ISBN:
9781849640770
,
1849640777
,
0745315542
,
9780745315546
Sprache:
Englisch
Seiten:
Online Ressource (261 p.)
Ausgabe:
Online-Ausg. [S.l.] HathiTrust Digital Library Online-Ausg. [S.l.] : HathiTrust Digital Library
Paralleltitel:
Erscheint auch als Hutnyk, John, 1961- Critique of exotica
DDC:
306.484
Schlagwort(e):
Popular music Social aspects
;
Popular music Political aspects
;
Popular culture History
;
20th century
;
Musique populaire Aspect social
;
Musique populaire Aspect politique
;
Culture populaire Histoire
;
20e siècle
;
Asiatiques Conditions sociales
;
20e siècle
;
Communication interculturelle
;
Double appartenance (Sciences sociales)
;
Multiculturalisme
;
Popular music Political aspects
;
Popular culture History 20th century
;
Popular music Social aspects
;
Asiatiques Conditions sociales
;
20e siècle
;
Communication interculturelle
;
Culture populaire Histoire
;
20e siècle
;
Double appartenance (Sciences sociales)
;
Multiculturalisme
;
Musique populaire Aspect politique
;
Musique populaire Aspect social
;
Popular culture History
;
20th century
;
Popular music Political aspects
;
Popular music Social aspects
;
SOCIAL SCIENCE ; Popular Culture
;
POLITICAL SCIENCE ; Political Ideologies ; Democracy
;
Popular culture
;
SOCIAL SCIENCE ; Anthropology ; Cultural
;
POLITICAL SCIENCE ; Public Policy ; Cultural Policy
;
Populaire muziek
;
Cultuurindustrie
;
Cultuurbeleid
;
Interculturele communicatie
;
Unterhaltungsmusik
;
Globalisierung
;
Musikwirtschaft
;
History
;
Electronic book
;
Electronic books History
Kurzfassung:
Annotation
Kurzfassung:
Dub : introduction -- Adorno at Womad -- 'Dog tribe' -- Magical mystical tourism -- Authenticity or cultural politics? -- Internationalisms -- Critique of postcolonial Marxisms -- 'Naxalite' -- Conclusion : the culture industry.
Kurzfassung:
In this innovative book, John Hutnyk questions the meaning of cultural hybridity. Using the growing popularity of Asian culture in the West as a case study, he looks at just who benefits from this intermingling of culture. Focusing on music, race and politics, Hutnyk offers a cogently theorised critique of the culture industry. He looks at artists such as Asian Dub Foundation, FunDaMental and Apache Indian to see how their music is both produced and received. He analyses ‘world’ music festivals, racist policing and the power of corporate pop stars to market exotica across the globe. Throughout, Hutnyk provides a searing critique of a world that sells exotica as race relations and visibility as redress.
Anmerkung:
Includes bibliographical references (p. 239-250) and index. - Description based on print version record
,
Description based on print version record
,
Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002
,
Online-Ausg. [S.l.] : HathiTrust Digital Library
,
Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
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