that writing about 1968 in Germany is no longer about the historical events or the specific objectives of a bygone counterculture, but is instead a moral touchstone, a marker of social group identity meant to keep alive (or at bay) a utopian agenda that continues to fire the imagination. The book demonstrates that the representation of 1968 as a "foundational myth" suits the needs of a number of surprisingly heterogeneous groups, and that even attempts to deconstruct the myth strengthen it. Cornils brings together for the first time the historical, literary, and media representations of the movement, showing the motivation behind and effect of almost five decades of writing about 1968. In so doing, Cornils challenges the way 1968 has been instrumentalized: as a powerful imaginary that has colonized every aspect of life in Germany, and as symbolic capital in cultural and political debates
    Description / Table of Contents: Heroes and martyrs -- Chroniclers and interpreters -- Critics and renegades -- Talespinners and poets -- Women of the revolution -- "1968" and the media -- "1968" and the arts -- Zaungäste -- Not dark yet: the 68ers at seventy -- Romantic relapse or modern myth?
    Note: Literaturverzeichnis: Seite [269]-302
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  • 5
    Online Resource
    Online Resource
    Melton : Boydell & Brewer
    ISBN: 9781782048299 , 9781571139542
    Language: English
    Pages: 1 Online-Ressource (xi, 315 Seiten)
    Series Statement: Studies in German Literature Linguistics and Culture Volume 174
    Parallel Title: Erscheint auch als Cornils, Ingo, 1958 - Writing the revolution
    DDC: 943.087/6
    RVK:
    RVK:
    Keywords: Opposition (Political science) ; Authoritarianism History ; Counterculture History ; Popular culture History ; Student movements History ; Protest movements ; Nineteen sixty-eight, A.D ; Germany (West) Politics and government 20th century ; Historiography ; Deutschland ; Studentenbewegung ; Protestbewegung ; Geschichte 1968 ; Diskurs ; Geschichtsdarstellung ; Geschichtsbild ; Deutschland ; Achtundsechziger ; Studentenbewegung ; Protestbewegung ; Geschichte 1968 ; Deutschland ; Achtundsechziger ; Studentenbewegung ; Protestbewegung ; Auswirkung ; Gesellschaft ; Massenkultur ; Medien ; Geschichte
    Abstract: In Germany, the concept of "1968" is enduring and synonymous with the German Student Movement, and is viewed, variously, as a fundamental liberalization, a myth, a second foundation, or an irritation. The movement's aims - radical re-imagination of the political and economic order and social hierarchy - have been understood as requiring a "long march." While the movement has been judged at best a"successful failure," cultural elites continue to engage in the construction of 1968. Ingo Cornils's book argues that writing about 1968 in Germany is no longer about the historical events or the specific objectives of a bygone counterculture, but is instead a moral touchstone, a marker of social group identity meant to keep alive (or at bay) a utopian agenda that continues to fire the imagination. The book demonstrates that the representation of 1968 as a "foundational myth" suits the needs of a number of surprisingly heterogeneous groups, and that even attempts to deconstruct the myth strengthen it. Cornils brings together for the first time the historical, literary, and media representations of the movement, showing the motivation behind and effect of almost five decades of writing about 1968. In so doing, Cornils challenges the way 1968 has been instrumentalized: as a powerful imaginary that has colonized every aspect of life in Germany, and as symbolic capital in cultural and political debates.〈BR〉〈BR〉 Ingo Cornils is Senior Lecturer in German at the University of Leeds.〈BR〉〈BR〉
    Abstract: Heroes and martyrs -- Chroniclers and interpreters -- Critics and renegades -- Talespinners and poets -- Women of the revolution -- "1968" and the media -- "1968" and the arts -- Zaungaste -- Not dark yet: the 68ers at 70 -- Romantic relapse or modern myth?
    Note: Description based upon print version of record
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  • 6
    Online Resource
    Online Resource
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783030959630
    Language: English
    Pages: 1 Online-Ressource(XV, 317 p. 8 illus.)
    Edition: 1st ed. 2022.
    Series Statement: Studies in Global Science Fiction
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Keywords: Literature, Modern—20th century. ; Literature, Modern—21st century. ; Fiction. ; European literature. ; Motion picture plays, European. ; Human ecology—History. ; Europe, Central—History.
