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  • 1
    Online Resource
    Online Resource
    Chapel Hill, NC : University of North Carolina Press
    ISBN: 9781469625171 , 1469625172
    Language: English
    Pages: 1 Online-Ressource
    Edition: 1 Edition.
    Series Statement: Gender and American culture
    Series Statement: UPCC book collections on Project MUSE
    DDC: 391.0082/0973
    RVK:
    RVK:
    Keywords: Geschichte 1958-2013 ; Schwarze Frau ; Schönheit ; Frauenbild ; Stereotyp ; Mode ; Globalization ; Stereotypes (Social psychology) in fashion ; Beauty, Personal ; Feminine beauty (Aesthetics) ; Women, Black ; Minority women ; USA
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Online Resource
    Online Resource
    Chapel Hill : The University of North Carolina Press | Oxford : Oxford University Press
    ISBN: 9781469625171
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white).
    Series Statement: Gender and American culture
    DDC: 391.0082/0973
    RVK:
    RVK:
    Keywords: Geschichte 1958-2013 ; Schwarze Frau ; Schönheit ; Frauenbild ; Stereotyp ; Mode ; Minority women ; Women, Black ; Feminine beauty (Aesthetics) ; Beauty, Personal ; Stereotypes (Social psychology) in fashion ; Globalization ; USA
    Abstract: This text explores how and why black women in places as far-flung as New York City, Atlanta, London, and Johannesburg incorporated style and beauty culture into their activism. From the civil rights and Black Power era of the 1960s through antiapartheid activism in the 1980s and beyond, black women have used their clothing, hair, and style not simply as a fashion statement but as a powerful tool of resistance. Whether using stiletto heels as weapons to protect against police attacks or incorporating African-themed designs into everyday wear, these fashion-forward women celebrated their identities and pushed for equality. Focusing on the emergence of the 'soul style' movement, represented in clothing, jewelry, hairstyles, and more, the book shows that black women's fashion choices became galvanizing symbols of gender and political liberation.
    Note: Previously issued in print: 2015 , Includes bibliographical references and index
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  • 3
    Online Resource
    Online Resource
    Chapel Hill, NC : University of North Carolina Press
    ISBN: 9781469625171 , 1469625172
    Language: English
    Pages: Online Ressource
    Edition: 1 Edition
    Series Statement: Gender and American culture
    Parallel Title: Print version Liberated threads
    DDC: 391.00820973
    Keywords: Minority women United States ; Women, Black United States ; Feminine beauty (Aesthetics) United States ; Beauty, Personal United States ; Stereotypes (Social psychology) in fashion United States ; Globalization United States ; United States ; Women, Black ; Feminine beauty (Aesthetics) ; Beauty, Personal ; Stereotypes (Social psychology) in fashion ; Globalization ; Minority women ; Stereotypes (Social psychology) in fashion ; Globalization ; Beauty, Personal ; Minority women ; Women, Black ; Feminine beauty (Aesthetics) ; Minority Groups ; Women history ; Stereotyping ; Beauty ; Racism history ; HEALTH & FITNESS ; Beauty & Grooming ; SOCIAL SCIENCE ; Gender Studies ; Beauty, Personal ; Feminine beauty (Aesthetics) ; Globalization ; Minority women ; Stereotypes (Social psychology) in fashion ; Women, Black ; United States ; Electronic books ; Electronic books
    Abstract: From the civil rights and Black Power era of the 1960s through antiapartheid activism in the 1980s and beyond, black women have used their clothing, hair, and style not simply as a fashion statement but as a powerful tool of resistance. Whether using stiletto heels as weapons to protect against police attacks or incorporating African-themed designs into everyday wear, these fashion-forward women celebrated their identities and pushed for equality. In this thought-provoking book, Tanisha C. Ford explores how and why black women in places as far-flung as New York City, Atlanta, London, and Johannesburg incorporated style and beauty culture into their activism. Focusing on the emergence of the "soul style" movement—represented in clothing, jewelry, hairstyles, and more—Liberated Threads shows that black women's fashion choices became galvanizing symbols of gender and political liberation. Drawing from an eclectic archive, Ford offers a new way of studying how black style and Soul Power moved beyond national boundaries, sparking a global fashion phenomenon. Following celebrities, models, college students, and everyday women as they moved through fashion boutiques, beauty salons, and record stores, Ford narrates the fascinating intertwining histories of Black Freedom and fashion
    Description / Table of Contents: AcknowledgmentsIntroduction: Black women and the making of a modern soul style -- Reimagining Africa : how Black women invented the language of soul in the 1950s -- Harlem's "natural soul" : selling black beauty to the diaspora in the early 1960s -- SNCC's soul sisters : respectability and the style politics of the civil rights movement -- Soul style on campus : American college women and Black power fashion -- We were people of soul : gender, violence, and Black Panther style in 1970s London -- The soul wide world : the "Afro look" in South Africa from the 1970s to the new millennium -- Epilogue: for chelsea : soul style in the new millennium -- Notes -- Bibliography -- Index.
    Note: Includes bibliographical references and index. - Print version record
    URL: Volltext  (lizenzpflichtig)
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