ISBN:
9781405150309
Language:
English
Pages:
1 Online-Ressource (XXXVIII, 755 Seiten)
Edition:
Revised edition
Series Statement:
KeyWorks in Cultural Studies 2
Series Statement:
Keyworks in cultural studies
Parallel Title:
Erscheint auch als Media and cultural studies
Parallel Title:
Erscheint auch als Media and cultural studies
DDC:
302.23
Keywords:
Mass media and culture
;
Popular culture
;
Electronic books
;
Einführung
;
Aufsatzsammlung
;
Großbritannien
;
Medien
;
Großbritannien
;
Kultur
;
Medienforschung
;
Massenmedien
;
Postmoderne
;
Medien
;
Kultur
;
Massenmedien
;
Kultursoziologie
Abstract:
Bringing together a range of core texts into one volume, this acclaimed anthology offers the definitive resource in culture, media, and communication.A fully revised new edition of the bestselling anthology in this dynamic and multidisciplinary fieldNew contributions include essays from Althusser through to Henry Jenkins, and a completely new section on Globalization and Social MovementsRetains important emphasis on the giant thinkers and "makers" of the field: Gramsci on hegemony; Althusser on ideology; Horkheimer and Adorno on the culture industry; Raymond Williams on Marxist cultural theory
Description / Table of Contents:
Preface to the Revised Edition; Adventures in Media and Cultural Studies: Introducing the KeyWorks; 1 The Ruling Class and the Ruling Ideas; 2 (i) History of the Subaltern Classes; (ii) The Concept of "Ideology"; (iii) Cultural Themes: Ideological Material; 3 The Work of Art in the Age of Mechanical Reproduction; 4 The Culture Industry: Enlightenment as Mass Deception; 5 The Public Sphere: An Encyclopedia Article; 6 Ideology and Ideological State Apparatuses (Notes Towards an Investigation); 7 (i) Operation Margarine; (ii) Myth Today; 8 The Medium is the Message
Description / Table of Contents:
9 The Commodity as Spectacle10 Introduction: Instructions on How to Become a General in the Disneyland Club; 11 Base and Superstructure in Marxist Cultural Theory; 12 (i) From Culture to Hegemony; (ii) Subculture: The Unnatural Break; 13 Encoding/Decoding; 14 On the Politics of Empirical Audience Research; 15 Contribution to a Political Economy of Mass-Communication; 16 On the Audience Commodity and its Work; 17 A Propaganda Model; 18 Not Yet the Post-Imperialist Era; 19 Gendering the Commodity Audience: Critical Media Research, Feminism, and Political Economy; 20 (i) Introduction
Description / Table of Contents:
(ii) The Aristocracy of Culture21 On Television; 22 Visual Pleasure and Narrative Cinema; 23 Stereotyping; 24 Eating the Other: Desire and Resistance; 25 British Cultural Studies and the Pitfalls of Identity; 26 Under Western Eyes: Feminist Scholarship and Colonial Discourses; 27 Hybrid Cultures, Oblique Powers; 28 The Precession of Simulacra; 29 Postmodernism, or the Cultural Logic of Late Capitalism; 30 Feminism, Postmodernism and the "Real Me"; 31 Postmodern Virtualities; 32 Quentin Tarantino's Star Wars?: Digital Cinema, Media Convergence, and Participatory Culture
Description / Table of Contents:
33 Disjuncture and Difference in the Global Cultural Economy34 The Global and the Local in International Communications; 35 The Processes: From Nationalisms to Transnationalisms; 36 Globalization as Hybridization; 37 (Re)Asserting National Television And National Identity Against the Global, Regional, and Local Levels of World Television; 38 Oppositional Politics and the Internet: A Critical/ Reconstructive Approach; Acknowledgments; Index;
Note:
Description based upon print version of record
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