    Abstract: Introduction: Science Fiction in German – An Overview Ingo Cornils / Lars Schmeink (University of Leeds, UK / HafenCity University, Germany) -- Going Round in Cycles: Time Travel and Determinism in Dark (2017–) Juliane Blank (University of the Saarland) -- White German Agency in Transfer, Die kommenden Tage, Hell Evan Torner (University of Cincinnati, USA) -- Popular German Science Fiction Film and European Migration Gabriele Müller (York University, Canada) -- Daring Dystopia: Finding the Female Voice in Formal Experiments Klaudia Seibel (University of Giessen, Germany) -- 'Last Men' in the Dystopian Novel of Contemporary German Literature Kristina Mateescu (University of Heidelberg, Germany) -- Dirk C. Fleck’s Maeva Trilogy Peter Seyferth (Independent Scholar, Munich, Germany) -- QualityLand: Marc-Uwe Kling's Social Commentary as "Funny Dystopia" Joscha Klüppel (University of Oregon, United States) -- Part III: New Criticism – Climate Change and Ecology -- Ecocriticism in Contemporary German SF Laura Zinn (University of Giessen, Germany) -- Misogyny and climate change in Karen Duve’s Macht -- Clarisa Novello (University of Aberdeen, Scotland) -- Apocalyptic Greeneries: Climate, Vegetation and the End of the World in Ransmayr, Kracht and Fritsch Solvejg Nitzke (Technical University of Dresden, Germany) -- The Language of Ice in the Anthropocene: The Case of Der Schwarm, Eiszeit In Europa? and Eistau Matteo Gallostampino (University of Bergamo, Italy) -- Part IV: New Identities – Gender, Health, Posthumanism -- From Fiction to Society: Gender-Neutral Pronouns in the Near Future Novel Wasteland Aşkın-Hayat Doğan (Independent Scholar, Berlin, Germany) -- The Paradoxes of Illness and Health in Juli Zeh’s Corpus Delicti: Ein Prozess Mylene Branco (Université Luxembourg) -- Nach der Langeweile. Boredom, Critical Posthumanism and Critique of Culture Hanna Schumacher (University of Edinburg, Scotland) -- Transhumanism Revisited: Dietmar Dath’s Abschaffung der Arten Roland Innerhofer (University of Vienna, Austria).
    Abstract: New Perspectives on Contemporary German Science Fiction demonstrates the variety and scope of German science fiction (SF) production in literature, television, and cinema. The volume argues that speculative fictions and explorations of the fantastic provide a critical lens for studying the possibilities and limitations of paradigm shifts in society. Lars Schmeink and Ingo Cornils bring together essays that study the renaissance of German SF in the twenty-first century. The volume makes clear that German SF is both global and local—the genre is in balance between internationally dominant forms and adapting them to Germany’s reality as it relates to migration, the environment, and human rights. The essays explore a range of media (literature, cinema, television) and relevant political, philosophical, and cultural discourses. Lars Schmeink is Research Fellow at the Europa-Universität Flensburg, Germany. For 2022, he has received a Leverhulme Visiting Professorship at the University of Leeds, UK. He is a researcher in the FutureWork research project of the German Ministry of Education at the Karlsruhe Institute of Technology. He is the founder of the Gesellschaft für Fantastikforschung and has served as president of the board from 2010 to 2019. He has published widely on science fiction, the fantastic, and popular culture, including The Routledge Companion to Cyberpunk Culture (co-editor, 2020); Cyberpunk and Visual Culture (co-editor, 2018); Biopunk Dystopias: Genetic Engineering, Society, and Science Fiction (2016), Collision of Realities (co-editor, 2012), and Fremde Welten (co-editor, 2012). Ingo Cornils is Professor of German Studies at the University of Leeds, UK. He has published widely on science fiction, edited two special issues of the academic journal literatur für leser on German language science fiction co-edited, with Ricarda Vidal, the volume Alternative Worlds: Blue-Sky Thinking since 1900 (2015), and authored of the monograph Beyond Tomorrow: German Science Fiction and Utopian Thought in the 20th and 21st Century (2020).
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