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  • 1
    ISBN: 9782364411753
    Language: English
    Pages: 248 Seiten , Illustrationen, Diagramme, Notenbeispiele
    Series Statement: Collection sociétés
    DDC: 306.09
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  • 2
    Online Resource
    Online Resource
    London : Routledge, Taylor & Francis Group | Abingdon : Taylor & Francis Group
    ISBN: 9781315609881
    Language: English
    Pages: 1 Online-Ressource (xix, 282 Seiten) , Illustrationen
    Series Statement: Ashgate popular and folk music series
    DDC: 782.42164117
    RVK:
    Keywords: Geschichte 2000-2015 ; Popmusik ; Song ; Musikalische Analyse ; Aufsatzsammlung
    Abstract: Existing books on the analysis of popular music focus on theory and methodology, and normally discuss parts of songs briefly as examples. The impression often given is that songs are being chosen simply to illuminate and exemplify a theoretical position. In this book the obverse is true: songs take centre stage and are given priority. The authors analyse and interpret them intensively from a variety of theoretical positions that illuminate the song. Thus, methods and theories have to prove their use value in the face of a heterogeneous, contemporary repertoire. The book brings together researchers from very different cultural backgrounds and encourages them to compare their different hearings and to discuss the ways in which they make sense of specific songs. All songs analysed are from the new millennium, most of them not older than three years. Because the most widely popular styles are too often ignored by academics, this book aims to shed light on how million sellers work musically. Therefore, it encompasses a broad palette, highlighting mainstream pop (Lady Gaga, Ke$ha, Lucenzo, Amy McDonald), but also accounting for critically acclaimed 'indie' styles (Fleet Foxes, Death Cab for Cutie, PJ Harvey), R&B (Destiny's Child, Janelle Monae), popular hard rock (Kings of Leon, Rammstein), and current electronic music (Andres, BjArk). By concentrating on 13 well-known songs, this book offers some model analyses that can very easily be studied at home or used in seminars and classrooms for students of popular music at all academic levels.
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  • 3
    Book
    Book
    Cambridge : Cambridge Univ. Press
    ISBN: 0521574846 , 0521573815
    Language: English
    Pages: XI, 98 S. , Notenbeisp.
    Edition: Repr.
    Series Statement: Cambridge music handbooks
    DDC: 782.421660922
    RVK:
    Keywords: The Beatles ; The Beatles
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  • 4
    Book
    Book
    Cambridge : Cambridge Univ. Press
    ISBN: 9780521574846 , 9780521573818
    Language: English
    Pages: XI, 98 S. , Notenbeisp.
    Edition: Digital print., [Nachdr. der Ausg.] 2004
    Series Statement: Cambridge music handbooks
    DDC: 782.421660922
    RVK:
    Keywords: The Beatles
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  • 5
    Online Resource
    Online Resource
    Farnham, Surrey, England : Ashgate
    ISBN: 9781283479875 , 9781409428657 , 9781315609898
    Language: English
    Pages: 1 Online-Ressource (XVI, 395 Seiten)
    Series Statement: Ashgate popular and folk music series
    Parallel Title: Erscheint auch als Moore, Allan F. Song means
    DDC: 782.42164117
    RVK:
    RVK:
    Keywords: Popular music Analysis, appreciation ; Popular music History and criticism ; Songs Analysis, appreciation ; Popular music Philosophy and aesthetics ; Sound recordings in musicology ; Electronic books Criticism, interpretation, etc ; Popmusik ; Musikalische Analyse
    Abstract: Allan F. Moore presents a study of recorded popular song, from the recordings of the 1920s through to the present day. Analysis and interpretation are treated as separable but inter-dependent approaches to song. Analytical theory is revisited, covering conventional domains such as harmony, melody and rhythm, but does not privilege these at the expense of domains such as texture, the soundbox, vocal tone, lyrics. Moore continues by developing a range of hermeneutic strategies largely drawn from outside the field (in the most part, within psychology and philosophy) but still deeply relevant to the experience of song
    Note: Includes bibliographical references (pages 337-350), discography (p. 351-383) , and indexes. - Print version record
    URL: Volltext  (lizenzpflichtig)
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  • 6
    Online Resource
    Online Resource
    New York : Bloomsbury Academic | Ann Arbor, Michigan : ProQuest
    ISBN: 9781501330476 , 9781501330469
    Language: English
