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  • 1
    Language: English
    Pages: 1 online resource (ix, 326 p.) , ill.
    Parallel Title: Erscheint auch als
    Keywords: Documentary films ; Production and direction ; Archival materials ; Copyright licenses ; Electronic books ; Electronic books ; local
    Abstract: Archival Storytelling is an essential, pragmatic guide to one of the most challenging issues facing filmmakers today: the use of images and music that belong to someone else. Where do producers go for affordable stills and footage? How do filmmakers evaluate the historical value of archival materials? What do vérité producers need to know when documenting a world filled with rights-protected images and sounds? How do filmmakers protect their own creative efforts from infringement? Filled with advice and insight from filmmakers, archivists, film researchers, music supervisors, intellectual property experts, insurance executives and others, Archival Storytelling defines key terms-copyright, fair use, public domain, orphan works and more-and challenges filmmakers to become not only archival users but also archival and copyright activists, ensuring their ongoing ability as creators to draw on the cultural materials that surround them. Features conversations with industry leaders including Patricia Aufderheide, Hubert Best, Peter Jaszi, Jan Krawitz, Lawrence Lessig, Stanley Nelson, Rick Prelinger, Geoffrey C. Ward and many others.
    Note: Includes bibliographical references and index. - Description based on print version record
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  • 2
    Language: English
    Pages: 1 online resource (xiv, 379 p.) , ill.
    Edition: 2nd ed.
    Parallel Title: Erscheint auch als
    Keywords: Documentary films ; Production and direction ; Documentary films ; Authorship ; Electronic books ; Electronic books ; local
    Abstract: Documentary Storytelling is unique in offering an in-depth look at story and structure as applied not to Hollywood fiction, but to films and videos based on factual material and the drama of real life. With the growing popularity of documentaries in today's global media marketplace, demand for powerful and memorable storytelling has never been greater. This practical guide offers advice for every stage of production, from research and proposal writing to shooting and editing, and applies it to diverse subjects and film styles, from vérité and personal narrative to archival histories and more. Filled with real-world examples drawn from the author's career and the experiences of some of today's top documentarians, Documentary Storytelling includes special interview chapters with Ric Burns, Jon Else, Nick Fraser, Susan Froemke, Sam Pollard, Onyekachi Wambu and other film professionals. This second edition has been brought up to date with a more international focus, a look at lower-budget independent filmmaking, and consideration of newer films including Super Size Me, Murderball, So Much So Fast, and When the Levees Broke.
    Note: Includes bibliographical references and index. - Description based on print version record
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  • 3
    Online Resource
    Online Resource
    New York, NY : Focal Press
    ISBN: 9781135015817 , 1135015813
    Language: English
    Pages: 1 online resource (1 volume) , illustrations
    Edition: Fourth edition.
    Keywords: Documentary films ; Production and direction ; Documentary films ; Authorship ; Electronic books ; local ; Electronic books
    Abstract: Documentary Storytelling has reached filmmakers and filmgoers worldwide with its unique focus on the key ingredient for success in the growing global documentary marketplace: storytelling. This practical guide reveals how today's top filmmakers bring the tools of narrative cinema to the world of nonfiction film and video without sacrificing the rigor and truthfulness that give documentaries their power. The book offers practical advice for producers, directors, editors, cinematographers, writers and others seeking to make ethical and effective films that merge the strengths of visual and aural media with the power of narrative storytelling. In this new, updated edition, Emmy Award-winning author Sheila Curran Bernard offers: New strategies for analyzing documentary work New conversations with filmmakers including Stanley Nelson ( The Black Panthers ), Kazuhiro Soda ( Mental ), Orlando von Einsiedel ( Virunga ), and Cara Mertes (JustFilms) Discussions previously held with Susan Kim ( Imaginary Witness ), Deborah Scranton ( The War Tapes ), Alex Gibney ( Taxi to the Dark Side ), and James Marsh ( Man on Wire ).
    Note: Includes bibliographical references and index. - Includes filmography. - Description based on online resource; title from title page (viewed January 11, 2016)
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  • 4
    ISBN: 9781000046991 , 1000046990 , 9781003026204 , 1003026206 , 9781000046922 , 1000046923 , 9781000046854 , 1000046850
    Language: English
    Pages: 1 online resource
    Edition: Second edition.
    Parallel Title: Erscheint auch als
    Keywords: Documentary films Production and direction ; Archival materials ; Documentaires ; Production et réalisation ; Documents d'archives ; PERFORMING ARTS ; Film & Video ; General ; Archival materials ; Documentary films ; Production and direction ; Electronic books
    Abstract: Fully revised and updated, Archival Storytelling second edition is a timely, pragmatic look at the use of audiovisual materials available to filmmakers and scholars, from the earliest photographs of the 19th century to the work of media makers today. Whether you're a top Hollywood filmmaker or a first-time documentarian, at some point you are going to want to find, use, and license third-party materials--images, audio, or music that you yourself did not create--to use them in your work. This book explains what's involved in researching and licensing visuals and music, and exactly what media makers need to know when filming in a world crowded with rights-protected images and sounds. Filled with insights from filmmakers, archivists, and intellectual property experts, this second edition defines key terms such as copyright, fair use, public domain, and orphan works. It guides readers through the complex archival process and challenges them to become not only archival users but also archival and copyright activists. This book is an essential resource for both students and professionals, from seasoned filmmakers to those creating their first projects, offering practical advice for how to effectively and ethically draw on the wealth of cultural materials that surround us.
    Note: Includes bibliographical references and index. - Print version record
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  • 5
    Online Resource
    Online Resource
    Amsterdam ; : Focal Press
    ISBN: 9781136042256 , 1136042253
    Language: English
    Pages: 1 online resource (1 v.) , ill.
    Edition: 3rd ed.
    Parallel Title: Erscheint auch als
    Keywords: Documentary films ; Production and direction ; Documentary films ; Authorship ; Electronic books ; Electronic books ; local
    Abstract: Documentary Storytelling is unique in offering an in-depth look at story and structure as applied not to Hollywood fiction, but to films and videos based on factual material and the drama of real life. With the growing popularity of documentaries in today's global media marketplace, demand for powerful, memorable storytelling has never been higher. This practical guide lays out the basics and applies them to diverse subjects and film styles, from cinema verite and personal narrative to financing and budgets. It shows how good storytelling can bring mundane or difficult subjects to life, and demonstrates that good films can be both rigorous and entertaining. Offering practical advice for ever state of production, Documentary Storytelling is filled with real-world examples drawn from the author's career and the experiences of a range of filmmakers, both emerging and established. Special interview chapters explore storytelling as practiced by David Guggenheim, Jon Else, Nicholas Fraser, Susan Froemke, Sam Pollard, Onyekachi Wambu and others. This third edition has been updated and expanded, with a look at newer and internationally-distributed films. It also features new coverage of financing and budgeting in the world of digital distribution of documentary films and the troubles that young filmmakers face as a result.
    Note: Includes bibliographical references and index. - Description based on print version record
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