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  • 1
    ISBN: 1877372617 , 9781877372612
    Language: English
    Pages: 183 Seien
    DDC: 749
    Keywords: Waitere, Tene 1854-1931 ; Adams, Mark 1949- ; Waitere, Tene ; Adams, Mark ; Waitere, Tene ; Wood-carvers New Zealand ; Wood-carving, Maori ; Wood-carving, Maori Pictorial works ; Decorative arts, Maori ; Decorative arts, Maori Pictorial works ; Mahi toi ; Tohunga whakairo ; Whakairo ; Kōrero nehe ; Poupou ; Wood-carving, Maori Pictorial works ; Wood-carvers ; Photographers ; Decorative arts, Maori Pictorial works ; Maori ; Holzschnitzerei ; Neuseeland ; Bildband ; Bildband ; Neuseeland ; Maori ; Holzschnitzerei ; Waitere, Tene 1854-1931
    Note: Literaturverz, S. 179-180
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    ISBN: 9789088906343
    Language: English
    Pages: 1 Online-Ressource (479 Seiten) , Illustrationen
    Series Statement: Pacific presences 7
    Series Statement: Pacific presences
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 779.90695092
    RVK:
    RVK:
    RVK:
    Keywords: Fotografie ; Kolonialismus ; Ethnologisches Museum ; Europa ; Ozeanien ; Bildband ; Ethnologisches Museum ; Kolonialismus ; Fotografie ; Ozeanien ; Europa
    Abstract: Ethnographic museums, now often rebranded as collections of ‘world cultures’, appear permanently problematic, even as their contexts and the orientation of their activities change. Across Europe and elsewhere, curators and other museum staff are committed to dialogue and collaboration with the peoples from whom collections were made. But their vast assemblages of artefacts, removed from countries of origin primarily during the colonial period, and assumed, mostly inaccurately, to have been looted, seem always in question. Photo-Museology arises from an art project undertaken over 25 years. From the early 1990s, Mark Adams and Nicholas Thomas together investigated sites of cross-cultural encounter in the Pacific and associated places in Europe, ranging from Captain Cook memorials to ethnographic museums. Some of those museums still exhibited colonial symbols and forms of knowledge, others had attempted to displace such histories, foregrounding more inclusive or progressive stories. Complementing the academic studies in the Pacific Presences series, this book offers what John Berger referred to as ‘another way of telling’. Through photography, it revisits the places collections were made, and the places they ended up in. It is a meditation on presence and absence.
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 3
    Image
    Image
    Dunedin : Univ. of Otago Press [u.a.]
    ISBN: 1877133825
    Language: English
    Pages: 196 S
    Edition: 1st publ
    DDC: 993.7
    Keywords: œaSouth Island (N.Z.)œaPictorial works ; œaSouth Island (N.Z.)œaDescription and travel ; Cook, James *1728-1779* ; Ozeanien ; Forschung ; South Island (N.Z.) ; Pictorial works ; South Island (N.Z.) ; Description and travel ; Bildband ; Bildband ; Cook, James 1728-1779 ; Ozeanien ; Forschung ; Geschichte
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  • 4
    ISBN: 9789088906329 , 9789088906336
    Language: English
    Pages: 479 Seiten
    Series Statement: Pacific presences 7
    Series Statement: Pacific presences
    Parallel Title: Erscheint auch als
    DDC: 779.90695092
    RVK:
    RVK:
    RVK:
    RVK:
    Keywords: Adams, Mark ; Thomas, Nicholas ; Fotografie ; Kolonialismus ; Ethnologisches Museum ; Europa ; Ozeanien ; Bildband ; Bildband ; Bildband ; Bildband ; Bildband ; Ozeanien ; Europa ; Ethnologisches Museum ; Kolonialismus ; Fotografie ; Adams, Mark 1949- ; Thomas, Nicholas 1960-
    Abstract: Ethnographic museums, now often rebranded as collections of ‘world cultures’, appear permanently problematic, even as their contexts and the orientation of their activities change. Across Europe and elsewhere, curators and other museum staff are committed to dialogue and collaboration with the peoples from whom collections were made. But their vast assemblages of artefacts, removed from countries of origin primarily during the colonial period, and assumed, mostly inaccurately, to have been looted, seem always in question. Photo-Museology arises from an art project undertaken over 25 years. From the early 1990s, Mark Adams and Nicholas Thomas together investigated sites of cross-cultural encounter in the Pacific and associated places in Europe, ranging from Captain Cook memorials to ethnographic museums. Some of those museums still exhibited colonial symbols and forms of knowledge, others had attempted to displace such histories, foregrounding more inclusive or progressive stories. Complementing the academic studies in the Pacific Presences series, this book offers what John Berger referred to as ‘another way of telling’. Through photography, it revisits the places collections were made, and the places they ended up in. It is a meditation on presence and absence.
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
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