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  • 1
    Book
    Book
    Urbana : University of Illinois Press
    ISBN: 9780252084164 , 9780252042379
    Language: English
    Pages: X, 268 Seiten , Noten
    Series Statement: Music in American life
    RVK:
    RVK:
    Keywords: Bernstein, Leonard ; Jazz ; Musikalischer Stil
    Note: Bibliography Seite 247-257
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  • 2
    Article
    Article
    Show associated volumes/articles
    In:  Journal of popular culture : JPC : the official publication of the Popular Culture Association, Popular Literature Section (Comparative Literature II) of the Modern Language Association of America and the Popular Section of the Midwest Modern Language Association Vol. 48, No. 2 (2015), p. 225-239
    ISSN: 0022-3840
    Language: English
    Titel der Quelle: Journal of popular culture : JPC : the official publication of the Popular Culture Association, Popular Literature Section (Comparative Literature II) of the Modern Language Association of America and the Popular Section of the Midwest Modern Language Association
    Publ. der Quelle: Malden, Mass. [u.a.] : Blackwell Publ
    Angaben zur Quelle: Vol. 48, No. 2 (2015), p. 225-239
    DDC: 390
    Abstract: Baber and Spickard chart in some detail the visual and musical techniques used in the Small World ride at Anaheim Disneyland to reflect a particularly American image of other countries. They show how the Small World ride reinforces an ethnocentric sense that all the world's peoples are fundamentally just like Americans, albeit with different languages, foods, customs, and dress. The Anaheim ride's 2009 refurbishment, which inserted Disney film characters among the animatronic dolls, reinforced a growing theme in the park at large: that Disneyland is its own fantasy universe, which one can visit through movies, books, soundtrack recordings, and the park itself. This theme does not replace the ride's American ethnocentrism; instead, both themes operate at once. Popular culture is like that: It is interesting precisely because so many things are going on simultaneously. [PUBLICATION ABSTRACT]
    Note: Copyright: © 2015 Wiley Periodicals, Inc. , Copyright: © COPYRIGHT 2015 Blackwell Publishers Ltd.
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  • 3
    Online Resource
    Online Resource
    Urbana : University of Illinois Press | Oxford : Oxford University Press
    ISBN: 9780252051210
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white).
    Series Statement: Music in American life
    Series Statement: Illinois scholarship online
    RVK:
    RVK:
    Keywords: Bernstein, Leonard Criticism and interpretation ; Bernstein, Leonard ; Jazz ; Musikalischer Stil ; Music History and criticism 20th century ; Jazz History and criticism
    Abstract: For Leonard Bernstein, music was a language capable of communicating more directly than in words, and jazz was a crucial part of his musical vocabulary. As an idiom made up of a range of styles - whether stride, boogie-woogie, swing, bebop, or cool - jazz was central to Bernstein's compositional aesthetic, particularly in his approach to tonality and to defining American music. The blues, as a special part of this jazz idiom, also helped Bernstein articulate a personal identity, expressing everything from sensuality to humor to loss and isolation. This text will examine the shifting meanings of Bernstein's jazz language in theatrical and symphonic works from across his career.
    Note: Also issued in print: 2019 , Includes bibliographical references and index
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