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  • 1
    ISBN: 9781793638991
    Language: English
    Pages: 1 online resource (173 pages)
    Series Statement: Music, Culture, and Identity in Latin America
    Parallel Title: Erscheint auch als
    DDC: 306.484226872064
    Keywords: Conjunto music--History and criticism ; Electronic books
    Abstract: Between Norteño and Tejano Conjunto analyzes the origin, evolution, and dissemination of Norteño and Tejano Conjunto, as part of a regional-transnational identity in the US-Mexico border.
    Abstract: Cover -- Half Title -- Series Page -- Title Page -- Copyright Page -- Contents -- Foreword -- Acknowledgments -- Introduction -- Culture, Popular Culture, and Popular Music -- Chapter 1: Border Territory: Nuevo León and Texas from Colonial Times to the Nineteenth Century -- Pre-Columbian Times and the First European Settlers -- Transformation and Adaptation to the Environment -- Between Mysticism and Weapons -- A Sensitive Issue: Native Americans -- From Provinces to Independent States -- The Short-Lived Republics of the North -- The Border: From Celluloid to the National Imaginary -- Economic and Industrial Development in the Nineteenth and Twentieth Centuries -- Chapter 2: Precursors to Conjunto: Culture, Migration, and Border Identity -- Mexican Acoustic Traditions -- The Border: Regional Identity vs. National Identity -- Wars and Trade as a Pretext for Migrant Music -- Military and Rural Bands, the Típica Orchestras, and Other Groups -- The Montañeses del Álamo: Heralds of Norteño Conjunto -- We Sing in Spanish (and in English!): Language as a Generator of Identity -- Chapter 3: The First Epoch of Conjunto: Instruments, Musical Forms, and Media -- European Music in America -- Accordion and Bajo Sexto: Symbols and Cultural Unifiers -- Pioneers of Conjunto -- The Recording Industry or the Commodification of Traditions and Art -- Early Radio, the Phonograph's Competitor -- The Spaces of Dissemination for Conjunto: From Cantinas to Ballrooms -- Chapter 4: Conjunto: From Subaltern Mexican Culture to American Cultural Treasure -- Innovations of the Post-War Period: Instruments, Crossover, and Bailes -- Women in Conjunto -- The Chicano Movement and Regional Musical Pride -- Representation of Norteño and Tejano in the Collective Imaginary -- Chapter 5: Transformation and Recent Trends in Conjunto -- Conjunto in Cinema.
    Note: Description based on publisher supplied metadata and other sources
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  • 2
    ISBN: 9781527536258
    Language: English
    Pages: 1 online resource (523 pages)
    Parallel Title: Erscheint auch als
    DDC: 306.4846
    Keywords: Dance-Social aspects.. ; Fandangos-History and criticism.. ; Dance-Spain ; Electronic books
    Abstract: Transatlantic Malagueñas and Zapateados is an exploration of two fandango dances, recording the circulations of people, imagery, music, and dance across what were once the Spanish and Portuguese Empires. Although these dance-musics seem to be mirror images, the unbreachable space between them reflects the political fault-lines along which nineteenth-century musical populism and folkloric nationalism extend into present-day debates about globalization, immigration, neoliberalism, and neofascism. If malagueñas are a fantastic incarnation of Spanishness, caught like a fly in amber by their anachronistic references to a fraught imperial past, noisy and raucous zapateado dances cut toward the future. Inherently marked by European conventions of zapatos (shoes), zapateados are nonetheless shaped by Africanist and Native American footwork traditions. In these Afro-Indigenous mestizajes, not only are European aesthetic values reordered and resignified, but the Catholic catechism which indoctrinated the New World yields to alternate spiritual systems springing out of a culture of resistance to European domination.
    Note: Description based on publisher supplied metadata and other sources
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