ISBN:
9783319631639
Language:
English
Pages:
1 Online-Ressource (303 Seiten)
Series Statement:
The Sciences Po Series in International Relations and Political Economy Ser
DDC:
306.4842
Keywords:
Aufsatzsammlung
Abstract:
Intro -- Contents -- Editors and Contributors -- List of Figures -- List of Tables -- Chapter 1: Introduction: Understanding Musical Diplomacies-Movements on the "Scenes" -- The Acoustic Turn in IR: Origins and Trajectories -- The Concept of "Scenes": From Sociology to IR -- Dimensions of Musical Diplomacies in International Scenes -- Bibliography -- Part I: Shaping the Musical Scene. Sounds and Voices as Objectives of Diplomacy -- Chapter 2: Europe in Rome/Rome in Europe: Diplomacy as a Network of Cultural Exchanges -- Some Examples of Feste -- Model, Circulation and the Role of Ambassadors -- Conclusion -- Bibliography -- Chapter 3: Eighteenth-Century Diplomats as Musical Agents -- Exchanges -- Collaborations and Interventions -- Connections -- Conclusion: Future Work -- Bibliography -- Chapter 4: Targeting New Music in Postwar Europe: American Cultural Diplomacy in the Crafting of Art Music Avant-Garde Scenes -- Avant-Garde Music in Postwar Europe and America -- Nicolas Nabokov and Art Music Avant-Garde in Europe: A Composer in the Political Play -- Paris's Scene: The Festival L'Œuvre du XXe siècle -- The Symphonic and Lyrical Program -- The Chamber Music Programming -- La Revue Musicale's Special Issue -- The Rome Scene: La Musica nel XX Secolo, Convegno Internazionale di Musica Contemporanea -- Boulez's Reaction -- Fred Goldbeck's Musical Chronicle in Preuves: Outlining The Presence of History in Musical Creation -- Opening Other Paths to Musical Innovation -- Building a New Cultural Scene: Nabokov in West Berlin -- Bibliography -- Part II: Shaping the Diplomatic Scene. Sounds and Voices as Frameworks of Diplomacy -- Chapter 5: The Diplomatic Viol -- Elite Instruments -- Negotiating Materials -- The "Viol" Sound of Diplomacy -- Bibliography
Abstract:
Chapter 6: The Diplomat's Music Test: Branding New and Old Diplomacy at the Beginning of the Nineteenth and Twenty-First Centuries -- Music, Dance, and the Definition of Diplomacy -- Marking the New and the Old -- Setting the Diplomatic Scene, Then and Now -- Conclusion -- Bibliography -- Chapter 7: Schaeffer, Boulez, and the Everyday Diplomacies of French Decolonization -- Perfect Opposites or Mirror Images -- Engaging the Others, Beyond Exoticism -- Schaeffer -- Boulez -- Sound Makings and French Decolonization -- References -- Part III: Bringing Music to the Fore of the Diplomatic Scene. Sounds and Voices as Objects of Diplomacy -- Chapter 8: Negotiating the Pitch: For a Diplomatic History of A, at the Crossroads of Politics, Music, Science and Industry -- A 435, or the Leading Voice of France in Pitch Negotiations -- A 440: The Brighter Sound of Industrial Internationalism -- Epilogue-The "Sounds of War"56 -- Chapter 9: Music, Diplomacy and International Solidarity: The Campaign for Miguel Ángel Estrella (1977-1980) -- A Victim of Operation Condor -- Mobilizing the Musical Community -- Diplomatic Networks and International Organizations -- Music as a Human Rights Symbol -- Chapter 10: The Eurovision Song Contest in the Musical Diplomacy of Authoritarian States -- Conclusion: The Eurovision Song Contest as a Way of Improving a State's International Image -- Bibliography -- Chapter 11: Music that Divides: The Case of Russian Musical Diplomacy in the Baltic States -- Setting the Scene -- Rallying the Public -- Assigning Roles to the Actors -- Scene Setters, Publics and Actors in Interplay -- Conclusion -- References -- Part IV: Musical. Nation Branding on International Scenes -- Chapter 12: Of Dreams and Desire: Diplomacy and Musical Nation Branding Since the Early Modern Period -- Listen to the Literature -- On Nation Branding
Abstract:
Music and Nation Branding -- Conclusion -- Index
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