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  • 1
    ISBN: 9789088906343
    Language: English
    Pages: 1 Online-Ressource (479 Seiten) , Illustrationen
    Series Statement: Pacific presences 7
    Series Statement: Pacific presences
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 779.90695092
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    Keywords: Fotografie ; Kolonialismus ; Ethnologisches Museum ; Europa ; Ozeanien ; Bildband ; Ethnologisches Museum ; Kolonialismus ; Fotografie ; Ozeanien ; Europa
    Abstract: Ethnographic museums, now often rebranded as collections of ‘world cultures’, appear permanently problematic, even as their contexts and the orientation of their activities change. Across Europe and elsewhere, curators and other museum staff are committed to dialogue and collaboration with the peoples from whom collections were made. But their vast assemblages of artefacts, removed from countries of origin primarily during the colonial period, and assumed, mostly inaccurately, to have been looted, seem always in question. Photo-Museology arises from an art project undertaken over 25 years. From the early 1990s, Mark Adams and Nicholas Thomas together investigated sites of cross-cultural encounter in the Pacific and associated places in Europe, ranging from Captain Cook memorials to ethnographic museums. Some of those museums still exhibited colonial symbols and forms of knowledge, others had attempted to displace such histories, foregrounding more inclusive or progressive stories. Complementing the academic studies in the Pacific Presences series, this book offers what John Berger referred to as ‘another way of telling’. Through photography, it revisits the places collections were made, and the places they ended up in. It is a meditation on presence and absence.
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 2
    ISBN: 9781877385551
    Language: English
    Pages: 160 S. , überw. Ill. , 25 x 30 cm
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    Keywords: Tätowierung ; Neuseeland ; Samoa ; Bildband ; Tätowierung ; Samoa ; Tätowierung ; Neuseeland ; Tätowierung
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  • 3
    ISBN: 9781877385551
    Language: English
    Pages: 160 p , ill. (some col.) , 25 x 30 cm
    DDC: 391.6508999462093
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    Keywords: Sulu'ape, Paulo ; Adams, Mark ; Tattooing History ; Tattooing ; Tattooing Pictorial works ; Tribal tattoos Pictorial works ; Tattoo artists ; Tätowierung
    Note: Plates 1-79 are p. [76-155] , Includes bibliographical references (p. 156-160) , Samoan tattooing, cosmopolitans, global culture , The portrait, the pe'a and the room , "A living art' : an interview with Su'a Sulu'ape Paulo II , 'An uncomfortable edge' : a conversation between Mark Adams and Nicholas Thomas.
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  • 4
    ISBN: 9789088906329 , 9789088906336
    Language: English
    Pages: 479 Seiten
    Series Statement: Pacific presences 7
    Series Statement: Pacific presences
    Parallel Title: Erscheint auch als
    DDC: 779.90695092
    RVK:
    RVK:
    RVK:
    RVK:
    Keywords: Adams, Mark ; Thomas, Nicholas ; Fotografie ; Kolonialismus ; Ethnologisches Museum ; Europa ; Ozeanien ; Bildband ; Bildband ; Bildband ; Bildband ; Bildband ; Ozeanien ; Europa ; Ethnologisches Museum ; Kolonialismus ; Fotografie ; Adams, Mark 1949- ; Thomas, Nicholas 1960-
    Abstract: Ethnographic museums, now often rebranded as collections of ‘world cultures’, appear permanently problematic, even as their contexts and the orientation of their activities change. Across Europe and elsewhere, curators and other museum staff are committed to dialogue and collaboration with the peoples from whom collections were made. But their vast assemblages of artefacts, removed from countries of origin primarily during the colonial period, and assumed, mostly inaccurately, to have been looted, seem always in question. Photo-Museology arises from an art project undertaken over 25 years. From the early 1990s, Mark Adams and Nicholas Thomas together investigated sites of cross-cultural encounter in the Pacific and associated places in Europe, ranging from Captain Cook memorials to ethnographic museums. Some of those museums still exhibited colonial symbols and forms of knowledge, others had attempted to displace such histories, foregrounding more inclusive or progressive stories. Complementing the academic studies in the Pacific Presences series, this book offers what John Berger referred to as ‘another way of telling’. Through photography, it revisits the places collections were made, and the places they ended up in. It is a meditation on presence and absence.
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
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