ISBN:
9783319633305
Language:
English
Pages:
1 online resource (387 pages)
Series Statement:
Palgrave Studies in Creativity and Culture Ser.
Parallel Title:
Erscheint auch als
DDC:
306.47
Keywords:
Art and social action
;
Art-Political aspects
;
Street art
;
Electronic books
Abstract:
Intro -- Contents -- List of Figures -- Introducing the Street Art of Resistance -- Revolutionary Graffiti in Egypt: A Case Example -- Social Life of Images -- The Symbolic Nature of Images -- Social Actors and Dialogue -- Context -- Transformation of Images -- On the Multiple Forms of Art and Resistance -- The Chapters to Follow -- References -- Part I: Theories of Aesthetics, Resistance and Social Change -- Art and Social Change: The Role of Creativity and Wonder -- Creativity and Social Change -- How is Street Art Creative? -- Creativity, Perspectives, and Wonder -- Social Change, Art, and Collective Wonder -- Final Reflections -- References -- Subjectivity, Aesthetics, and the Nexus of Injustice: From Traditional to Street Art -- Economic-Political Injustice -- Injustices of Representation, Recognition, and Interaction -- Subjectification as Injustice -- Conditions for the Possibility of Resistance: From Traditional to Street Art -- References -- Resisting Forms: Prolegomena to an Aesthetics of Resistance -- Intervening Art -- The Aesthetic Threshold -- Graffiti and Street Art as Expressive Objects -- The Energies of Graffiti and Street Art -- Between Medium and Subject Matter -- Communication and Critique -- References -- Part II: Image Circulation and Politics -- Indigenous Images of Democracy on City Streets: Native Representations in Contemporary Chilean Graffiti and Muralism -- Introduction -- The Emergence of Street Art in Chile -- Indigenous Activism and Politics -- The Unstable Reception of Indigenous Imagery -- Indigenous Iconographies: Meli Wuayra -- Indigenous Iconographies: Gigi's Luisas -- Indigenous Iconographies: Inti's Ekeko and Ekeka -- Conclusion -- References -- The Resistance Passed Through Here: Arabic Graffiti of Resistance, Before and After the Arab Uprisings -- Introduction -- Graffiti as Counter-Narrative.
Note:
Description based on publisher supplied metadata and other sources
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