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  • 1
    Online Resource
    Online Resource
    New York, NY : New York University Press | Berlin : Walter de Gruyter GmbH
    ISBN: 9780814724064
    Language: English
    Pages: 1 Online-Ressource
    DDC: 305.48/9664
    Abstract: Looks can be deceiving, and in a society where one's status and access to opportunity are largely attendant on physical appearance, the issue of how difference is constructed and interpreted, embraced or effaced, is of tremendous import. Lisa Walker examines this issue with a focus on the questions of what it means to look like a lesbian, and what it means to be a lesbian but not to look like one. She analyzes the historical production of the lesbian body as marked, and studies how lesbians have used the frequent analogy between racial difference and sexual orientation to craft, emphasize, or deny physical difference. In particular, she explores the implications of a predominantly visible model of sexual identity for the feminine lesbian, who is both marked and unmarked, desired and disavowed. Walker's textual analysis cuts across a variety of genres, including modernist fiction such as The Well of Loneliness and Wide Sargasso Sea, pulp fiction of the Harlem Renaissance, the 1950s and the 1960s, post-modern literature as Michelle Cliff's Abeng, and queer theory. In the book's final chapter, "How to Recognize a Lesbian," Walker argues that strategies of visibility are at times deconstructed, at times reinscribed within contemporary lesbian-feminist theory.
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Online Resource
    Online Resource
    New York : NYU Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9780814724064
    Language: English
    Pages: 1 Online-Ressource (307 pages)
    Edition: 1st ed.
    Series Statement: The Cutting Edge: Lesbian Life and Literature Series
    DDC: 305.48/9664
    Abstract: Looks can be deceiving, and in a society where one's status and access to opportunity are largely attendant on physical appearance, the issue of how difference is constructed and interpreted, embraced or effaced, is of tremendous import. Lisa Walker examines this issue with a focus on the questions of what it means to look like a lesbian, and what it means to be a lesbian but not to look like one. She analyzes the historical production of the lesbian body as marked, and studies how lesbians have used the frequent analogy between racial difference and sexual orientation to craft, emphasize, or deny physical difference. In particular, she explores the implications of a predominantly visible model of sexual identity for the feminine lesbian, who is both marked and unmarked, desired and disavowed. Walker's textual analysis cuts across a variety of genres, including modernist fiction such as The Well of Loneliness and Wide Sargasso Sea, pulp fiction of the Harlem Renaissance, the 1950s and the 1960s, post-modern literature as Michelle Cliff's Abeng, and queer theory. In the book's final chapter, "How to Recognize a Lesbian," Walker argues that strategies of visibility are at times deconstructed, at times reinscribed within contemporary lesbian-feminist theory.
    Note: Description based on publisher supplied metadata and other sources
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    Book
    Book
    New York [u.a.] :New York Univ. Press,
    ISBN: 0-8147-9371-1 , 0-8147-9372-X , 978-0-8147-9372-5
    Language: English
    Pages: XVII, 281 S. : , Ill.
    Series Statement: 〈〈The〉〉 cutting edge. Lesbian Life and Literature
    DDC: 305.48/9664
    RVK:
    RVK:
    Keywords: Homosexualité ; Identité (Psychologie) ; Lesbianisme ; Lesbienne ; Homosexuality ; Lesbianism ; Lesbians Identity ; Lesbische Orientierung. ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Lesbische Orientierung
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  • 4
    Online Resource
    Online Resource
    New York : New York University Press
    ISBN: 081479372X , 0814793711
    Language: English
    Pages: Online-Ressource (xvii, 279 p) , ill , 21 cm
    Edition: Online-Ausg. 2009 Electronic reproduction; Available via World Wide Web
    Series Statement: The Cutting Edge: Lesbian Life and Literature Series
    Parallel Title: Print version Looking Like What You Are : Sexual Style, Race, and Lesbian Identity
    DDC: 305.48/9664
    RVK:
    RVK:
    Keywords: Homosexuality ; Lesbians Identity ; Lesbianism ; Lesbians - Identity ; Electronic books ; Aufsatzsammlung
    Abstract: Looks can be deceiving, and in a society where one's status and access to opportunity are largely attendant on physical appearance, the issue of how difference is constructed and interpreted, embraced or effaced, is of tremendous import. Lisa Walker examines this issue with a focus on the questions of what it means to look like a lesbian, and what it means to be a lesbian but not to look like one. She analyzes the historical production of the lesbian body as marked, and studies how lesbians have used the frequent analogy between racial difference and sexual orientation to craft, emphasize, or
    Description / Table of Contents: Contents; Preface; Introduction: In/visible Differences; 1. Martyred Butches and Impossible Femmes:Radclyffe Hall and the Modern Lesbian; 2. Debutante in Harlem: Blair Niles's Strange Brother; 3. Lesbian Pulp in Black and White; 4. Strategies of Identification in Three Narratives ofFemale Development; 5. How to Recognize a Lesbian: The Cultural Politicsof Looking Like What You Are; Epilogue; Notes; Works Cited; Index; About the Author
    Note: Includes bibliographical references (p. 251-265) and index , Electronic reproduction; Available via World Wide Web
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