Your email was sent successfully. Check your inbox.

An error occurred while sending the email. Please try again.

Proceed reservation?

Export
Filter
Material
Language
Years
Author, Corporation
Keywords
Subjects(RVK)
  • 1
    Language: English
    Pages: XI, 580 S. , Ill., graph. Darst., Kt. , 8°
    Series Statement: Handbooks to the modern world
    DDC: 919.4
    RVK:
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 2
    Online Resource
    Online Resource
    Boston, MA : Springer US
    ISBN: 9781475700497
    Language: English
    Pages: Online-Ressource , online resource
    Edition: Springer eBook Collection. Humanities, Social Sciences and Law
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Keywords: Science (General) ; Music.
    Abstract: I The German Language -- II France -- III Russia, Scandinavia and Eastern Europe -- IV Italy, Spain and the rest of Europe -- V The English Language -- Epilogue -- Index of composers and poets -- Index of titles and first lines.
    Abstract: W HAT I H A V E attempted in this book is a survey of song; the kind of song which one finds variously described as 'concert', 'art', or sometimes even 'classical song'. 'Concert song' seems the most useful, certainly the least inexact or misleading, of some descriptions, especially since 'art song' sounds primly off­ putting, and 'classical song' really ought to be used only to refer to songs written during the classical period, i. e. the 18th century. Concert song clearly means the kind of songs one hears sung at concerts or recitals. Addressing myself to the general music-lover who, though he possesses no special knowledge of the song literature, is never­ theless interested enough in songs and their singers to attend recitals of Lieder or of songs in various languages, I have naturally confined myself to that period of time in which the vast majority of these songs was composed, though not necessarily only to those composers whose songs have survived to be remembered in recital programmes today. I suppose this to be roughly the three centuries covered by the years 1650-1950, though most of the songs we, as audiences, know and love were composed in the middle of this period, in other words in the 19th century.
    Description / Table of Contents: I The German LanguageII France -- III Russia, Scandinavia and Eastern Europe -- IV Italy, Spain and the rest of Europe -- V The English Language -- Epilogue -- Index of composers and poets -- Index of titles and first lines.
    URL: Volltext  (lizenzpflichtig)
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
Close ⊗
This website uses cookies and the analysis tool Matomo. More information can be found here...