ISBN:
9783319528540
Language:
English
Pages:
1 Online-Ressource (236 pages)
Series Statement:
Palgrave Studies in Adaptation and Visual Culture
Series Statement:
Palgrave Studies in Adaptation and Visual Culture Ser
Parallel Title:
Print version Kennedy-Karpat, Colleen Adaptation, Awards Culture, and the Value of Prestige
DDC:
302.5
Keywords:
Literature
;
Literature
;
Electronic books
Abstract:
Adaptation, Awards Culture, and the Value of Prestige -- Acknowledgments -- Contents -- List of Figures -- 1 Adaptation and Systems of Cultural Value -- What is Prestige? -- The Centrality of Prestige -- (Per)forming Prestige -- From Awards Bait to Canon Fodder -- Adaptation and the Canon -- Authorship, Fidelity, and Prestige -- Notes -- Works Cited -- PartI Adapting Award Winners, Awarding Adaptations -- 2 The Pulitzers Go to Hollywood -- Notes -- Works Cited -- 3 Beware of Imitations: All about Eve (1950) -- Notes -- Works Cited -- 4 Hilary Mantel's Wolf Hall(s) and the Circulation of Cultural Prestige -- Adapting Wolf Hall for the Stage -- Adapting Wolf Hall for the Screen -- Notes -- Works Cited -- 5 Adapting Queerness, Queering Adaptation: Fun Home on Broadway -- Adapting Queerness, Queering Adaptation -- From Graphic Memoir to Memory Musical -- Memory, Longing, and Recognition -- Notes -- Works Cited -- PartII Adaptation, Prestige, and the Canon -- 6 Oliver's Auteurs: The Cases of Lean and Polanski -- Adapting Dickens, Attaining Prestige, Authoring Film -- Dickens as Dark Muse: The Case of David Lean -- Dickens as Redeemer: The Case of Polanski -- Notes -- Works Cited -- 7 Origins, Fidelity, and the Auteur: The Bengali Films of Tapan Sinha -- Notes -- Works Cited -- 8 The Fortunes of Jane Austen as Chick Lit and Chick Flick -- Jane Austen: Nineteenth and Twentieth Century Responses -- From Chick Lit to Chick Flicks: Austen Adaptations and Postfeminism -- Adapting the Chick Flick, Take One: Sense and Sensibility, Postfeminism, and Awards Culture -- Adapting the Chick Flick, Take Two: Postfeminism and Male Identity in Persuasion -- Adapting the Chick Flick Take Three: The Female Gaze and the Male Body in Pride and Prejudice -- Conclusion -- Notes -- Works Cited -- 9 Jazz, Prestige, and Five Great Gatsby Film Adaptations
Abstract:
Music in Fiction-to-Film Adaptations -- Gatsby, Music, and Prestige -- Jazz: History and Prestige -- Fitzgerald's Jazz -- Jazz, Prestige, and Surviving Fiction-to-Film Gatsby Adaptations -- Concluding Observations -- Notes -- Works Cited -- PartIII Locating Prestige -- 10 Trash Cinema and Oscar Gold: Quentin Tarantino, Intertextuality, and Industry Prestige -- Defining Originality at the Academy -- Cinematic Homage and the Basterds Who Killed the WWII Film -- America's Original Sin: The Origins of Django Unchained -- Notes -- Works Cited -- 11 The Hollywood Remake Massacre: Adaptation, Reception, and Value -- The Lowest of the Low: Remaking, Genre, and Cultural Value -- Favouring the Original: Fidelity, Audiences, and Prestige -- Considering Fan Responses to Remakes -- Notes -- Works Cited -- 12 "How do I act so well?" The British "Shakespearean" Actor and Cultural Cachet -- Forging a Shakespearean Identity -- The Shakespearean Sound -- Commodifying the Shakespearean -- Parodying Shakespeareanism -- Reflecting on Shakespearean Prestige -- Notes -- Works Cited -- Index
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