    Pages: 1 Online-Ressource (xvii, 636 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 781.66
    RVK:
    RVK:
    Keywords: Rockmusik ; Forschung ; Electronic books
    Abstract: Cover -- Contents -- List of Figures -- List of Tables -- Notes on Contributors -- Acknowledgments -- 1 Introduction: Rock Music's Emergence, Censorship, and Perceived Death Paul Carr and Allan Moore -- 2 Rock Historiography: Music, Artists, Perspectives, and Value John Covach -- 3 Serious Writing about Rock Sarah Hill -- 4 The Definition of "Rock" and Stylistic Overlaps Taylor Myers and Brad Osborn -- Part I Practice, Analysis, and Recording -- 5 Rock Voice Katherine Meizel -- 6 "The Rock Instrumentarium" Steve Waksman -- 7 Analyzing and Interpreting Song Forms Ralf von Appen -- 8 Convention and Invention in Harmonic and Melodic Theories for Rock Music Brett Clement -- 9 Rhythmic and Metric Theorization in Rock Music Nicole Biamonte -- 10 Computational Musicology in Rock Trevor de Clercq -- 11 Function and Construction of Rock Lyrics Dai Griffiths -- 12 Rock Music Engineering and Production Samantha Bennett -- 13 Sonic Space and Texture in Rock Olivier Julien -- Part II Rock Theories -- 14 Authenticity, Creativity, Originality Theodore Gracyk -- 15 Categorization: Genre, Style, Idiolect, and Beyond Nick Braae -- 16 Personas in Rock: "We Will, We Will Rock You" Stan Hawkins -- 17 Rock Hermeneutics Katherine Reed -- 18 Narrativity and Rock Music Alexander C. Harden -- 19 Sliding Scales and Slippery Slopes: Representations of Autonomy and Mediation in the "Radial Mainstream" of UK-Based Pop/Rock Damon Minchella -- Part III Rock Environments -- 20 Studio Practice and Organization in Rock Music Simon Zagorski-Thomas -- 21 Rock Music Pedagogy in the UK and USA: Ignorance or Elitism? Paul Carr -- 22 The Rock Press Paula Hearsum and Martin James -- 23 Rock and Time-Based Visual Media Laura Niebling -- 24 Rock in Time-Based Events Andrew Blake -- 25 Rock Live Performance Sergio Pisfil -- 26 Marketing and Commodification of Rock Roy Shuker
    Note: Literaturverzeichnis: Seite 507-612
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  • 7
    E-Resource
    E-Resource
    Farnham [u.a.] : Ashgate
    ISBN: 9781283479875
    Language: English
    Pages: XVI, 395 S. , Ill., Notenbeisp.
    Series Statement: Ashgate popular and folk music series
    Series Statement: Ashgate e-book
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 782.42164
    RVK:
    Keywords: Musikalische Analyse ; Popmusik ; Songs--Analysis, appreciation. ; Popular music--Philosophy and aesthetics. ; Sound recordings in musicology. ; Popmusik ; Musikalische Analyse
    Note: Incl. bibliogr. references and discography
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  • 8
    Book
    Book
    Cambridge [u.a.] : Cambridge Univ. Press
    ISBN: 9780521771207 , 9780521100359
    Language: English
    Pages: IX, 270 S. , graph. Darst.
    Edition: Digitally printed version
    DDC: 781.64
    RVK:
    Keywords: Analyse musicale ; Musique populaire - Analyse et appréciation ; Musique populaire - Histoire et critique ; Onderzoek ; Populaire muziek ; Sociale aspecten ; Gesellschaft ; Musical analysis ; Popular music Analysis, appreciation ; Popular music History and criticism ; Popmusik ; Aufsatzsammlung ; Popmusik
    Note: Includes bibliographical references (p. 240-257), discography (p. 258-260) and index
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  • 9
    Musical Score
    Musical Score
    Cambridge [u.a.] : Cambridge Univ. Press
    ISBN: 0521001072 , 0521806356
    Language: English
    Pages: XVIII, 208 S. , Ill.
    Series Statement: Cambridge companions to music
    DDC: 781.643
    RVK:
    Keywords: Blues - États-Unis ; Blues - États-Unis - Analyse et appréciation ; Blues ; Gospel - États-Unis ; Gospel - États-Unis - Analyse et appréciation ; Gospels ; Blues (Music) History and criticism ; Gospel music History and criticism ; Gospelsong ; Blues ; Aufsatzsammlung ; Aufsatzsammlung ; Blues ; Gospelsong
    Abstract: From Robert Johnson to Aretha Franklin, Mahalia Jackson to John Lee Hooker, blues and gospel artists figure heavily in the mythology of 20th-century culture. This is an overview of blues and gospel music as an expression of 20th-century black US experience.
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  • 10
    Book
    Book
    Cambridge [u.a.] : Cambridge Univ. Press
    ISBN: 0521573815 , 0521574846
    Language: English
    Pages: XI, 98 S. , Noten
    Edition: 1. publ., reprint.
    Series Statement: Cambridge music handbooks
    DDC: 782.421660922
    RVK:
    Keywords: The Beatles ; The Beatles Sgt. Pepper's Lonely Hearts Club Band
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